Episode n. 3 of my monthly show aired on the 22nd of April on Cashmere radio with a guest mix by the great Donato Dozzy!

Utropica#3 - Marco Shuttle & Donato Dozzy

Ramona Yacef Radio Slow w/ DJ Red 24-01-2024

"The lights went off and we decided to start."
We are deeply excited to share Donato and Marco’s grand finale for the last edition of Terraforma at Villa Arconati. With great humbleness, these two masters and dear friends have carefully broadened and lulled, record after record, an intimate space of trust, exchange and deep-time connection. 
 
Also, we’d like to add a fond memory that was shared with us a few days after:

“Dozzy and Shuttle’s finale unfolded like twilight. A prolonged dusk caressed by an eerie drizzle. Shadows and whispers echoing with the surroundings. Synapses slowly reaching the ground, merging and becoming one with the underground rhizomatic networks. A memorable rendez-Nous within a fractal space. It felt like being at the core center of the matrix, enveloped by a warmth reminiscent of a maternal womb. I found myself in a weightless suspension, envisioning the past, the present and the future, all together in a blink of an eye.”

We are fueled by gratitude for all this beauty.

Terraforma Grand Finale w/ Donato Dozzy b2b Marco Shuttle

Javier Marimon- Dj Set - Onyro at Espacio Perpendicular.

This is a recording playing at 8.30am on the infamous Onyro parties at
Espacio Perpendicular, with the light from the orange tinted windows
casting shapes and dances through the trademark dense smoke of the room.

Links:
https://soundcloud.com/javiermarimon
https://offt.bandcamp.com/
https://www.instagram.com/javiermrmn/

Phonons Podcast 097 Javier Marimon

“As the Japanese composer Nas-Kaz once said, sound is like wind — it becomes boring when humans try to control it too much. I feel the same when performing live ambient music. We have reached a time where music cannot be created by thought alone; it has to be allowed to unfold, to breathe on its own terms.”

ambient live set at Halle am Berghain - December 2024

Sarah Wreath has spent years moving through different corners of electronic music, sharpening her craft in deliberate yet effortless ways. Ambient, sound baths, live sets, techno, halftime—she doesn’t just dabble; she inhabits these spaces fully, shaping them with a deep understanding of sound and rhythm. Her range is what sets her apart, allowing her to move between intimate, meditative settings and full-throttle dance floors without missing a step.

Last year was a big one. Her debut album on The Bunker NY hit the right people in the right way, opening doors that led to a standout set at The Bunker party in Brooklyn alongside Nobu, Patrick Russell, and Doltz, a tour through Japan, and a string of upcoming EPs—including one for the legendary Sandwell District, set to drop in just a few weeks.

This time last year, we featured Sarah in our Sundays Are For… series with a beautifully haunting set. Today, she flips the perspective. Her Delayed with… mix isn’t just about atmosphere—it’s about movement. The sound is weighty but fluid, shifting between tightly wound rhythms and wide-open space. There’s a physicality to it, driven by thick, rolling low-end and textures that hover between sharp and submerged. It’s techno built for full immersion, the kind that keeps pulling you in without ever demanding too much.

Sarah Wreath is one of those artists who make techno feel limitless. And if this mix is any indication, she’s only just getting started.

https://soundcloud.com/sarahwreath
https://www.instagram.com/sarahhwreath

Photo by: https://www.instagram.com/kenneth.scott1/

Text by @gilleswasserman

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Contact us: 
info@delayed.nyc

Delayed with... Sarah Wreath

The vaunted techno producer discusses the connections between visual art and music, balancing a full-time career as a fine artist and how he creates his signature sound.

There's a connection between visual art and dance music that's seldom explored on our channels. Mike Parker is well known in the underground techno scene for minimal, hypnotic and beautifully executed sound design that sits somewhere at the edges of club music. But he also received his master's degree in fine art and teaches drawing and painting at Daemon University in Buffalo, New York. Fans of Parker will recognise his visual trademark: monochromatic prints that adorn the covers of the records he puts out on his label, Geophone.

