Perfect synchronization of styles in this wonderful collaboration.

Oh my, such a wonderful and beautiful piece of art which is full of life and emotion and made with such fine traditional instruments!

Soft, captivating and particular song! I like the suspended ending!!

Like a warm sip on a cold night! Wonderful!👍👍

Just splendid! Congratulations to both of you!👏

Its marvellous how you two have managed to get the dynamic highs and lows of your instruments working so well together. Im guessing that would have taken some time to figure out. The movement and flow are a treat. Wonderful work guys.

Time flies and its important to seize the day. My second son has a tattoo .It says  CARPE DIEM!

Tempus Fugit.WAV remix 2023

Hi,

I'm really happy to propose you Matziz's new single, titled "Barraque Beat with Rax label.
For the style it's a sort of Electronica, IDM, Impressionist, Rock, Weird Dance...
And it speaks about a toad, trying to enter a very weird house...

Hope you'll like it
^^

https://go.release.ink/MFTB
https://matzizrecords.bandcamp.com/track/barraque-beat 
https://soundcloud.com/theophile2latour/barraque-beat

Barraque Beat

Frozen Earth-Candles-Moon In The Window-Victims Of Our Time

look video song

Budapest - George Ezra "Acoustic Version" By Soli Ko

Piano composition, and piano: Debra Buesking https://soundcloud.com/debra_buesking
Melody for the voice, poem, photo  and voice: Oddrun Eikli

Thank you from my heart Debbie, for sharing music with me. It`s such a Joy.
The Photo is a meeting in Blue. Harpa Reykjavik, Island.

We will float through the clouds
I look beyond me
And i see you there
The thought is real
So Complete
There is silence
A breath from the Wind
From a distance
I can see

Sketch In Blue. Feat. Debra Buesking and Oddrun Eikli

So happy to be able to share a new track made with the brilliant @debra_buesking

This Scottish inspired Celtic track gets it name from the opening words of a poem by Gerard Manley Hopkins (posted below).  For those unaware, a burn is the Scottish/Northern English word for a small river.  The title also reminds me of the look and feel of  that other Scottish liquid Whiskey!  Have a wee dram while you listen.

Inversnaid

This darksome burn, horseback brown,
His rollrock highroad roaring down,
In coop and in comb the fleece of his foam
Flutes and low to the lake falls home.

A windpuff-bonnet of fáwn-fróth
Turns and twindles over the broth
Of a pool so pitchblack, féll-frówning,
It rounds and rounds Despair to drowning.

Degged with dew, dappled with dew
Are the groins of the braes that the brook treads through,
Wiry heathpacks, flitches of fern,
And the beadbonny ash that sits over the burn.

What would the world be, once bereft
Of wet and of wildness? Let them be left,
O let them be left, wildness and wet;
Long live the weeds and the wilderness yet.

Gerard Manley Hopkins

Piano - Debra Buesking
Low Whistles, Uilleann Pipes - Philleann

Darksome Burn (Philleann & Debra Buesking)

'Woodland Fox' is the 6th track from my album, 'Fox vs Rabbit'. 

You can check the album out on the following platforms:-

https://open.spotify.com/album/3Npgw2lmaks3mdf8IjEtG2?si=RhK3M6PHTQmFWaGLOfAbxg

https://woodlandtapeexchange.bandcamp.com/album/fox-vs-rabbit

https://www.youtube.com/channel/UCOzheWgu4OGvgsqrWWQQ-Wg/featured

Listen, subscribe, follow and share. It'll be most appreciated. If you'd like a free code for Bandcamp, just DM me :)

Fox vs Rabbit (Album)

Woodland Fox

Sometimes the only way to get frustration out for me is to make a song about it. 
Maybe you will, maybe you won't understand my lyrics and gel with them, but ya gotta consider that nobody else does what I do LOL

Happening Again

You can find this track also on Youtube where I filmed myself while playing this. https://youtu.be/s5ytA3aeu6w 

I just wanted to try out whether I could do a Boogie. This is the outcome. Hope you like it and it gives you good energy. 

Composition-wise: The left is a consistent 1/8th Boogie base line throughout the piece and typically consisting of a lower chromatic line and an upper constant note (e.g., C0-C1-D0-C1-Eb0-C1-E0-C1). The right hand dances over this with a partly Staccato theme that is loosened up by repeated Syncopes, Delays and advanced notes. The piece starts in a joyous C and modulates over its course to the minor third and ends in the warmer (and for me richer) Eb. 

The track has been recorded on a Roland FP-90.
The Cover art was created with Stable Diffusion which I continue fuddling around with. I think it is already a far jump from my previous „Sheherazades Tale“ Cover art but still not perfect. In particular, I continue to wonder what kind of music might be played with the very peculiar arrangement of white and black keys on the keyboard.

Danc'n On The Low Keys (Solo Piano)

Recorded in Modesto, Ca.   Featuring Hammond B3 Organ solo. Gibson 335 Electric Guitar solo. Trumpet solo. Fender Electric Bass. Vibraphone Rhythm. Trap Drum Set, Full Kit. Percussion Tambourine, Zildjen Crash 22" Crash Cymbal.

Hermosa

Bloomering

Dive into the warm, nostalgic sound of 'Echoes of the Past: Mono Vintage'. Recorded on a grand Bluhtner piano, this track features the unique charm of vintage crackles and the simplicity of mono audio, reminiscent of an old radio broadcast. Each note resonates with the rich history and timeless quality of a bygone era.

Echoes of the Past: Mono Vintage

Composer/Producer blending folk melodies with neoclassical vibes, and cinematic verve, my work is a mix of original compositions and contemporary arrangements of traditional tunes.  I hope you enjoy the music! 

Philleann (pronouced PHILLY-ENN) is a mash up of my name Phil and one of the instruments I play, the Uilleann Pipes.  I also play the Whistle and Accordion.

I'm a Brit now residing in the beautiful Pacific Northwest. I'm also a member of Bellow Bridge a traditional celtic folk band.

Darksome Burn (Philleann & Debra Buesking)

Philleann

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