AHAHAHAA YEASSS MY FRIEND!!!! GET ITTTTT WOOOOOO WEEEEEEEEEE

Song that can be listening with pleasure. Beautiful work. Bravo.

Don't know about you, but I like to go #DeepUnderground; no interest in what's lying around on the surface! The more difficult it is to #PIGEONHOLE the more it intrigues me; the more I'm thinking, the mind that created this ought to impress everyone because it isn't trying to impress anyone, it goes where it pleases!
>
To draw a straight line between NO LISTENS and the quality and substance of music is unadulterated, simple minded, rank stupidity, so don't be discouraged, if no one is listening to your music, it's likely because the right audience can't FIND your music!
>
The internet is now so FLOODED with music there is more chance of finding a needle in a haystack than the right audience finding your creations, but let's keep doing it for the love it anyway! 
>
Perhaps the time will come when those just seeking fame and fortune will wise up and drop out of the race, leaving the field clear for those motivated solely by passion, and perhaps prospectors, tired of being spoon-fed, fired up by curiosity, thirsty for authenticity and invention, may one day dig up those gems of yours, so KEEP ON KEEPING ON, let passion guide your creativity!
>
@StevenVellou
>
WE BENEFIT FROM POSTING ON SOUNDCLOUD THE MOST WHEN WE FOLLOW BACK, LISTEN AND LEAVE FEEDBACK

Who should we follow back? The Soundcloud users who don’t just follow us they actually listen and leave feedback, makes sense, right. So why does it make sense, because they are the ones actually supporting your music, they are the ones that raise your profile and feedback is FREE hype, it advertises your product, it tells new arrivals to your page that your music is worth listening to, that’s what I mean when I say we ALL benefit.
These platforms actually end up failing BECAUSE we don’t maximise their potential in this way, a follow serves no purpose if we don’t follow through, and if we don’t follow through others don’t follow through either, we all become wary of giving support because we know only a very small number will do the same for us.
So how does this affect these platform, activity slows down eventually grinding to a halt, once that happens platforms like Soundcloud could end up going out of business, eventually there will be no platforms left for us to FREELY post on, the day will arrive when the ONLY way to post our music is to PAY FOR THE PRIVILEGE, so you see being PROACTIVE not only benefits you and I it ensures the survival of platforms like Soundcloud; ok, so it doesn’t deliver in some of the ways we’d like it to, and including reaching an actual audience, but it’s a whole lot better than nothing at all!

SUPPORT gathers MOMENTUM when RECIPROCATED VOL 3

The Askesis of Diogenes.
Yeah, we're literally writing songs about ancient Greek philosophers now.

https://iep.utm.edu/diogenes-of-sinope/

Drums, percussion, mixing: R Thomas
Guitars, Melodica, Bass, Vocal, MIDI, mixing: PS Perkins

The Poem: https://mystictapedeck.com/bards/the-cynic/

-------------
LYRICS
-------------

Adrift In a world that you can't comprehend
As you shuffle down sidewalks you used to defend
And pick through the garbage from parties you no longer attend

You know you're a stranger in still stranger lands
Where the crumbling monuments once used to stand
And they look at you funny when you ask them where to find an honest man

When you're gone, long, long gone

When they try to dismiss you, you piss on their shoes
As they fondle their falsehoods and call them the truth
If only the hunger in our bellies were so easily soothed

But you are not like them and you don't even try
No matter how rotten, you can't make them cry
You're as real as their shadows but they'll never understand why

Until you're gone, long, long gone

So you eat in the market and sleep in a hole
You drink from your hands now instead of a bowl
Stand naked before them to show how the years take their toll

And when the wild dogs come to nip at your legs
And the passing onlookers who expect you to beg
But your life was a promise and it's far too late now to renege

And then you're gone, long, long gone

BARDS:Of The Shimmering Seraphs

The Cynic

Read the short story which accompanies this song here: 
>>>> https://mystictapedeck.com/bards/the-forest-witch-2/ <<<<

All instruments, mix and production by PS Perkins and R Thomas

LYRICS
---------------------
Fare thee well, on a bell, may I spill you a tear?
See the storm clouds approaching?
Hear the riders drawing near?
The bishop has sent forth all their bloodthirsty pawns
To capture your head, and to cast it to bronze, on a bell

Were you healing the sick? Were you raising the dead?
Won't you tell me, on a bell, what they'd want with your head?
Did you fly like a bird? Did you buzz like a bee?
Did you frolic with the faeries and talk to the trees?

