composition-improvisation based on south-indian Raga Kirwani. Inspired by pandit Hariprasad Chaurasia. Of course, this music is not indian classic, just my first try to play solo and to follow the scale. Many thanks to pandit Harsh Wardhan for the flute. Performed by Sasha Zhuravlev in august 2013 in Oporto, Portugal

Improvisation based on Raga Kirwani

Created by Ruby Burrows

 Hare Krishna!

Om Namo Bhagavate Vasudevaya!
Om, I bow to Lord Vasudeva or Lord Krishna!

Lord Krishna is all that begins with OM, he is Omnipresent, Omniscient, and Omnipotent.

OM - The Supreme Combination of Letters Emanating from the Flute of Sri Krsna! 

O son of Kunti, I am the taste of water, the light of the sun and the moon, the syllable OM in the Vedic mantras; I am the sound in ether and ability in man. (Bhagavad Gita 7.8)

I am the father of this universe, the mother, the support and the grandsire. I am the object of knowledge, the purifier and the syllable OM. I am also the Rg, the Sama and the Yajur Vedas. (Bhagavad Gita 9.17)

Of the great sages I am Bhrgu; of vibrations I am the transcendental OM. Of sacrifices I am the chanting of the holy names [japa], and of immovable things I am the Himalayas. (Bhavavad Gita 10.25)

Hare Krishna Hare Krishna Krishna Krishna Hare Hare 
Hare Rama Hare Rama Rama Rama Hare Hare 

Chant and be Happy! 

♥♥♥ OM Shanti Shanti Shanti ♥♥♥

Your humble servant
Satyavati Devi Dasi (Ruby Burrows)

P.S. Please excuse my poor english

ॐ - OM Meditation - Deep Relaxation - AUM - ॐ

Hariprasad Chaurasia, Raga Marwa - Ektaal & Drut Teentaal

live recording at Weltnacht Festival, Bielefeld, Germany, 24.05.2014 
Subrata Mana - Tabla
Debanjan Bhattacharjee - Sarod

Sound Engineer - Roland Lücke


Early Morning Raga - Weltnacht Festival Live

Raag Marva by Pandit Hariprasad Chaurasia from the album 'Written On The Wind'

Pandit Hariprasad Chaurasia ~ Raag Marva

Classical Indian - Raga Durga

Hariprasad Chaurasia - Gandharva Veda - flute - India - Inde - Maharishi - 01

Morning Meditation Ragas On Sitar - Peaceful Music For Relaxation - B. Sivaramakrishna Rao

A Very Pure and Amazingly Beautiful, Indian Flute Music, featuring Raag Ahir Bhairav. Pure Positive Vibes. This Raaga is a Morning Meditation Raag and thus apt to be used as background for your early morning meditation and Yoga Practice.

Indian Flute Meditation Music Pure Positive Vibes Instrumental Music For Meditation And Yoga

Shri Dhanvantari is the primordial God (Avatar) of health care. As such, persons have taken the name "Dhanvantari" in connection with their attempts at medical interventions. One such Dhanvantari was an early Indian medical practitioner and one of the world’s first surgeons. Based on Vedic traditions, he is regarded as the source of Ayurveda. 

Prathna...

 Dhanvantaraye Namah
Om Shri Dhanvantre Namah

Dhanwantri Maha Mantra
"Om Namo Bhagavate
Maha Sudharshana
Vasudevaya Dhanvantaraye;
Amrutha Kalasa Hasthaaya
Sarva Bhaya Vinasaya
Sarva Roka Nivaranaya
Thri Lokya Pathaye
Thri Lokya Nithaye
Sri Maha Vishnu Swarupa
Sri Dhanvantri Swarupa
Sri Sri Sri
Aoushata Chakra Narayana Swaha"

Dhanwantari Gayatri Mantras
"Om tat purushaaya vidmahae
Amritha kalasa hastaaya dheemahi
Tanno Dhanvantri prasodayaat"

"Om aadivaidhyaaya vidmahae
Arogya anugrahaaya dheemahi
Tanno dhanvantri prasodayaat"


Aarogya Mantr-Shri Dhanvantari Mantr

Yaman is traditionally sung during the first quarter of the night.

Raga Yaman is a night raga which is very romantic in nature. This raga is often taught to beginners in Hindustani music. Some say its origin is from the Persian mode "Ei'man" from which "Yaman" originated. Others say it has Vedic origins as Raga Yamuna which over time altered as Yaman. 

Moods: bhakti, gambhir, shringar, serene, haunting 

This raga is also called Kalyan or Yaman-Kalyan. The raga has all shuddha swars except for the tivra Ma. It is this note which gives the raga its distinctive quality of peace, and tranquility. Some modernists consider Yaman, Yaman-Kalyan, and Kalyan to be one raga and only traditionalists consider these as three distinct ragas.

Other Ragas in Thaat Kalyan: 
Bhupali 
 
Raga Yaman-Kalyan  
In avraoha, if mM is used instead of M, the raga becomes Yaman-Kalyan
Avaroha: S'  N  D  P  mM  G  R  S
Moods: Peaceful, soothing. Raga of romantic poets

Aaroha:   'N  R  G  M  D  N  S'
Avaroha:  S'  N  D  P  M  G  R  S
Pakad:    'N  R  G  M  P,  R  G  R,  'N  R  S
Thaat:     Kalyan
Prahar:    Late Evening

Alaap:
1. 'N R G, R S - , 'N R G M G - , G M P - , M G - , R G R S -
2. 'N R S - , S 'N 'D 'P - , 'M 'D 'N R G - , G M G - , P M G R S -
3. 'N R G M P - , M D N D P - , M D N S' - , S' N D P - , N D P - , M G - , R G - , R S -
4. G M D N S' - , N R' S' - , S' N D P - , M D N S -
5. M D N R' S' - , N R' G' - R' S' - , S' N D P - , M D N - , M D N R' S' -
6. G M D N R' S' - , N R' G' - , R' S' - , N R' M' G' R' G' R' S' - , S' N' D' P' - , M D N S' -


Pandit Hariprasad Chaurasia ~ Raag Marva

Pie Pie Delta