Este é um projeto brasileiro de música urbana colaborativa, construído sobre anonimato, tempo e ruído.

Os artistas que participam não se conhecem, não assinam seus nomes e não sabem quem mais está envolvido. Cada membro recebe apenas um convite por ano, enviado de forma automática por uma rotina já programada — um sistema que seguirá ativo até 2030.
Até hoje, ninguém sabe quantos artistas participam do projeto.

As colaborações acontecem à distância, em silêncio.
Quando todos os envolvidos sinalizam que uma música está finalizada, apenas o fundador assume a publicação e a administração do perfil no SoundCloud. Não há créditos, não há biografias individuais, não há palco — só o som.

Os estilos orbitam a música urbana e os breaks:
rap, grime, jungle, drum’n’bass, entre outras variações.
Como o grupo é diverso, as faixas refletem mistura, contraste e fricção, mas existe um fio condutor claro:
letras contundentes, instrumentais pesados e uma atmosfera agressiva, sem concessões.

O projeto nasceu em 2020, em meio à pandemia, e levou tempo para encontrar sua forma atual. Esse amadurecimento faz parte da obra. Nada aqui é urgente — tudo é intencional.

O futuro permanece aberto.
Planejamos lançar novidades inesperadas, experimentos quase insanos e estamos sempre abertos a parcerias com selos e coletivos de mente verdadeiramente aberta.

Aqui, o anonimato não é ausência.
É método.
É estética.
É linguagem.

---------------

This is a Brazilian collaborative urban music project, built on anonymity, time, and noise.

The artists involved do not know each other, do not sign their names, and do not know who else is participating. Each member receives one invitation per year, sent automatically by a system already programmed to remain active until 2030.
To this day, no one knows how many artists are part of the project.

Collaborations happen remotely, in silence.
When all involved agree that a track is finished, only the founder handles the release and manages the SoundCloud profile. There are no credits, no individual biographies, no spotlight — only the sound.

The project orbits urban music and break-driven genres:
rap, grime, jungle, drum’n’bass, and related forms.
Because the group is diverse, the music reflects variety, contrast, and friction, but a clear thread connects everything:
sharp, confrontational lyrics, heavy instrumentals, and an aggressive atmosphere, without compromise.

The project was born in 2020, during the pandemic, and took time to reach its current form. That maturation is part of the work itself. Nothing here is rushed — everything is intentional.

The future remains open.
We plan to release unexpected ideas, borderline-insane experiments, and we actively welcome partnerships with labels and collectives that truly have an open mind.

Here, anonymity is not absence.
It is method.
It is aesthetics.
It is language.

I was that kid who enjoyed Revolution #9.  

I used to broadcast a radio station (circa 1976) with my Radio Shack walkie-talkie. The truckers passing by on I-95, would key their CBs and scream, "Hey, kid. Get offa here! It's illegal for you to be playin' music on here!" I'd play two different records at the same time, sending out a mush and web of sound. I called that station, "DOUBLE-U, DOUBLE-U, DOUBLE-U!" 

I'm not a trained musician. I am a collage artist, and I make sound collages on my desktop. Most everything heard is a sample. The samples used have been chopped up, and then fused back together differently, they've been stretched, slowed down, sped up, resampled, effected, reversed, etc. 

Nothing I make is perfect, nor is it desired to be. It's exactly what I wanted to make. It's the discovery along the way, the manipulation of other's work, or my own work, into something altogether new that keeps me at this. 

When I was little, I watched my Grandad care for his roses in the garden. He would prune the leaves, cut off old growth, care for, and tie branches together so they would grow in different directions. The roses were never show-worthy. Some, however, were gorgeous, and smelled divine The smell is time travel for me. 

He wasn't growing them for anybody to enjoy but himself. I enjoyed all the iterations of his garden.

So in his spirit, this is my garden. Listen if you want. I dig feedback, just like (most) everyone else.  Be kind, or be gone. I ain't got time for that.

I look forward to listening to other people's work. send me your way.

Avid listener (not a DJ) chasing that perfect blend of rhythm + emotion.
Breaks / beats obsessed, with Drum & Bass on constant rotation — liquid DnB is home.
Expect my favourites to lean deep + soulful: Metalheadz moods, Integral swing, Fokuz warmth, Signature smoothness, North Quarter soul + a sprinkle of jungle heritage (Creative Wax / deep jungle vibes).
Locked into proper mix culture (Madcap’s DNB sessions / Mi-Soul energy, plus the occasional Mary Anne Hobbs 6 Music Friday fix).
If it’s crisp on the drums, warm in the sub and rich in the pads, it’s getting a ❤️

Followers of Photek