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EBM . Industrial . Techno

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"What we're interested in, within the bounds of what we're looking at with Emptyset, is getting to the essence of the relationship between time, structure and sound."  James Ginzburg

Emptyset - Awake

Today, the 4th of August 2021, marks 3 years from the loss of great electronic music artist Damcase (Dimitris Damaskos) - hailing from Thessaloniki, based for years in Rotterdam, NL. 

American experimental artist, Container remixes the last Damcase track released, included in the VARIABLE compilation of 2018.

Variable Remixes

Pre - order

Damcase - Inkl Rules (Container Remix) [PEVA02]

Promo, Upcoming Preview EP
Composed and produced by Bernardino Femminielli and Jesse Osborne Lanthier (Noir)
Follow us! https://www.facebook.com/femminiellinoir
contact: femminiellinoir@gmail.com

Femminielli Noir - Me Gusta El Dolor

The second SPLIT record of the Pi Electronics sub-catalogue kicks off 2022's release schedule, combining music by Ontal, the duo hailing from Serbia and Athens based producer, DΛS.

After 4 years, Ontal return to the label, with ‘Almagest’ Parts I & II on the A side, giving two different interpretations of their trademark industrial textured techno. One with a focus on the bassline and one kick drum oriented version.

The B side of SPLIT#2 hosts Athens techno producer and label resident DΛS, presenting his music for the very first time on vinyl. Driving, broken beat techno with an industrial edge.

Mastering: Dadub Studios
Release Date: March 25

SPLIT#2

ONTAL - ALMAGEST (Part II) [PEVA06]

From the album Dark Corners

Full album and CD: https://atlantearecords.bandcamp.com/album/dark-corners

Artist profile: @samsara-inc
Cover artwork by Anthony Asher Yates
Mastering by Seth Bellow

Samsara Inc. - As Snow Falling

Pre-order: pielectronics.bandcamp.com/album/limitation
Release date: February 10, 2023
@phallucipher @xrysafeniax @tda_h

Full compilation preview: on.soundcloud.com/pLM3g
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The third compilation (of four instalments) in the Various Artists catalogue of Pi Electronics is hitting physical and digital stores around the globe on the 10th of February 2023.

The concept of releasing artists, who performed at π parties (2014-2019) along with musicians who stood close to the label before and during its activity, gathers 18 tracks to the Limitation Compilation.

Music by New York City industrial legend Adam X, Swedish master mind producer Peder Mannerfelt and Irish Techno figure, Eomac (also one half of Lakker) finally takes its place on the label catalogue, along with tracks by the electro side of Italian born producer, Alessandro Adriani and the sound-aesthetic of UK hailing musicians, Slave to Society (formerly AnD ) and Sam KDC.
Berlin artists Alekzandra and Interviews appear with a synth leaning piece, and a hypnotic, broken techno contribution respectively.
You can also meet the sound of Tel Aviv’s finest electro duo TV.OUT on this release, which also includes a rare collaboration track by Ireen Amnes and Gramrcy.
Finally, ‘Limitation’ presents music by Greece affiliated acts of different backgrounds: from the dreamy guitars of Monochromatic Visions and the ambient/drone of Devika, to the broken beats of Zevla and Ønly, as well as the rolling techno of Thanos Hana. Not to mention the textures of noise band Phallucipher, the industrial slo mo techno of Thessaloniki’s, Archaic Intellect, and the noise-techno of label founder, 3.14.

A crossroad of different genres and production styles is offered in the formats of Double Vinyl Sampler, Double CD and digital for this compilation, titled “Limitation”.

Limitation

Download

Phallucipher - Creatures Of Abstraction [LIMITATION, 2023]

Dan Yolles - Composition, production
Samuel Wexler - Violin, Final Mixdown
Madelion Moondrop - Vocals
Mastered by Asher Fulero

Featured on Mycelium Music, All rights reserved.

For download of full album: https://myceliummusic.bandcamp.com/album/birds

Night Visions - Birds

Track taken from Emptyset, debut self-titled on double LP, reissue. Available now to buy from: www.subtextrecordings.net/ SUB014

Emptyset - Completely Gone (SUB015)

Developed through a commission with Deutschland Radio, "'Signal' is a performance project exploring sound and composition through ionospheric propagation and the atmospheric modulation of radio waves, integrating aspects of atmospheric noise and space weather within a real-time transmitted performance." 

Signal I

Arma bianca

Through The Looking Glass

1 Midori Takada - Mr Henri Rousseau's Dream (Reel-2-Reel to Digital conversion)

Mars89 - End Of The Death EP
12" and digital available on Bandcamp >> bit.ly/2oj8dSp

Finally @mars89 returns with his first proper vinyl release (after last year's brutal Lucid Dream cassette on Bokeh). Streetfighter meets Pulse X meets Gqom on 5 tracks from this ascendant Tokyo star. All wrapped in one of  Patrick Savile's most inspired sleeves.

1. End Of The Death
2. Run To Mall
3. Visitor From The Ocean
4. Random Coherence
5. Throbbing Pain

Mars89 is a crucial member of the Tokyo’s Chopstick Killahz, a self-described “Post Tribal DJ Unit” lurking on the fringes of the city’s grime scene. Mars89’s self released his debut EP East End Chaos in 2016 on a limited run of zines. He’s also recently composed music for Amazon Fashion Week Tokyo 2017A/W and started a residency at Bristol’s Noods Radio.

Listen to Lucid Dream here:
soundcloud.com/bokeh-versions/bkv-011-mars89-lucid-dream-ep

Buy Now

Mars89 - Run To Mall

SHtraus Kajzer - Vals

Emptyset

Gate 3

Gate 1

OUT NOVEMBER 2018

Remember that straightforward mix of EBM and synth-punk that came out on Antinote last year, wrapped in a suggestive black and gold sleeve? The lyrics were strictly not ambiguous and the music produced by Panoptique and Paula was joyfully aggressive. Broken glass, dogs barking & cats roaring: Succhiamo is back and gives us news from the scrapyard. 

The thing is, it seems that Succhiamo’s scrapyard has been animated by Bill Plympton : in place of dogs and cats, it’s a lew Pink Panther chasing a spaced-out Scooby-Doo on Dolore Dentro or Stai Male. Happily championing bad taste, the two musicians even venture into the illegitimate territories of italo-pop missed hits, shaped for lip-sync performances on Rai Uno with the nagging Que Pena. 

As we’re getting close to the middle of the record, the music gets openly punkier, climaxing with the explicitly named Desiderio Di Violenza, brushing past 200 BPM. While the inevitable silence following the last notes of Que Pena temporarily puts an end to the pleasant nightmare that is Mani In Fuoco, the figures – somehow similar to those inhabiting the world of Fritz the Cat – that Succhiamo insidiously inserts into the listener’s head don’t fade away: they patiently wait for the duo’s pulsing drum machines and the saturated synths to wake up again and set them in motion for another ride.