On a bell, on a bell, from the woods where you dwell
Can you heal me on a bell, put me under your spell
On a bell, on a bell, ringing through your shady dell
Can you tell me, on a bell, who they're sending to hell?
On a bell.

Can you heal me on a bell, gaze deep in my soul
As we follow three hares down their dark and twisted holes?
And so, on a bell, as we go around again
The ending is where all beginnings begin

On a bell, on a bell, from the woods where you dwell
Can you heal me on a bell, put me under your spell
On a bell, on a bell, ringing through your shady dell
Can you tell me, on a bell, who they're sending to hell?
On a bell.

The Forest Witch

Double Blind

Trio Tricoter performs Siete canciones populares españolas by Manuel De Falla arranged by Iyad Mohammad. Musicians are Cag Ercag on the cello . Aysu Sadiqova on the qanun and Zina Asfour on the piano.
This Project is sponsored by The Arab Funds for Arts and Culture.
Music recorded at Babajim Studios with music director Peter Snapper in Istanbul edited by Kawar Studios and mixed by Neos.

Manuel De Falla - Siete canciones populares españolas - El Pano Moruno

jaguars nation(ingoma yemcabago)

Remix of 
https://soundcloud.com/user-305593647/colours

Original track and all rights by
https://soundcloud.com/user-305593647

Thanks a lot to have the opportunity to make this remix :-)

30 Grad - Colours (Laar Remix)

A Quatrain MMO

Audio recorder 11/12/2021 - 11/07/2022

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Cool Wind at the Edge of the Wood

Cool Wind At The Edge Of The Wood

Weasel Theme

This is a rework of an old track. I wanted to make parts of it a little more upbeat and also add some orchestral elements. 
A little nod to the last UK bank holiday before the 'C' word (I'm not saying it yet!!) and the end of summer 2023.

Free download if you like it.

Thank you for listening 💛

Halcyon V2

A sort of club thing that popped out of nowhere

Oh I Wish

Blatant Cabbage

Bonus track from the new album: Blink Twice - Other Locations [Expanded Edition]

https://moodexhibit.bandcamp.com/album/blink-twice-other-locations-expanded-edition

Other Locations was originally released in 1996 on the German record label Broken Seal. It was the first CD release from Blink Twice and the label's second release.
At the time there was a zine culture in electronic music, where artists would send their cassettes through the mail to different underground music zines for review across the globe. It was really the only way to get one's music heard.
After putting out numerous cassettes in the early to mid 1990s, Blink Twice had earned a reputation as a unique dark ambient artist in America.
www.discogs.com/artist/48238-Blink-Twice

The dark mysterious sound of Blink Twice resonated in European countries, with favorable reviews in the Slovakian zine Crewzine, the Belgian leading electronic magazine Side-Line, Phosphor, and Wounded magazine from Lithuania. Blink Twice was also featured in American industrial magazines Outburn and Industrial Nation, as well as sonic-boom
sonic-boom.com/review/blink.twice-1.html

The sound of Blink Twice earned comparisons to artists like early Delerium, Dead Can Dance, Nightmare Lodge, SPK, and some of the Cold Meat Industry roster from Sweden such as Raison d'etre, Morthound, and Deustch Nepal. Although generally classified under the genre of "dark ambient", Blink Twice utilized much more melody and percussion than most ambient. Many tracks display the melodic layering and tribal percussion that are showcased in some current Mood Exhibit material.

"Other Locations" is finally available here on the Mood Exhibit Bandcamp page, Robert Salchak's official distribution for all his music.
It includes a large selection of bonus material from the era (1993-1996) that was either never released or only available on cassette.

