we are  margot, sebra cruz and giagarobot. we are 2 musicians djs of riccione (italy).


contact: barto@margotrecords.it

-	Shell-shocked by a compilation of Chicago House that his elder brother gave him, music pupil Roman from Darmstadt became interested in electronic music.
-	Visits to Sven Väth’s Omen in Frankfurt and nights spent with Underground Resistance or Warp turned his whole world upside down. LFO’s bass still massages his stomach region to this very day.
-	The first demo tape is given to Jörn Elling Wuttke, who is thrilled and leaves his others bands to join forces in a project with Roman.
-	Together they pay a visit to Ata and Heiko MSO. The latter work as DJs and sellers in Frankfurt’s Delirium and can hardly believe their ears. They are delighted to set their A&amp;R activities (Ongaku, Klang) in motion.
-	For Holy Garage “Surprise”, which also appeared on Eye Q, they found the Playhouse label, later to become the flagship of the label triumvirate and one of the most influential labels in Germany.
-	Time flies in the nineties with working on the label and the success of the projects Alter Ego and Sensorama. Roman also does solo projects under the name Soylent Green, Eight Miles High, Ro 70, Roman IV and his real name. The spectrum ranges from nosebleed techno to delicate ambient and electro-pop tunes.
-	Sven Väth asks Alter Ego to be his producer.
-	Remixes for Daft Punk, Radio Slave, Primal Scream, Ricardo Villalobos, The Human League, Spektrum, Tiefschwarz, Baby Ford, Chicks On Speed, and many others.
-	Alter Ego beats all the records with “Rocker” and Roman provides a worthy successor with “Geht’s Noch!?”.
-	Live appearances all over the world and Roman becomes increasingly popular as a DJ. His sets comprise 20 years of rave in one breath of techno, house, Italo-disco and obscurities. It goes by the name of acid house.

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OFFICIAL BIO
Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of J Dilla, Madlib, waterfalls and Dabrye, Steven Ellison -- known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the Warp label, Ellison distilled a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, avant-garde jazz, IDM, and dubstep. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz musicians including the indispensable likes of bassist Thundercat and strings master Miguel Atwood-Ferguson. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the Kendrick Lamar collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered Brainfeeder label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart.

We work with some excellent labels and music.

Hello, it's me.

My new album "The Work" is out now on City Slang. 

thanks x

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