Caio

Last of the Beach Days...

Afters

may'19

MARS 2015: #techno

titel: Necmi & Elfo-Vaporizer (Si-Moon RMX)
style: dirty prgoressiv
speed: bpm 140

enjoy and dance :)
if you like,like and share :D

Necmi & Elfo - Vaporizer (Si-Moon RMX) 95.3%finisehd DEMO

http://www.beatport.com/release/onemra/1360299

beatport

Pappenheimer & Peter Schmidt "Onemra" OUT NOW!

Cassegrain – Skin
Oscar Mulero – Blackstar
Gonzalo MD – Black Enemy
Subjected – SD1
CTRLS – Displacer(Sleeparchive)
Mike Storm – They Were
Sleeparchive – A man dies in the street 1 – 3
Planetary Assault Systems – Sucktion
Sleeparchive – A man dies in the street 2 – 5
Spherical Coordinates – SCFLS-17
Raffaele Attanasio – RA-1
Oscar Mulero – The Nine(Loktibrada mix)
Vatican Shadow – Remember your black day

www.polegroup.net 
www.facebook.com/polegroup 
www.twitter.com/PoleGroup




PoleGroup Radio/ Raffaele Attanasio/ 18.04

Alec Troniq & Raumakustik - All Come To Bed

ROBIN HIRTE - COMING HOME

Tuesday night, Burning Man, 2014. 1AM. Starting at 10 and L and ending up somewhere in deep Playa. Being the so called "captain of the bus", driving into the middle of nowhere with an endless tail of flickering lights behind me, was an experience I will never, ever, forget.

Photo by Darrin Harris Frisby

https://soundcloud.com/jobjobse
https://www.facebook.com/jobjobse

Track list:

Unknown - Unknown
Red Axes - Too Late To Samba
&ME - After Dark
Bicep - Satisfy (John Talabot Rain Mix)
Lindstrøm - The Contemporary Fix
Unknown - Unknown
Frankey & Sandrino - Cephei
Paul Kalkbrenner - Gebrünn Gebrünn
Unknown - Unknown
Penner & Muder - Let The Music Play
Williams - The Shivering (Pitch & Hold In Camera Obscura Remix)
Ralph Falcon - The Dig (Radio Slave Remix)
Rennie Foster - Devil's Water
Moderat - Bad Kingdom (DJ Koze Remix)
Frankey & Sandrino - Lost (feat. Jinadu)
Caribou - Can't Do Without You (Tale Of Us & Mano Le Tough Remix)
Le Dust Sucker - Everybody Used To (Rebolledo Remix)

Job Jobse - Robot Heart - Burning Man 2014

Exclusive podcast from Steve Rachmad / STERAC (@steverachmad) to Trax Magazine.

Full article and tracklist here : www.traxmag.fr/trax-127-sterac-steve-rachmad

TRACKLIST

TRAX.127 STEVE RACHMAD / STERAC

http://werkdiscs.com/helena-hauff/

Buy on iTunes: http://smarturl.it/hhlxteit
Buy on the Ninjashop: http://smarturl.it/hhlxtenj
Buy on Bandcamp: http://smarturl.it/hhlxtebc

Taken from the Lex Tertia EP, released 30th March 2015 on Werkdiscs / Ninja Tune.

http://soundcloud.com/helena-hauff
http://helena-hauff.com/

http://ninjatune.net/

The First Time He Thought, He Died

Helena Hauff - 'The First Time He Thought, He Died'

To know more: 
Interview - goo.gl/brfnSg
PHNCST192 - Behzad (BEAR) - goo.gl/YJKv3m
PHNCST062 - Amarou (BEAR) - goo.gl/rTgjQa

A2 - Daxyl   Immersion

From 'The Good Man' by Ana Béjar: 
http://www.luscinia.org/thegoodman.htm

Luscinia Discos lanza el 22 de enero de 2016 el primer trabajo discográfico en solitario de la cantante, compositora, letrista y poeta Ana Béjar: 'The Good Man'. 

'The Good Man' es el primer disco que la madrileña -de origen jerezano- Ana Béjar, una de las voces femeninas más seductoras y emocionantes musicalmente de nuestro país, publica bajo su propio nombre. Se trata de un álbum de cinco canciones de carácter intimista y evocador. En esta obra se acompaña de algunos músicos que han estado a su lado en precedentes proyectos, como Jesús Martínez, Pablo Zúñiga y Alfonso H. Trancón, y nuevos compañeros de viaje como Salomé Sagüillo y Aldo Linares.

'The Good Man' ha sido grabado y producido por Jesús Martínez y es editado por el sello granadino Luscinia Discos. 

Como adelanto a la publicación del álbum presentamos el single "In the Parlour".

