'Fade' out now on dh2 >>> https://linktr.ee/wearebodhi

Bookings: tom@clockworkartists.co.uk
Contact us: Wearebodhi@gmail.com

Inspired by groove, percussive nuance, and warm, melodic textures, Bodhi’s sound occupies a space between House, UKG, breakbeat, and electronica. With a deep musical intuition shaped by years of exploration and crate-digging, the Cardiff-based duo are known for productions that move fluidly across styles while retaining a distinct emotional core. 

2024 saw the pair evolve and grow their sound, releasing on heavy hitting labels such as Hotflush, Dh2, and Unknown to the Unknown, showcasing their versatility, from club-ready bombs to more introspective, deep cuts, grounded in rich sonic palettes. 
Their most recent releases have picked up club support from tastemakers Jamie XX, Pangea, Blawan, Ross From Friends & Bakey along with plenty of radio love from R1, NTS & Rinse.

With several exciting releases lined up, 2025 is shaping up to be a defining year for Bodhi.

Music has always had an important role in Bruce’s life, from an early age he was obsessed by musicians who could transcend barriers of race, religion and time reaching people all over the world with music that inspires. At an early age of nine he started to collect music sometimes with some help of the collection of his father. As his collection grew so did his obsession.

Ben Howard returns with his 4th album, Collections From The Whiteout, produced alongside Aaron Dessner (The National). The foreboding darkness that coated Ben’s second record I Forget Where We Were and thinly veiled its follow up Noonday Dream, isn’t so evident on Collections. These are songs written from headlines scanned, or news stories scrolled past, providing inspiration for a selection of vivid narrative snapshots – the death of amateur sailor Donald Crowhurst (Crowhurst’s Meme); Russian fraudster Anna Sorokin (Sorry Kid); the man who stole and crashed a plane in Seattle (The Strange Last Flight Of Richard Russell); and the dismembered body a friend of his father found in a suitcase floating along the Thames (Finders Keepers). Alongside them, the personal anecdotes from the same scattered period living between Paris, Devon and Spain. Yussef Dayes features, as does Kate Stables (This Is The Kit), James Krivchenia (Big Thief), Kyle Keegan (Hiss Golden Messenger), and Dessner. Thomas Bartlett, St. Vincent’s go-to pianist, and Rob Moose, a long-standing arranger of strings for Bon Iver, are also present. Long-term guitarist to Ben’s band, Mickey Smith (A Blaze of Feather), remains a reassuring constant. It’s a sonic adventure that continues this nagging suggestion that Ben is one of the UK’s most inventive and naturally talented songwriters. CFTW is his latest opus, and arguably his most fully realised to date.

Quality will find its way.
Booking: jane@this-saturday.com

Metal Meets Electronic.
Label Boss at @soundsofmayhem
Bookings: alex@abtouring.com
linktr.ee/PhaseOneAU

the pied piper of dance ...and occasionally known to spot the odd tune...

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