“In the closed circuit screen glow with the hand scripting the events of two people staring from a long distance for a matter of moments that seemed endless, vast, the pen takes to paper and senses apprehension in the author. Leaving things out from the self, the self knows the truth is well-guarded, security and a large key ring with one thumb-drive filled with secrets carefully placed beneath a granite prism, buried in brain cells and matter. Everything left unsaid is sacred and that sacrament is gold-leafed and stoic, crackling voicemail recording leaves out details, nearly telegrammed, a post-it’s worth of vital information. We keep secrets to ourselves so tightly that we hide the secret from the self. Speak the truth, the closed circuit surveillance will manage the details.”

Ryo Murakami | Town

Composing, recording : presidiomodelo 
Recorded live in 2019 in Novosibirsk State Regional Scientific Library 
Mastering : @pashabip
Cover art : presidiomodelo

Massive thanks to Artyom Timofeev [@kartaskvazhin] for tape release
Tapes here [karsk_17] : kartaskvazhin.bandcamp.com/album/19-19

presidiomodelo - 20190405

Malvern Brume - The Whorls (Kashual Plastik)

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com  

L'ivresse w/ Lou & DJ Démission @ Kiosk Radio 15.12.2022

Extract from [LPC008] V/A - Quiet Wint
image : www.piaskorti.com

Ronces (†mono)

maxi berceuse d'enchantements ambient, spoken word, jazz expérimental, avant-garde & cute pop 🌱
@lunarrrmaria

Tracklist:

ssabæ - tous les murs sont des portes

Felicia Atkinson & Sylvain Chauveau - Dans La Lumière

feu doux - milieu humide

Hydroplane - House Warming

Oliver Coates feat. Malibu - Soaring X_1

Marnie Weber - Songs Hurt Me

Paradis Artificiel - Nirvana 2

Midwife - God Is a Cop

Haron - Maangerij

Juliana Barwick - Waving to You

Caterina Barbieri feat. Bendik Giske - Fantasy for Saxophone and Voice 

Lyra Pramuk - New Moon

Sally Decker & Briana Marela - A New Sense

Sofie Birch & Antonina Nowacka - Geor Lu

Ana Roxanne - It’s a Rainy Day on the Cosmic Shore

Perila - Crash Sedative

ssabæ - azurescens

Marnie Weber - The Courtesan

Palmbomen II - Peter Accepts Death

Hinako Omori - A Journey

Maggi Payne - Hikari

Deux Filles - Fleurs Doll

Harold Budd - Rosetti Noise / Chrystal Garden and a Coda

ssabæ - paraéidolie

Isik Kural & Spefy - berceuse

Sieste Ambient  #110 w/ lunar maria

⠑⠎⠎⠢⠉⠑⠷⠁⠃⠎⠢⠉⠑

core is a feedback loop of the fsh-1 frequency shifter, inside the loop is c0 and mmf-1. modulated by r*s dsg. rhythm and pads itb.

something like a patch diagram: https://imgur.com/6oNm0yH

one output of the fsh-1 goes into the c0 delay (the delay is crucial in this patch, most of the sound gets produced here), the output of the delay goes into a limiter and then back in one input of the fsh-1.
another ouput of the fsh-1 goes into the mmf-1 filter in dual bandpass mode, from there the signal goes again into a limiter and into the second input of the fsh-1.
this is now the basic closed feedback loop, i listen to the mix output of the fsh-1.
by playing around with all the settings i get different tones, again, the delay is crucial here, how much feedback is determined by the limiter and general volume controls or frequency controls of all three modules... now to get a rhythmic patterns going i plugged this "bouncing ball" envelope into the second input of the filter, that is enough to only get feedback at the high portions of the envelope eg i get a rhythmic feedback pattern. variations in tone by manual control of the bandpass settings and the delay time plus occasional tweaks at the limiter section for louder or more distorted feedback. the patch is delicate, i tried to replicate it and i wasnt able to come close to these tones, but other great ones:) enjoy modular synthesis!

fsh1

Quitratue

Prix Paysage sonore - Field recordings - Phonurgia Nova Awards 2019
Autoproduction, Russie
Il s’agit du cycle complet d’une journée entière ramenée à une demi-heure, enregistrée dans la péninsule de Crimée au cours d’un voyage solitaire durant l’été 2018.  L’activité sonore des insectes(principalement grillons et cigales) est indexée sur la température ambiante : elle est un marqueur sensoriel de l’environnement et une horloge biologique. Cette pièce a d'abord été conçue pour une installation en octophonie.

