The Upload

What's good everyone! Six months of doing the tapes, how time flies. This month I made a very groovy mixtape with the help of SAINT ANGELO of @dynamicfeels! SAINT ANGELO is a DJ / Sound Curator from San Antonio, Tx. His main focus is digging for old / new sounds with nostalgic, euphoric, and emotional properties that will help his listeners connect with each other on many different levels. 

TL side A (Absconded):

Ostavi trag  by September
Losalamitoslatinfunklovesong by Gene Harris
In Mind by The Sweet Enoughs
Мируз by СОЮЗ
De um Jeito Só by Ana Mazzotti
Sierra Moon by Swish Jaguar
Mon ami-e by Diane Tell
어느새 by 장필순
turn the page by tropes
SPARKLE - HALFBY innn HAWAII EDIT by Greenwood
Telephone Number by Junko Ohashi
Vibration by Kimiko Kasai
JAPANESE WOMAN by Bread and Butter
Looking Up to You by Michael Wycoff
Estrelar by Marcos Valle

TL side B (SAINT ANGELO):
(I Could Never Say) It’s Over by The B. B. & Q. Band
Remind Me by Patrice Rushen
Risin’ to the Top by Keni Burke
All Night Long by Mary Jane Girls
Nights Over Egypt by The Jones Girls
When Love Calls by Atlantic Starr
What Cha Gonna Do With My Lovin’ by Stephanie Mills
Baby Be Mine by Michael Jackson
Love Light in Flight by Stevie Wonder
Don’t Walk Away by Jade
Hangin’ On A String by Loose Ends
Who Do You Love by Bernard Wright
Help Yourself to My Love by Kashif

TAPE DECK TALES VOL 6: FEAT SAINT ANGELO

joony ~ misery
levi carter ~ what it feel like (chopped n screwed)
the weeknd ~ drunk in love
roberta flack ~ feel like makin love
turnover ~ ceramic sky

por vida radio vol. 2

been away.

warmest winter.

splashin.

take it easy.

Loop Series (Phase 2) underway. New joints every Friday until 1/1/23

Loop 201

Echoes in Zion is a worship experience wrapped in reggae soul. Inspired by the spiritual depth of Tems and the lyrical honesty of Lauryn Hill, this album blends island rhythm with lo-fi gospel ambience. Gentle one-drop drums, airy synths, dusty Rhodes keys, and ambient guitars carry reflective, Spirit-filled lyrics that move between sung prayers and spoken-word blessing. Each track feels like a whispered revival — a soundscape for meditation, healing, and praise. It’s more than music; it’s a breath of peace from Zion.

No chains on me

Psalms 120

Ten brand-new tracks. Ten new worlds.
With Vol. 3, ThinkTimm continues his one-of-a-kind experiment: dropping fully original projects every single month under the WDMNation MEDIA banner. No samples. No shortcuts. Just raw creativity, crafted beats, sharp wordplay, and fearless production.
If Vol. 1 was the spark and Vol. 2 was the build-up, then Vol. 3 is the breakthrough—a collection that pushes funk, soul, hip-hop, and storytelling into fresh territory. You’ll hear Ani DiFranco-inspired spoken word laced with Prince-like energy, hooks designed for stadiums, and verses sharpened for headphones.
This project isn’t just music—it’s momentum.
Stream it. Share it. Add it to your library.
Be part of the IF I WAS YOUR PRODUCER movement.
🌐 Bandcamp: thinktimm.bandcamp.com
🎧 SoundCloud: soundcloud.com/thinktimm
📱 Follow: @ThinkTimm | @WDMNation | @WhyMakeMusic | @DJWarmCookies

BandCamp

My Town

Written & performed by Jean Deaux.
Produced by @phoelix. 
Mixed & mastered by JeffontheBoards.

www.jeandeauxmusic.com 
IG & Twitter: @thatsjeandeaux

STREAM

Back 2 You (prod. by Phoelix)

Cure

TAURUS (feat. Julia Zivic)

Provide

An artist’s greatest superpower is freedom. Liberation is both the modus operandi and main ingredient of the fearless five-man band Phony Ppl. Comprised of the cream of Brooklyn’s young musician crop, each classically trained member is a product of musical parents who gifted their children exceptional DNA, exposure to the greats, and most importantly, wings for exploration and self-discovery. The result is a collective that’s as limitless as its music; one that has received praise from the likes of Tyler The Creator and Childish Gambino, performed with Erykah Badu, Jill Scott and The Roots, and killed festivals, late night television and their own residency at New York City’s legendary Blue Note. 					
The warmth of lyrics are mainly credited to lead vocalist Elbee Thrie, a former Manhattan School of Music student whose vocals possess a disarming charm and lyrics glow by advanced perspective and retrospection. Trained composer, Aja Grant provides co-writing, the keys and much of the band’s arrangements. Strings are manned by guitarist Elijah Rawk and Bari Bass, PHONY PPL’s visual artist and bass player. The crew’s heartbeat is percussionist and former Music Conservatory student Mathew Byas (whose father is DJ Jazzy Jay of the legendary Zulu Nation). 
After several jam sessions throughout high school, different iterations of the band, and honing in on their sonic cornucopia – the band has taken pride in their genre-less sound. Throughout the years, their music offerings have dabbled in experimental splashes of jazz, hip-hop, R&B, reggae, soul, rock and many more sub-genres. Their first official full-length offering Yesterday’s Tomorrow (2015) which houses discography gem “Why iii Love The Moon”, received critical acclaim from The New York Times, NPR, Rolling Stone and more. Their next album titled mō'zā-ik (Mozaik) would be released in 2019 via 300 Entertainment. The album earned its name because each of its songs is a singular piece of art possessing shapes and colors separate from the others, while adjoining to make symmetrical magic. Songs like “Way Too Far” and “Before You Get A Boyfriend” represent the dynamic nature of the album and solidify it as a body of work that transcends classification and time. 
The band’s new album Euphonyus is set to release this fall. An interpolation of the band’s name and the word “euphonious”, the album’s namesake comes from the duality represented by their connection to the people (You – Phony – Us) and the most literal definition of the word “pleasing to the ear”. The band’s sonic approach to the album is to connect the dots between the different feelings each song provides; housing tracks that are danceable, vibrant, and joyful under the same roof as songs that are laced with sadness, sorrow, and lust. The long journey to Euphonyus started in 2019 when the band embarked on their headlining tour with sold out dates across the country. Things caught on fire in 2020 during their set on Megan Thee Stallion’s “NPR Tiny Desk” where the artists previewed their collaboration “Fkn Around” which ultimately went viral. Shortly after marked the onset of the COVID-19 pandemic, which delayed the band’s album plans but saw the release of “On My Shit” ft. Joey Bada$$. During that time, the band learned how to make music as a unit without being physically together, a skill that birthed their song “Nowhere But Up” which was made on Zoom through screen sharing. In 2021, as the world started to open back up, the band went on tour again setting the stage for 2022. While the album release took longer than expected due to the pandemic, over the last three years the band was able to record songs across the country and worldwide ranging from their individual homes in NYC to Los Angeles, Philly, Japan, and Germany; building and reinventing each track over time.
In the words of the band, Euphonyus encourages listeners “don’t think, just feel”. With the help of an eclectic roster of features from the likes of JoJo, Kaytranada, Leon Thomas, Domo Genesis, and more, Phony Ppl are ready to step into this new era.

been away.

PHONY PPL

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