Our Demise

no saints

'Amethyst'

Don't let the dream die
Don't lose all that's inside
Your face in my hands
Eyes meet eyes.. I understand

The times are really changing
Memories rearranging

But if hope is lost
And things've gone awry
Send a miracle just one last time

"I've seen the truth in your eyes
But I still can not decide"

Oh don't wait for it to go
Hold on and it will show
Hold on and it will show
Hold on and it will show

Don't let the dream die
Don't lose all that's inside
Your face against my face
Eyes closed
Eyes closed

The moment is all fleeting
And looks aren't so deceiving

But if hope is lost
And things've gone awry
Look for me just one last time

One last time
One last time
One last - one last - one last time
One last time
One last time
One last - one last - one last time (Eyes closed, eyes closed)

But if I'm gone
If I'm gone
But if I'm gone
If I'm gone
But if I'm gone
If I'm gone

Look for me just one last time

"I've seen the truth in your eyes
But I still can not decide"

Oh don't wait for it to go
Hold on and it will show
Hold on and it will show
Hold on and it will show
Oh don't wait for it to go
Hold on and it will show
Hold on and it will show
Hold on and it will show
Oh don't wait for it to go
Hold on and it will show
Hold on and it will show
Hold on and it will show

"I've seen the truth in your eyes"

ℭ𝔢𝔪𝔢𝔱𝔢𝔯𝔶 𝔇𝔬𝔩𝔩𝔰 - Amethyst

"There was snow on the ground, sun shining and I thought to myself, 'if I were to crash and die here, at least it would be a really beautiful place to die.'"

AUTOBAHN - 'Beautiful Place to Die'
The Nave ≈ 01/15
00:04:07
8th April 2015
(...)

AUTOBAHN - Dissemble
The Nave ≈ 01/15
00:39:34
21st August 2015
(...)

iTunes

AUTOBAHN - Beautiful Place To Die

Spelljammer
The Ancient of Days

“We like things on a grand scale,” says Spelljammer bassist/vocalist Niklas Olsson. That’s a bit of an understatement considering the Stockholm, Sweden trio’s penchant for massive, slow-burning sludge riffs intercut with dramatic melodic interludes. There’s the pummeling heft of detuned guitars rumbling across the rugged expanse of unwieldy drums counterbalanced with moments of Master of Reality-era Sabbath’s introspective acoustic breaks and Pink Floyd’s Meddle-era psychedelia. These extreme shifts in dynamic give the band’s third album a sense of epic depth unlike most of Spelljammer’s peers. 

“The vastness of everything is something that I seem to think about a lot,” Olsson says, “and I guess that shows in the lyrics.” Some of The Ancient of Days’ words were inspired by the epic poem Aniara by Swedish author and Nobel laureate Harry Martinson in which a spaceship leaving an uninhabitable Earth is hurtled off course, sending its thousands of passengers on a steady course in the wrong direction and there is nothing they can do about it. They will all slowly die as the ship continues from the solar system, forever into nothingness. This type of apocalyptic woe permeates throughout the 5-song, 40-minute album in perfect bond with the vastness of the music. 

The Ancient of Days is not just the band’s third release, but in many ways, a rebirth. It’s Spelljammer’s first recording as a trio — with Olsson taking over bass duties and new drummer Jonatan Rimsbo battering the skins — and the culmination of a progressive move toward a heavier, doom-laden sound, away from the desert rock leanings of their 2010 debut Inches From the Sun. Vol II saw the band spreading out into darker territories. After writing sessions fell apart in 2013 for a followup to Vol II (reissued in early 2015 by RidingEasy Records) Olsson and guitarist Robert Sorling scrapped nearly everything following the departure of half of the band. The two began to build from the ground up as a duo with new ideas that resulted in the invigorated The Ancient of Days. It’s the band’s most focused and deliberate in both its complexities and simplicities.  

“Having recorded the previous two albums in a more patchwork kind of way,” Olsson says, “we were very set on going into one studio and doing the entire thing.” In so doing, they banged it all out over a weekend in January 2015 at Ingrid Studio in Stockholm, engineered and, to some degree, produced by Christoffer Zakrisson. Here, syrupy guitars ooze from the speakers, the drums sound like they’re perched atop a giant barge and howling vocals float throughout the proceedings. The Ancient of Days very effectively embodies the boundless, otherworldly essence of its inspiration. 

The Ancient of Days will be available everywhere on LP, CD and download on September 29, 2015 via RidingEasy Records. 


Spelljammer - Borlung

03. Perfecto Allstarz - Bullit (Long)

WATER PRESSURE

Scene Noir's "Film School" demo. Property of Cold Model Records. All rights reserved.

https://facebook.com/scenenoir
https://twitter.com/scenenoir
https://coldmodelrecords.bandcamp.com
https://www.youtube.com/user/SceneNoir

Film School

MYRKUR - "Jeg er Guden, I er tjenerne" (Live at the Mausoleum) from 'Mausoleum' EP out now on CD/2XLP/Digital via Relapse Records. Order Here: http://bit.ly/mausoleum-ep

Subscribe to Relapse: http://bit.ly/RelapseYouTube 

Order on Bandcamp: https://myrkur.bandcamp.com/album/mau...
Order on Google Play: 
Order on iTunes: http://geni.us/mausoleumiT
Order on Amazon: http://geni.us/mausoleumAMZ

Official links:

Myrkur on Facebook: https://www.facebook.com/myrkurmyrkur
Myrkur on Instagram: https://www.instagram.com/myrkurmyrkur
Myrkur on Bandcamp: http://myrkur.bandcamp.com/album/maus...

http://www.relapse.com
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http://www.relapserecords.bandcamp.com
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MYRKUR - Jeg er guden, I er tjenerne

Project Pitchfork - Way Of The World

The new Hante. album, "FIERCE" will be released on January 18 through Metropolis Records for North-America and Synth Religion for the rest of the world
It features 11 tracks including 4 collaborations with Sólveig Matthildur, Marble Slave & Fragrance., Ætervader and Box von Düe + 2 bonus tracks

Project Pitchfork - Way Of The World

Photonflux