Yulia Glukhova (née en 1989) est une artiste sonore basée à Moscou. Son domaine d’intérêt comprend la musique électronique expérimentale, l’art technologique et le Field Recording (l’enregistrement sur le terrain).

Yulia Glukhova : Ci(r)cadian Rhythm - Prix Field recording Phonurgia Nova awards 2019

Sam Mallet could have pursued a career as a French literature professor in Paris, but decided his true calling was to remain in Australia, dedicate himself to his music and find the plateau; a word he used to describe the sensory worlds residing in music. Under the influence of Eno, Jon Hassell, Arvo Pärt, John Coltrane and Robert Fripp, Sam explored a wide variety of musical styles and put them to service soundtracking the time-based works of his peers. He crafted spatial ambience, somber jazz, and drum computer driven rockers for short films and experimental video works, television shows (including the original Australian Wilfred series), feature films and live theatre. The avant garde Anthill Theatre, known for its departure from conventional staging practices and having a keen eye for talent, enlisted Mallet to provide soundtracks for approximately 40 productions throughout the 1980s and early 1990s.

Sadly, Sam passed away in 2014. A crucial piece of his legacy is undoubtedly the body of work he produced during his life, and the archive of recorded works is vast and deep. Sam seemingly saved everything, from fragments to finished pieces; and often repurposed previously released tracks by collaging them into new pieces. He self-released a small number of cassettes and CDs from the mid 1980s onward, the contents of which were culled from soundtrack work and original pieces, but the majority of his music was experienced only within the ephemeral live performances.

Wetlands is the product of countless hours spent with this archive by Rowan Mason (Sanpo Disco/Recurring Dream) and Tony Remple (Musique Plastique), offering a dynamic survey of Sam’s work, and housed in a jacket evoking the minimal design and colour palette of his earliest cassette releases. Two selections of Sam Mallet’s music were featured on the compilation Midday Moon (also produced by Rowan), released last year by Bedroom Suck Records. Along with Left Ear Records’ Antipodean Anomalies, Midday Moon has served to highlight outlier musics and scenes from Australia and New Zealand, and Wetlands plunges deeper into the catalog of this obscure yet groundbreaking artist.

Release by Musique Plastique / Recurring Dream

PRE-ORDER HERE: www.seance-centre.com/other-releases…allet-wetlands

For EU distribution contact: info@rushhour.nl
For NA distribution contact: info@seance-centre.com

Release date October 11th 2019

Wetlands

Sam Mallet - Wetlands (MP006/RD01)

Mettez vos oreilles en effervescence !
Voila 35 ans que, depuis Arles, Phonurgia Nova défend la création sonore, édite les classiques de la radio d'art (Welles, Schaeffer, Thibaudeau,  Paranthoën, Farabet, Mortley), publie des ouvrages de pédagogie et forme de jeunes auteurs désireux de s’engager dans une relation créative avec le sonore. C’est dans la suite logique de cette démarche que s’est ouvert en 2007 le Département d’Art Sonore et la "Chambre d'écoute" du musée Réattu d’Arles. Leur ambition est de   faire reconnaître l'audio-graphie (et toutes les formes qui dérivent de l'enregistrement), comme un art, à l’égal de la sculpture ou la peinture. 
Avec obstination, Phonurgia Nova s'efforce d’offrir aux créateurs et professionnels du son des espaces à leur écoute et à leur (dé)mesure.
Chaque année des Prix Phonurgia Nova récompensent des créateurs qui explorent l'écoute comme moyen d'activer l'imaginaire.
Les productions finalistes sont départagées par un jury international délibérant en présence du public, selon un processus maintenant bien rodé.  Pendant des journées denses, il s'agit d'écouter,  de comparer, de discuter, puis d'élire des lauréats ! La prime va à l’éloquence sonore. On en trouve des exemples ici-même ainsi que sur www.sonosphere.org
Toujours dans une logique de transmission, nous basculons par étapes notre sonothèque sur la plateforme Soundcloud. Une démarche qui s’inscrit dans un projet plus vaste portant sur la numérisation progressive et la mise à disposition du public et des chercheurs de la totalité de nos archives audio et audio-visuelles.

Yulia Glukhova : Ci(r)cadian Rhythm - Prix Field recording Phonurgia Nova awards 2019

phonurgia nova

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