Nicholas “Pumpkin” Alvarado is your new favorite music producer/DJ. His spot-on song selections, special remixes and original productions have made for unforgettable live sets that seamlessly span every genre and eschew the latest trends in favor of timeless melodies that will leave a ginormous smile plastered across your face.

Whether starting the party or closing it down, Pumpkin’s inspired mixes are always lovingly sequenced and aim to set the perfect mood. He’s played alongside fellow acclaimed house music mainstays like Lee Burridge, Justin Martin, Nick Warren and KCRW’s Jeremy Sole as well as progressive electronic music pioneers like Bluetech, Blockhead, EOTO and The Glitch Mob. Pumpkin has become an in-demand, fan-favorite at major music festivals like Coachella, Lightning in a Bottle and Sea of Dreams, where he closed the event after his musical hero, Trentemoller. Pumpkin’s acclaimed debut EP, “Love Letters,” featured collaborations with singer Katie Mowgli of the breakout band, The Mowglis and lyricist, EVeryman along with his sought after remixes from the likes of Florence + The Machine and Lila Rose.

He’s been part of the esteemed Pocket Underground family since 2006, when after playing in rock bands all his life, he found a new passion in the hypnotic rhythms of deep house music. Pumpkin honed his now signature sound by daring to incorporate the singer-songwriter, punk rock ethos and childhood nostalgia of his past, with the futuristic sounds of the present.

In everything he touches, Pumpkin’s colorful personality shines through and he loves nothing more than to have fun with his audience as his remixes for the likes Peter Gabriel, David Bowie and The Muppets will attest to. But whether you catch Pumpkin playing at a massive festival, packed club, underground warehouse party or a special sunrise set, you’ll never have more fun on a danceloor. Simply put, this is music to fall in love to.

Just as rave culture was making its first waves in the UK in 1988, a mad English kid named Lee Reynolds rode his BMX bike across the Atlantic to Los Angeles, carrying with him dreams of big air and sunny skies. He was as wild then as he is now, it’s just that on two wheels, Reynolds’ lack of abandon resulted in broken bones, not broken beats. In 1992, he limped off the ramp one last time and soon found himself lost to electronic psychedelia, and thusly one of the West Coast’s finest DJs began his path to the Desert Hearts movement and the hysteria he now conjures with every performance. 

Now, a quarter century later, Reynolds has a lifetime’s worth of experience bringing the weird and the wonderful to the dancefloor. He earned his chops up and down the West Coast in the dance scene’s dustier institutions––Moontribe, Moonshake, LiB––That’s where he developed his endlessly wide palate, penchant for mysticism, and an understanding that a dance party should be a spiritual experience. 

“When I DJ, I want people to feel ecstatic, in a zone, in the moment, like the only thing that matters is the dance,” he says. “I don’t want to play music that people can dance to, I want to play music that makes people dance. I want it to sound like aliens are about to land on the dancefloor.”

In 2011, It was an encounter with a plucky bunch of San Diegans barely out of their teens that was the calling Lee Reynolds had spent his whole life working towards. Alongside Mikey Lion, Deep Jesus, Marbs, and Porkchop, Reynolds formed Desert Hearts and the rest is history in motion. Over the past three years of bi-annual renegade ragers and relentless touring, “Papa” Lee Reynolds has developed into the patriarch of the fastest growing and most visible cultural movement in all of stateside dance music.

“My real role in Desert Hearts is more on a spiritual level, making sure we spread a positive message and do the right thing,” says Reynolds. Wise words, maybe, but behind the decks, Reynolds is a maniacal presence as he channels his past lives, tastes, adventures, and perspectives into a dancefloor magic that captures you upon first beat and does not release: House, techno, acid, and breaks, they’re all conjured up in a plume of purple haze and that little mad bastard is at the center of it all. 

Dance music now is so often about fast rises and immediate gratification, but Lee Reynolds’ story is a reminder that some beats taste better when slowly fried over the course of 25 years. “I’ve been obsessed with this shit forever and I’ve always believed the madness was coming,” says Reynolds. Well, the madness has commenced, and it seems like it’s here for good––and Lee Reynolds is conducting the score.
- Jemayel Khäwåja

Visit our website: http://thedolab.com

Do LaB is an events business and leader in American festival culture based out of Los Angeles, California. We build and promote music festivals, interactive environments, and unique structures that exhibit and celebrate our ethos of human connection, art as transformative experience, and environmental sustainability. We have created our festivals from the ground up and are best known for Lightning in a Bottle (LIB), Woogie Weekend and The Great Convergence, which took place at the pyramids of Giza in Egypt. Our creative structures and environments have inspired and connected thousands at festivals all over the world including Coachella, Boom Festival, Virgin Music Festival, Global Gathering, and many more.

