Download link ---> https://fanlink.tv/WhenItDropsByDeeDeeSlay
Follow us everywhere ---> linktr.ee/phreakrecordings

Download

DeeDee Slay - When It Drops (Original Mix)

I’m a Florida native Bad Bish of Bass DJ, Producer and Owner of Slay Records, Music Producer with Phreak Recordings, Resident DJ at Grumpy’s Underground in Orlando, FL. I also travel and perform at Events nationwide. Owner Slay Promotions LLC. 
#CuzISlay #BadBishOfBass #MakinBootysJiggle 💋

you gotta keep it funky ,  I’m talking heavybike  ! It’s allday the longway YAKNOWIT

Been spinning  funky heavy bassline beats since the mid 2000's!!!


  Karmic Waves has made quite a splash in the Florida DJ scene with his energetic performances and unique mixing style. His experience sharing the stage with well-known DJs has likely contributed to his success. It's impressive that he taught himself to beat match by ear, adding to his distinctive approach to mixing music. His blend of old school breaks with a modern twist seems to resonate well with the audience. His passion for Breaks, Electro, and Drum N Bass is evident. Having shared the stage with influential DJs like DJ Icey, DJ Babyanne, Infiniti, Monk, Bad Boy Bill, Odi, AK1200, Paul Santana, FACTORe, Pump DJs, Exzakt, Burufunk, Mike & Charlie, Dee Jay Shaolin, Eric Berretta, Huda Hudia, J-Break, Urban J, Mizzo, Keith Mackenzie, and Doc Roc. Karmic Waves has had an incredible journey in the music scene, from his early fascination with Miami Bass to becoming a skilled DJ and sharing the stage with some of his biggest influences. Through hard work and passion he is chasing his dreams and making them a reality!

Just someone who has a love for Breaks (almost all breaks but specifically Florida and Louisiana Breaks and Vocal Breaks)...Electro...Trance...Drum&Bass...Dub (the original Dub that was around the Tampa scene from the 90's and early 2000's...not the new Dub that these kids think is the shit)...Trip-Hop...E-Hop...and a few others. Was HEAVILY involved (to put it lightly...no pun intended but pun intended) in the Tampa/Orlando scene from the late 80's thru around 2007 or so...until the scene changed or was forced to change...but this shit is in my blood!!! I guess like they say...Blood in...Blood out!!! Had an iconic and well known house in South Tampa that was called "The House On Stilts"...it was the only house in the subdivision that was up on stilts like a beach house. And if you were in the scene...odds are you've swung thru at some point for one or more of the parties...Lol!!! If so...hit me up and tell me about it...I love hearing the stories because MAN O' FUCKING MAN...THOSE WERE THE DAYS!!! Best times of my life...and I'd do it all over again in a heartbeat...I mean breakbeat!!!

Aka...Dancinqueen...tearing up dance floors any and every chance I get ...so let that bass drop n keep on producing those funky ass beats...much love and many thanks :-) 

PHREAK RECORDINGS: Soundtracking the Underground's Next Mutation
By Phlipsyde

In a digital landscape ruled by algorithms and aesthetic minimalism, Phreak Recordings is a beautifully chaotic outlier. The label doesn’t play to the gallery and couldn’t care less about genre loyalty. What it does offer is far more vital: an uncompromising space for sound system futurism, breakbeat nostalgia, and audio experimentation that hits like a pirate radio transmission from a parallel future—raw, unpredictable, and resolutely unfiltered. This isn’t a label chasing charts. It’s not here for shallow virality. Phreak exists for one reason: to give voice to the phreaks, the outsiders, the innovators hiding in plain sight.

Founded as a response to the creative stasis in contemporary electronic music, Phreak Recordings emerged with a singular purpose—to amplify the strange, the raw, and the sonically fearless. And it hasn’t looked back since.
Phreak Recordings is powered by a decentralized network of producers, streamers, DJs, and noise scientists who span cities and scenes across the globe. Each release feels like a cultural transmission from another outpost of the underground. Some of the label’s artists are veterans of the scene, others are total unknowns—but they all share a commitment to sound as resistance. To subverting expectations. To using music as a tool for tension, release, and reimagining reality. Ask anyone in the Phreak circle and they’ll tell you: this isn’t about fitting in. It’s about blowing open new portals.

The label’s signature sound is hard to define—and that’s by design. One release might channel dark, hybrid-style Drum & Bass, while the next pulses with powerful progressive emotions, dirty electro beats, or euphoric vocals that send chills down your spine. It’s unpredictable, often abrasive, always unique. This is music for sound system obsessives, warehouse dwellers, and headphone hermits alike. It’s not designed to go viral — it’s built to last.

At a time when so much of electronic music is either chasing the past or pandering to platforms, Phreak Recordings is doing something rare: creating space. Space for new sounds, new voices, and new ideas. Whether you're a seasoned raver, a bedroom producer, or just someone who still believes music can change your state of mind, Phreak Recordings invites you to tune in, drop out, and go deep.

If you're tired of the same sounds. If you're searching for the spaces between. If you believe that music still has the power to challenge, to awaken, and to rewire—then welcome.

To Phreak Recordings.

All you have to do is listen.

www.linktr.ee/phreakrecordings