TR151 - Katz Mulk - Muscle Memory

Apple core

Depression Introduced

Dark ambient soundscape for your pleasure. Relax, chillout and enjoy.

DARK AMBIENT - INFINIUM

INFO => self-titledmag.com/2018/05/11/ne247-meyers-negative-artist-mix/

NE247: Meyers - 'Negative Artist' Mix

https://soundcloud.com/vaagner

https://vaagner.bandcamp.com/album/surging-waves

memento mori [Vaknar]

At the core of 'Everyone is here' lies Kajsa Lindgren's usual process, defined by one simple question: “How can you make something of your own by manipulating time and space?” The Swedish composer joins Warm Winters Ltd. after recent releases with Hyperdelia (WOMB, 2018) and Longform Editions (Undercurrents, 2019). 

This album's 20 tracks are based around archival recordings that Kajsa stumbled upon in her grandfather's old basement and around memories of places or sounds from her childhood. Slowly, the album moves through time, at first reinterpreting recordings from the 60s and 70s, eventually showcasing some of Kajsa's latest compositions for voice and field recordings. Some pieces utilise very specific recordings - “Trio for cello, piano and violin” is based on an audio snippet of Kajsa's “mother, uncle and grandfather making an appearance as a trio in Swedish radio sometime during the 70's” - while others - “Anna”, inspired by memories of the Lindgrens' family boat called Anna and the sensation of being rocked to sleep by the Baltic sea waves - are more related to memories, places or objects. 

But 'Everyone is here' isn't a mere timeline of sounds or melancholic dive into previous decades. The album is a meditation on themes of inheritance, family and closeness. The composer describes the process of collecting old sonic material as “comforting”, especially in relation to her relationship with her grandparents, parents and family friends. “[The process] has given me an intimate understanding of them as human beings. We’ve all been kids, becoming adults. Trying to figure out who we are, what we want, what makes us happy and sad in life. There’s a great sense of connection and humility in that.” 
credits

Full release arriving on November 15, 2019 

Composed and mixed by Kajsa Lindgren (@kajsalindgren)
Mastered by Sean McCann 
Painting by Jörgen Lindgren 
Cover artwork design by Richard Greenan 
CD and cassette design by Anne Lippert, David Stichling 
Photography by Hampus Andersson & from family archives

Everyone is here

Kajsa Lindgren - How it sounded in my mind

Full Set Download * Support me * name your price–  http://aloisyang.bandcamp.com/track/x-ola-yin-plays-panning-time-space-live-at-torhaus-wehlen
 
Xïola Yin is the opposite yet not contradict side of Aloïs Yang.
This project focuses on deconstruction of existing works and recordings, random access and blending memories. Exploring the unstable and unpredictable outcomes of digital environment, through bespoke software instrument and live improvisation.
Performance video: youtu.be/2IPBNBOXwkY

Xïola Yin– Two Birds, One Man, In Between Spaces (Live at Torhaus Wehlen Excerpt)

Taken from the album 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' released as LP and Digital.

Max Eilbacher 'Metabolist Meter (Foster, Cottin, Caetani and a Fly)' (excerpt) (SPGRM 002)

“Rare Volume” is a new work created by Filipino-American multimedia artist Christian Michael Filardo, in a flurry of creative catharsis. Processing trauma reinvigorated by a global pandemic, Filardo reached tape loops of field recordings – some new, some getting on to five years old, all from an ‘old world’ however – along with snippets from minimalist piano recordings and other compositions from famous composers. 

Created entirely outside of digital space, Filardo processed the tape loops spontaneously into something new, turning recordings from New Mexico and Virginia into an intimate reflection on longing – “the end of relationships, and the forging of new ones.” Piano notes, society’s hum, and external rustlings gather and congeal into a work similar to Filardo’s photography in its longing eye on to the world. None of this digital release was constructed digitally. Only bounced to computer, then mastered by Angelo Harmsworth.

released June 19, 2020 

Sounds + photography by Christian Michael Filardo 

Mastered by Angelo Harmsworth

Christian Michael Filardo - Volume 1

"In Another Place is constructed from the sounds of found materials, domestic objects and self-made mechanisms. Working between Lucerne, Montreal and Huddersfield, we followed simple cues as instructional starting points, responding to a single word to create a sonic response within a specific time-frame. These prompts became starting points for materially engaged, sonic exploration. Each take was a dislocated, improvisation to no-one, confined to our private studios and homes, our headphones and recorders.

Sounds include recordings of ceramic hobs, seaweed, styrofoam, kitchen foil, balloons, resonant tubes, scrap metal, motors, water pumps, spark gaps, lightbulbs, water, wooden dowels and sand paper. The results were layered, re-situated and mixed by matching time-frames and timbre. In Another Place explores the musical potential of everyday materials through disconnection, interpretation and serendipity" - (Tim Shaw)

--

"What if COVID-19 had never swept the globe? What if our lives were operating as normal?

There would’ve been Anne-F Jacques from Montreal as ame’s fourth artist-in-residence collaborating, in different scales, with a gang of sound artists and musicians; Julia Eckhardt, Phil Niblock, Tim Shaw, Tania Caroline Chen, Yorkshire Sound Women Network and myself right now, here at Dai Hall, a venue for underground experimental music and art scene in Huddersfield.

The luxury of chaos (I miss that now) would’ve been followed by high-spirited laugher.

When Keiko invited me to make a mini album for Takuroku, I romanticised this hypothesis, the ‘what-if’ theory. Every event has a cause. This Takuroku opportunity has given us a chance to thrive, to get back to our individual creative zone, to listen to the world once more.

Thanks to Cafe OTO." - (Ryoko Akama)

TR055 - Ryoko Akama, Anne-F Jacques and Tim Shaw - 'heat, heat, gravity'

' .. son-ambient sculptures or creeping gas leaks, seeping out of speakers and into the atmosphere. '

Christian Michael Filardo - Volume 1

Phinery

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