Stay tuned for what's coming next! http://thedolab.com

Producers of:
Lightning in a Bottle || http://lightninginabottle.org
Woogie Weekend (2015-2016) || http://woogiewknd.com
Dirtybird Campout (2015-2018) || http://dirtybirdcampout.com

♥ Desert Hearts Records Boss ♥
Bookings ~ Americas and Australia: jon@liaisonartists.com
Management: t.gould@deserthearts.us
PR: mfrieser@infamouspr.com

Part mythical desert harlequin, part modern soul conductor, Mikey Lion is more than a DJ––He’s a freak of nature and an energy controller. The San Diego-native has earned a dusty mystique over the past few years as the center of the Desert Hearts movement and as a house and techno provocateur with a stage presence that suggests he will ride this wave all the way to the top. If there's one thing Mikey does well, it's get the party started.

Lion, real name Michael Leon, has brought the mothafuckin' ruckus to the stages of Lightning in a Bottle, the dustiest storms at Burning Man, and The Do LaB at Coachella, earning nods from Claude VonStroke, Jamie Jones, and Green Velvet in the process. In doing so, Lion and his signature top hat have developed a boisterous voice in the House & Techno scene with strong tribal, hip-hop, and psychedelic elements.

But it all started with Wu-Tang and Daft Punk. Lion first found his way behind the decks as a thirteen year old kid, scratching underground hip-hop records religiously after school. At Coachella as a seventeen year old, he witnessed that legendary Daft Punk performance on the same night he tasted his first dose of psychedelics. The show had such a monumental impact on him, he gave up Hip-Hop and became a House DJ the very next day.

After honing his craft with weekly marathon DJ sessions at Sala Razzmatazz in Barcelona, Mikey was introduced to Burner culture at Lightning in a Bottle, 2011. It was at his first Burning Man in 2011 that he found a community calling and merged forces with his brother Porkchop, life long friends Marbs & Deep Jesus, and the inimitable Lee Reynolds to form The Desert Hearts Crew.

In November 2012, Desert Hearts began as a seedy, 200-person renegade gathering deep in the Mojave Desert. The intrepid crew barely survived a set of extreme weather conditions and unfortunate circumstances, but that first party sparked a fire. The entire point of that first Desert Hearts was to create as much love as humanly possible, and now that same gathering has evolved into the darling of the West Coast house and techno scene. The Bi-annual festival is capped at 3500 attendees in order to create the best possible vibe. Built upon beautiful people getting as weird as possible to deep and trippy house and techno, Desert Hearts has already achieved iconic status in the North American Festival Scene. 

Desert Hearts has given rise to a family of thousands and it's safe to call it a bonafide movement of love. And while Desert Hearts Records launched in 2014 as a totally-free record label, pushes the sonic aesthetic of the scene, the crew’s busy international calendar of bookings has the DH message spreading far and wide. At the center of it all is Mikey Lion, the dusty prince of desert hearts, a beacon of weird far and wide, and one of this generation’s most compelling agents of love.

Robot Heart is a collective of doers and dreamers, artists and entrepreneurs. Our home is in the desert dust of Burning Man, and the streets of New York City, Detroit, Bay Area and Hong Kong. Home is wherever the Heart is.

Robot Heart is a community and a family, and our events are an extension and celebration of that community, bound together by shared values of inclusion, giving, environmental responsibility and mutual respect.

Music is our first language, and our mission is to bring love and beats to the world. We work with and support artists, technologists and visionaries of all types in order to create incredible experiences and connected moments. To create love and beats, for you.

Katermukke isn’t just a label; it’s an evolving sonic odyssey. Each release adds to its dynamic narrative, showcasing a relentless quest for musical innovation. The label seamlessly blends diverse electronic genres—from the hypnotic depths of melodic house and the driving pulse of techno to the dreamy realms of electronica and the infectious beats of indie dance.

Founded in 2011 by the visionary Dirty Doering and Sascha Cawa, Katermukke emerged from Berlin’s vibrant electronic scene as a sanctuary where music breaks boundaries and invites endless exploration.

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