“The Bird’s Dream” is a modern reimagining of Erik Satie’s Gymnopédie No.1.

#TheBirdsDream #ErikSatie #Gymnopedie #DreamMusic

The Bird's Dream (Gymnopédie n°1)

Earth Watch.mp3

14 Deep Night

We’re back after a little break with a new mix-up. The 28th podcast is a special one by label friend and PRO selector Post Ave. Two hours and 36 minutes of real deal 90s rave, acid, goa and breakbeats.. get schooled! Check out the tracklist at https://pinkmanrecords.com/dj-mixes/pnkmix-28-post-ave-post-rave-mixxx/

Visit Pinkman

PNKMIX-28 | Post Ave - Post Rave Mixxx

New EP by https://soundcloud.com/odopt, delivering their secret remakes of hidden soviet-sonic basement tracks. Dystopian celluloid trips visiting painters of Belgrade, St. Petersburg's errand boys and japanese antagonists. 

Release early May!

Eastern Versions              

Odopt - Eastern Versions [777_1991] Preview

@itako

May download: Itako | Ambushed Waterfall

Itako | Ambushed Waterfall

Release Date : 21 May 2019
Format :	Digital & Vinyl
Support & Buy : https://otiumrec.bandcamp.com/album/acts-of-intimacy
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Label on Facebook : https://www.facebook.com/otiumrec/
Label on Soundcloud :	https://soundcloud.com/otiumrec
	
Artist on Facebook - https://www.facebook.com/jeunegkanthor
Artist on Soundcloud - https://soundcloud.com/kanthor
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Description / Infos

We are glad to present you ‘Acts of Intimacy’, a 6 track compilation maxi (vinyl + digital), booklet, and large format prints release. Featuring Paulie Jan, Refracted, Asfa, Joseph, Kanthor and Vâyu, the creative process of each artist on the vinyl was guided by our multidisciplinary approach for this compilation. 

The booklet is made of Benoît Lefeuvre micro experiments photos shots taken trough a microscope lens, and Léa Moret-Bailly’s poem. We gave the artists a carte blanche around these artistic elements, to let them compose a musical creation in their very intimate way. 

‘Acts of Intimacy’ comes in a limited press of 200 numbered vinyls, 100 booklets, and 10 unique framed photo prints on fine art paper.

Support & Buy

Kanthor - En Immanence [Otium]

Artist: @sebastian-melmoth
Title: Icarus
Label: @artificialdance
Format: Vinyl + Digital Album
Release date: November 18 , 2019
Pre-order: https://artificialdance.bandcamp.com/album/sebastian-melmoth-the-dynamics-of-vanity-ad008


"Since forming in 2006 post-punk experimentalists Sebastian Melmoth have been on a thoughtful and adventurous musical journey. In a constant state of aural evolution, the London-based four-piece has a delivered a string of albums and EPs that variously touch on everything from garage-rock, grunge and lo-fi pop, to electro, new wave, dark ambient and music concrete, all the while drawing on a myriad of literary and artistic influences.
The band’s first release for Artificial Dance digs deep into their admirable and eye-opening catalogue and draws together some of the Amsterdam-based label’s favourites from the more electronic end of the band’s output. Entitled “The Dynamics of Vanity” – a comment on Western culture’s obsession with rehashing the past and the band’s own in-built distrust of artistic naval-gazing – the set is not a ‘best of’ retrospective but rather a ‘sort of’ selection of stylistically interconnected cuts that gives a very specific snapshot of the band’s work.
Check for example “Icarus”, a drowsy, hypnotic and sample-laden soundscape that effortlessly joins the dots between post-rock, pitched-down electronica and early morning ambient, or the slowly unfurling throb of thought-provoking opener “The Engineering of Consent”, a swelling, melancholic post-jazz meditation on propaganda and governmental mind control featuring spoken word samples from William S Burroughs in conversation with Brion Gysin, Timothy Leary, Les Levine and Robert Anton Wilson.
The showcased songs are typically hard-to-pin-down, too, with the re-imagined gothic horror break-up cut “Prosopagnosia’ and slow-burn audio addition of “Waiting For Godot” being joined by the wide-eyed morning dream-pop hallucinations of “Seeds (Descent Into Decadence)”. It all adds up to a collection that expertly showcases one engaging thread – of many – running through Sebastian Melmoth’s esoteric body of work."

Premiere #70 Sebastian Melmoth - Icarus [AD008]

Edit series of outsider punk for brave idiots, who don`t value their reputation.
Part II : Toxicity
https://mynameisolta.bandcamp.com/

Unknown - My Name is Mud (Part II) (Olta Karawane Edit)

Taken from "Bongo Beats & Bankruptcy: The Sound of I'm a Cliché"
Out 27.03.2020 // 3LP & Digital
Preorder: fanlink.to/bongobeatsbankruptcy

A1. Orestt - Luddisme
A2. Awkward Corners - In Slow Motion (Sunju Hargun Edit)
A3. Volga Select - Spione
B1. June - Perspective 4000
B2. Coy - La Cantine Du Vatican
C1. Rouge Mécanique - Skate & Distort
C2. Benoit B - Cosmic Music Style
D1. Fantastic Twins - Read My Palmer, Laura
D2. Oliver Decrow - Opus Pistorum (Dunkeltier Mix)
E1. Cosmo Vitelli - The Horse Incident (Ft. Andrew Claristidge)
E2 Odopt - Annpala
F1. Krikor - We as one in the S.D.T
F2. Linja - Xanadu

Bongo Beats and Bankruptcy : The Sound of I'm a Cliche

Orestt - Luddisme

Sara Dziri is one of the artists defining Brussels’ electronic underground scene. Hybridity and melancholy are central themes in her music, complex house and techno imbued with the overtones of her Belgian-Tunisian background. She has played at Boiler Room, Institut du Monde Arabe, Nuits Sonores/European Lab, Amsterdam Dance Event and more. Sara has a residency at Kiosk Radio and promotes the feminist queer underground party ‘Not Your Techno’ and ‘Souk Sessions’, a night dedicated to arab techno.

Her first EP for Lurid Music opens with the title track, “Vague Realities”, a sluggish techno beast featuring what could be described as Tunisian brass on acid. Japan’s underground hero Chida is called in for remix duties and delivers with abundance, producing a head-swaying Moroder-esque noir anthem.

The other side features “Oasis”, a 109-bpm psychotropic desert chugger with Northern African percussion, gated Arab melodies and sinister basslines. England’s dark force Man Power steps in to speed things up and deliver an entrancing throwback to outdoor raves of old, building upon repetitive loops, ever- evolving jangling keys and shiny synth stabs.

Written and produced by Sara Dziri. Remixed by Shinsuke Chida (A2) and Geoff Kirkwood (B2). Mastered by Dietrich Schoenemann (A1,A2, B1) and Geoff Kirkwood (B2). Artwork “Skiing on the Spaceship Ruins of Kapteyn B” by Geometrieva (instagram.com/geometrieva.stuff). Lurid Music © 2021

Premiere #70 Sebastian Melmoth - Icarus [AD008]

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