"City Of Dance"

Lyrics:
Dancin' through the city (Do it)
Groovin' with the lights (Alright)
Can't stop movin' feet, feet
From morning to the night (Let's go)
The beat controls my way, way
It's how we live our life (Feel the vibe)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Move it now)

No walkin' in this town (Check it)
Only steps that flow (You know)
Dancin' to the beat, beat
With rhythm in the show (Let's go)
Every street's a groove, groove
In sync, we all just flow (Take a bow)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Prove it now)

In the city lights, we can't stand still
Movin' every night, dance is our thrill
Everywhere you see, steps are the deal
In this jangle life, rhythm we feel

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Move it now)

From rooftop to the ground (Jump in)
Movin' with the beat (So neat)
Shufflin' side to side, side
On every urban street (Oh yeah)
A city made to groove, groove
Where life's a constant beat (Feel the heat)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump
Watch me slide

City never sleeps (No way)
Dancin' through the night (Alright)
Every pulse and beat, beat
Invites us to take flight
In this groovy place, place
We'll move until the light (Feel the vibe)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Move it now)

#pop #janglepop #newwave
#AIMusic #luefh

While utilizing AI generation for initial concepts (pictures, album art, lyrics, musical foundation), this music is the result of extensive and documented human creative direction, editing, and production. Manual and complex AI-prompting shaped the raw material. Lyrics underwent significant manual editing for narrative, flow, and emotional impact. The core musical composition was refined through human arrangement choices. The production involved intensive manual mixing and mastering: multi-stem editing, stem correction, octaving, precise cuts, gain staging, dynamic balancing, low-frequency mono processing, pocketing and boosting energy points, bass excitation, sculpting bass harmonics, detailed sound design, effect application, side-chaining, compression, multiband dynamics, tempo fine-tuning, equalization for clarity and reduction of muddiness, loudness optimization, panoramic placement, frequency analysis, targeted high/low-frequency cuts, and LUFSi correction.

Everything Is Everything

Phoenix