In this Exchange, Parker sits down with Chloe Lula to talk about how he balances his art- and music-making practices and how they inform each other. He also opens up about the long process of sticking to his sound and finding an audience rather than catering to the demands and suggestions of labels and distributors. His 2001 breakout album, Dispatches—which he reissued last year—is a meditation on the act of living far away from any listeners or immediate influences, and he discusses the ongoing drawbacks and rewards of balancing the Eurocentric pursuit of DJing with day-to-day work that's so geographically removed. He also opens up about his longtime collaboration with Donato Dozzy, his love of mid-20th-century sci-fi movies and how free-form radio shaped his approach to music and art. Listen to the episode in full.

EX.761 Mike Parker

Refracted @ Parallel Festival 2024

In a world hooked on instant likes and endless scrolls, where festival lineups are often built for clicks more than for ears, there’s still a place that pushes all that noise into the background. It sits somewhere off the grid, far from signal bars and push notifications, a pocket of the world where music still feels sacred.

You drive for hours into the Spanish mainland, trading highways for dusty roads and the smell of pine. And then you arrive at this gathering that’s not quite a festival. “Celebration” fits better. A celebration of music, connection, good energy and the rare joy of forgetting who’s “headlining” and just letting the sound carry you wherever it wants.

It’s friends, and friends of friends. People whose names you might see on record sleeves or festival flyers, but here they’re just part of the crowd. No green rooms, no special wristbands. No one’s counting bar sales or stressing over ticket numbers. It’s purely about the music, the real reason most of us fell in love with this scene in the first place.

From Friday afternoon to a very late Sunday, the music rolls non-stop. Daytime means dancing upright under blue skies. By night, things stretch into horizontal territory in a magical cabaña, where ambient and experimental sets ripple through the dark. Every DJ seems to arrive knowing precisely what belongs in their timeslot, crafting an arc so seamless you start questioning whether sleep is even worth it. Monday comes for you looking like your parachute didn’t open, but the grin on your face says otherwise. And the moment you leave, you’re already asking yourself how you’re supposed to wait a whole year to do it again.

This hidden corner of paradise is called Perpendicular Festival, or Perpen, for short, a brainchild of the crew behind Espacio Perpendicular in Madrid. 

This year was Delayed’s first time joining the adventure, and we came back determined to share pieces of what made it unforgettable. Over the next months, we’ll be rolling out sets that capture different moods and times of the weekend, hoping to transmit even a fraction of the magic in those woods.

We’re starting with a burst of energy: Madrid’s best-kept secret, Rachael, who took over on Sunday night. By then, the dancefloor was running on adrenaline alone, and as darkness settled in, she shifted things into high gear. After Sciama’s mind-bending trip, Rachael stepped up and commanded the space, unleashing a set where syncopated beats, UK breaks, and halftime, all collided in perfect chaos. The pine trees caught every echo. The crowd surged with new life. It was one of those sets that reminds you why underground music scenes will always survive and why you stay awake just a few hours longer even when your legs are begging for mercy.

We’re proud to open this year's Delayed x Perpendicular series with her set. Tune in, and get a taste of why it instantly felt like home.

https://soundcloud.com/rachael_um
https://www.instagram.com/rachael_um_/

https://soundcloud.com/espacio-perpendicular
https://www.instagram.com/espacio.perpendicular

Write up by: @gilleswasserman

Follow us on social media:

https://soundcloud.com/itsdelayed
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https://www.instagram.com/_____delayed
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https://www.youtube.com/@_____delayed

Contact us: 
info@delayed.nyc

Delayed x Perpendicular: Rachael

https://soundcloud.com/parautas64848754

https://soundcloud.com/espacio-perpendicular Festival 2025
Sunday 20:30-21:30

Obscure Echoes: Parautas (Live) [Perpendicular 2025]

Deffer - Mountain Dread March

Phonons is a non-profit organization supporting electronic musicians and selectors. It is based in Marseille - France and has strong connections in Europe , Asia and in the USA. It was founded in 2011 at the initiative of Nahim Bendjilali, Philippe Gray-Lopez and Vincent Telandro.

Phonons supports sound artists by providing expression spaces: we organize parties and showcases :: we promote the artists' work through our podcast and events. We mainly focus on electronic music.