moonsociety.be
gust(at)moonsociety(dot)be

Our roster:
@vowedmusic
@theodorrosenberg
@madishu
@matthiasdejaeger
@hunterkeyspiano
@whoissquareone

Xpel Muzik, Abducted, LOT49, Dim Mak, Polydor
Sometimes I do music n stuffz.

Beau Damion is a producer and creative technologist who builds music the way most people build memories: layered, emotive, and always in motion. Classically trained but shaped by the electronic underground, Beau started releasing music in the mid-2000s and developed a reputation for blending genres and rethinking how electronic performance could work.

For years he toured, performing with custom software, real-time visuals, and controllers he programmed, creating shows that sat somewhere between DJ set and live improvisation. His label Xpel Muzik became a home for boundary-pushing artists across house and progressive styles, and his own work has appeared on labels from the US, UK, and beyond.

Today Beau creates primarily under his Japan-based @projectdai (ダイ), a space built for experimentation with genre, software, and new audio workflows. The project acts as a outlet and creative playground, shifting between Vocaloid, Synthesizer V, and Beau’s own production techniques.

Beau’s work continues to evolve, but the through-line remains the same: curiosity, emotion, and a drive to create something honest.

All Inquiries: contact(at)xpelmuzik.com

Misantronics is an ambient/experimental project from Antwerp (Belgium).  

Misantronics started as a harsh.rhythmic noise project in 2009.  Soon after, the self-founded label Amex Nori would release several CDRs and compilations featuring the harsh and brutal sounds of an angry citizen.  But things started to change.  When the project got picked up by the Englist Dark Meadow Recordings, Misantronics had already been experimenting with live improvisation and pre recorded sounds, resulting into an atmospheric yet rhythmic drone sounds.  
After DMR was defunct Misantronics stopped experimenting and recording for a while.  Unhappy and frustrated with the direction the project was going all instruments got packed and put in a dark corner of the living room.  Some lost tracks appeared on several compilations and an overview compilation was released as a free download on Amex Nori's Bandcamp page.
In september that same year Misantronics was a visitor at the Incubate Festival in Tilburg.  Armed with simple recording equipment he made field recordings during the concerts, in the hotel, in the beautiful town and everywhere he could find some interesting sounds.  These sounds were later processed, editted and produced in the home studio. The result was Ail-Eni, released by the Dutch label 'Het Donkse Oog' and quickly followed by a full-cd, named Atjaras and a tour in Germany.  
From that day on, the old harsh Misantronics was dead and buried.  However, the rhythmic part remains.  It is now safe to say the Misantronics is a Dark Ambient project using percussion and all kinds of other experiments to enhance the atmosphere.  But don't be surprised to head some techno, drum & bass or even dub tunes.  
So maybe it's best to say that Misantronics is a dark, experimental music project

Connect with me on Youtube latest beat here - https://www.youtube.com/watch?v=vD4XdfvJDno

Free beats here! - https://exit.sc/?url=https%3A%2F%2Fwww.youtube.com%2Fkilowattbeats%3Fsub_confirmation%3D1

If you want to connect - https://www.youtube.com/watch?v=vD4XdfvJDno

Bomethius is the lo-fi baroque pop alias of Jonathan Hodges, a Dallas-based composer and multi-instrumentalist. Mostly self-taught, Hodges handles the guitar and piano with skill but truly excels with the violin, an instrument he started playing at age 3. A former protégé of violinists Chee-Yun Kim, Alexander Serafimov, and Ivan Ženatý, he studies with Diane Kitzman at Southern Methodist University, where he is a member of the Meadows Symphony Orchestra.

> melodiessouterraines[at]gmail[dot]com

Mélodies Souterraines was founded in 2015 by Saulk Regurk, at same time of the structure called "Late-Night Rec."; regrouping all differents vinyl labels later established: Musiques Electroniques Actuelles (2017) & Hybride Sentimento (2018). An exploration through diverses genres and styles from past and present: a mixture of non-dated atmospheric, punky, dancing and exciting productions from all over the world. A cosmic exploration through electronic music and its influences.  

- Mechanism of industry, wheels of creativity
- Fear and shame, comfort of society
- Let's plug the wires and change the current era

Phoropter is following