Ana Béjar lleva más de dos décadas haciendo música. En los 90s y los 00s ha estado al frente de bandas tan míticas del indie español como Usura (Elefant Records) y Orlando (Everlasting Records, Astro Discos), y en los últimos años ha formado parte de los dúos TODO, junto a Ramón Moreira (Usura, Ginferno), desgranando un folk árido, y íO (7MNS Music), junto a Carlos Suero (Suero, Godafoss), en un contexto experimental electrónico. Asimismo, el año pasado ha participado en el disco homenaje a The Church 'Bajo un cielo prehistórico' (Lunar). A lo largo de su carrera ha colaborado en multitud de proyectos con diversos músicos, entre los que podemos destacar: Santi Campos y Los Amigos Imaginarios, Javier Almendral (Demonios tus Ojos), Rick Treffers (Mist), Big Black Mariah (Julien Elsie), Pablo Cobollo (Soul Bisontes) y Vadim Tudor.

En directo ha compartido cartel con figuras internacionales como Giant Sand, Yo La Tengo, Mojave 3, Lush, American Music Club o Jonathan Richman, y ha actuado en festivales como el FIB, Isla de Encanta y Monkey Week. 

Como poeta la encontramos en fanzines, programas de radio y proyectos multidisciplinares, como 'Circe', de Anna Stereopoulou, y 'Ménades', acción poética del festival Keroxen14.

Enlaces Ana Béjar:		
http://www.ana-bejar.com
http://abejar.wix.com/anabejar 
http://facebook.com/ana.bejar.37
http://anabejar.bandcamp.com
http://youtube.com/user/anabejarmusic
Enlaces Luscinia Discos: 	
http://luscinia.org
http://luscinia.bandcamp.com
http://facebook.com/luscinia.discs
https://twitter.com/lusciniadiscos
https://youtube.com/channel/UCZf6Ni20yrB2XQZvSUDW4aQ/playlists

Fotografía de portada © Marine de Lafregeyre 2014


Ana Béjar - In the Parlour

the Horrorist flesh is the fever

new track by James Forest

www.jamesforestmusic.com

Meet Me On The Beach

Klanglos - Hard Times, Man muss das Leben tanzen <3

╓ PLEASE SUBSCRIBE & LEAVE A LIKE  
╙ http://bit.ly/FollowKlanglos                   

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#Techno #Klanglos #TechnoMitHerz #Melodic

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Klanglos - Hard Times

Xylem Tube EP

Polynomial-C

Aphex Twin - Polynomial-C

HOLY GHOST  -  4AM At The Crying Cactus

https://www.dropbox.com/s/j52bfzh6i04pjku/Fugees_Ready%20Or%20Not%20%28Philipp%20Riemer%20rmx%29.mp3?dl=0

Fugees Ready Or Not (Philipp Riemer Rmx)

The extraordinary prolongation of sound jerked Polly’s pretty head away from her work at the calibration machine. Today’s jobs had seen her at her thorough and meticulous best but as afternoon melted easily into evening, these latest reverberations meant she’d no longer be able to focus to the level required. Her boss had just dropped The Bomb. 
As her ear drums filtered the noise, the technician’s bright mind was flooded with delight, her eyes no longer felt dry and tight with concentration; she was caught riding the crest of a massive wave of admiration. 
Sitting her specs on the desk and pushing herself off the comfortable heat of her work stool, Miss Filla let the soundwaves pull her to her feet and carry her off to the main source of the captivating music.
In honour of Dixon Avenue Basement Jams spending four years at the forefront of the global electronic music scene a new release was planned to shake the foundation to the very core. Techno wizard Big Miz had been charged with delivering the goods and by the Gods, the Glaswegian had cracked it! He’d created, not just new tunes, but a whole new fucking genre. 
Polly could feel the vibrations pulsating through every part of her curvaceous body as she sashayed along to the seductive beat.
Undoing a hair clip with a swift, deft movement, a powerful shake of her neck had her long black shiny mane falling freely down to her shoulders. Her white lab coat fell to her ankles along with her pencil skirt and she stepped out of them ripping off her blouse as she did so. Off too came her lace bra and the clumsy constraints of her office stilettoes. Finally, she slipped off her white panties, and in a move worthy of a French cancan dancer, kicked them far across the room. 
Polly’s black stocking soles left slight sweat marks on the stone floor of the laboratory as she padded nearly naked towards the master of ceremonies. She could barely contain herself as she gazed at Big Miz’s massive, throbbing pink 12 incher; the source of the magic.
“Oh Big Miz, you’re the shiz, this is the biz, ah’m all in a tiz – but what is this ecstasy you’re thrusting upon me?”
“It’s the all new sound of DEEP SPONK baby but don’t interrupt me when I’m busy.”
Big Miz, all thrilla, no Filla. 

DABJ’s latest release from Big Miz, The Bomb EP is out soon on pink 12” vinyl. Enjoy it with your clothes on or off.
 



A1. Big Miz - The Bomb (Preview)

Pre-order vinyl, CD and digital: (Release date 03/11/17)
Far Out Recordings: https://goo.gl/GqG13K
Bandcamp: https://goo.gl/kXb4Ex

There have been few musicians to ever reach the stature of Hermeto Pascoal. A true maestro and a cultural icon, he represents the highest level of musical evolution; as a multi-instrumentalist, as a composer and as an arranger. Once described by Miles Davis as “the most impressive musician in the world”, there is good reason (beyond his Gandalf-like appearance) why he is known as "O Bruxo" (the Wizard). 

For the label’s  200th release, Far Out Recordings proudly presents a previously unreleased album by Hermeto Pascoal and his ‘Grupo Vice Versa’: Viajando Com O Som (the lost ’76 Vice Versa Studio Sessions).

Recorded in just two days in 1976, at Rogério Duprat's Vice Versa Studios, São Paulo, the sessions featured Hermeto’s go-to ‘Paulista’ rhythm section of the day: Zé Eduardo Nazario (drums), Zeca Assumpção (bass) and Lelo Nazario (electric piano), as well as saxophonists Mauro Senise, Raul Mascarenhas and Nivaldo Ornerlas, guitarist Toninho Horta and vocalist Aleuda Chaves. Hermeto decided he would record with this particular group following a show at Teatro Bandeirantes, during which an almost spiritual musical connection amongst the group was realised. The performance lasted hours on end, without any breaks in playing, and Hermeto saw the potential for his compositions to reach a ‘higher level’ as the music organically moved from structured compositions to ‘freer’ improvisational works. 

In the studio, the sound engineer Renato Viola understood that things needed to happen quickly. Almost everything recorded on the first take ended up staying in the final mix. After the mixdown, Lelo Nazario would ask Renato to make him a copy of all the material, from machine to machine. As far as we know, the master tape eventually got lost over time, but Lelo kept his copy in his studio’s archives, where it stayed for over forty years.

With the tape rescued and restored, this release fills a void in time. Recorded at an especially experimental period in Hermeto’s career, it’s a compelling insight into the incredible efforts of this group, who under Hermeto’s revolutionary vision, created a unique musical language which would have a profound influence on countless artists to come. 

Nowadays, the 1970s is indeed considered a golden age of Brazilian music, but it’s often forgotten how desperately hard it was for artists to get their music past the military dictatorship’s censorship efforts throughout the decade. Yet in 1976, despite the often musically radical nature of Hermeto Pascoal’s compositions, he was in a typically productive phase of his career. The year before the release of his seminal album Slaves Mass, ‘76 saw Hermeto amass performance credits on Flora Purim’s ‘Open Your Eyes You Can Fly’, OPA’s ‘Goldenwings’ and Cal Tjader’s ‘Amazonas’ to name just a few. 

The release of Viajando Com O Som re-writes the already remarkable story of one of the world’s most supernaturally talented musicians, whilst illuminating a truly magical, yet hitherto lost and forgotten, moment of Brazilian musical history.

Viajando Com O Som (The Lost '76 Vice-Versa Studio Session)

Vinyl / CD / Digital

Hermeto Pascoal & Grupo Vice Versa - Casinha Pequenina

12" Vinyl and digital available from:
Far Out Recordings: https://goo.gl/XuRwaJ
Bandcamp: https://goo.gl/tR6Hpj

Three major players from the now multi-generational broken beat scene: Henry Wu, Dego (2000black) and IG Culture have assembled for an irresistible late summer bruk-samba trip. 

Brazilian rhythms have always been foundational influences on the broken-beat and future jazz movements, and this EP continues to explore these connections, a running theme throughout Far Out's 23 year history with Seiji, Mark Pritchard, Afronaught, Domu, Da Lata and Jazzanova being just a few of the names to have contributed to this particular avenue of the label's pantheon of dance music.

The joyful samba-soul in the title track of Sabrina Malheiros' latest album features the bass and keys of Brazilian Jazz-funk legends Azymuth, and is inspired by the quest for clarity in the face of difficult times; Clareia in Sabrina’s own words “means to clear, light, brighten or illuminate”. But this remix EP beautifully ruptures the 'clarity' in style, each crafting the breezy Brazilian beats

Clareia Remixes

Vinyl/ Digital

Sabrina Malheiros - Clareia (Henry Wu Remix)

Ronald Christoph   Take Off, Baby!

The Horrorist  One Night In New York City (Chris Liebing Remix)

Boiler Room Berlin 025/ Cosmin TRG, Tama Sumo, Delta Funktionen & Rødhåd

[Broadcast on 24th April 2012]

Tracklist & video at http://boilerroom.tv

RØDHÅD 60 Min Boiler Room Berlin Mix

Machine with souls. 

Promoting cutting edge electronic music since 2010. 
Media, parties, DJ team.

NEXT : TBA !

They played for us : Call Super, Skåtebard, Dopllereffekt, DJ Marcelle, Anthony Shakir, Orpheu The Wizard, Batu, Bambounou, MCDE, Funkineven, Bruce, John Heckle, Marcellus Pittman, Bradley Zero, Huerco S, Kyle Hall, Paquita Gordon, LNS, Mark Grusane, ...

A2 - Daxyl Immersion

Phonographe Corp (FR)