Hidden as the last track is an epic nearly 15 minute tribal ambient excursion that can only be described as Dead Can Dance era Spiritchaser" (1996) meets Delerium era "Spheres I"(1994)

It is an essential historic document for followers of Mood Exhibit, as well as any fan of dark ambient/neoclassical/tribal/cinematic sounds.

Album

Blink Twice - The Brighter The Moon, The Darker The Shadows

Fast Car was 1st Released in 1988 by Tracy Chapman. It has always been one of my most favorite of all time songs, Luke Combs has just done an Awesome version as well so i decided it was time i did one Too. This is only my 2nd cover on SC and i hope i have done justice to this awesome song.
Song written by : Tracy Chapman 1988 
Guitars, drums, Vocals as well as mixing and mastering: Johnny Mc Farlane

Fast Car (Written by Tracy Chapman)

SORRY FOR THE INCONVENIENCE

DIE LIKE A VICTIM

LOVE IS A ONE NIGHT STAND

Hello dear Soundcloud listeners,

I'm still determined to continue producing music, the music of Pier Will, which can only be heard on Soundcloud and which can also be recorded... for now.

The world of music is rapidly moving towards a huge upheaval where the true musician will very quickly become "rare," or even more and more of a shadow, a peculiarity, a memory. This time is not so far away, as AI takes a predominant place in everything that touches us and surrounds us and in Music, this can already be heard very clearly!

Apparently, everyone is taking this lightly, and the few diehards are being sneered at as anti-progress terrorists, for now. I already have two work computers disconnected from the internet, which house my software and everything I need to work. No more updates for them to work properly... updates are only necessary if you need to connect! Another computer is dedicated solely to internet connection and will be used exclusively for streaming the tracks.

This decision has serious consequences for my production, as there are no more options to add anything to it. It's a gamble, but for me, it's an obligation to remain completely independent and free from AI.

Pier WILL - ❤️🕊️🙏

________________________________________________________________________

Bonjour chers auditeurs Soundcloud,
Je suis toujours déterminé à continuer à produire de la musique, celle de Pier Will, que l'on ne peut écouter que sur Soundcloud et qui peut aussi être enregistrée… pour l'instant.

Le monde de la musique s'achemine rapidement vers un bouleversement majeur où le véritable musicien deviendra très vite « rare », voire de plus en plus une ombre, une singularité, un souvenir. Ce temps n'est pas si lointain, car l'IA prend une place prépondérante dans tout ce qui nous touche et nous entoure, et en musique, cela se voit déjà très clairement !

Apparemment, tout le monde prend cela à la légère, et les quelques irréductibles sont méprisés comme des terroristes anti-progrès, pour l'instant. J'ai déjà deux ordinateurs de travail déconnectés d'Internet, qui hébergent mes logiciels et tout ce dont j'ai besoin pour travailler. Plus besoin de mises à jour pour qu'ils fonctionnent correctement… les mises à jour ne sont nécessaires que si vous avez besoin de vous connecter ! Un autre ordinateur est dédié uniquement à la connexion Internet et sera utilisé exclusivement pour le streaming des morceaux.

Cette décision a de graves conséquences sur ma production, car il n'y a plus aucune possibilité d'y ajouter quoi que ce soit. C'est un pari risqué, mais pour moi, c'est une obligation de rester totalement indépendant et libre de toute IA.

Pier WILL - ❤️🕊️
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

In the WRONG PLACE at THE WRONG TIME with THE WRONG MINDSET, apparently making THE #WRONG #MUSIC, but it feels #RIGHT to ME!

Highly unlikely more than one of my tunes will ever be heard by more than a handful of listeners, so just for the record here is an incomplete list of artists my music has been compared to by other musicians, depending on which tunes they heard, StevenVellou (Gothic Funk)

RESIDENTS, PHILIP GLASS, DAVID BYRNE, FRANK ZAPPA, THE BEATLES, BAUHAUS, SISTERS OF MERCY, DAVID BOWIE, LOU REED, CAPTAIN BEEFHEART, PARLIAMENT, SYD BARRETT, PINK FLOYD, PSYCHIC TV, NEU, MOMUS, MINISTRY, CHARLES IVES, BEACH BOYS, KINKS, THE FALL, JOY DIVISION, DEPECHE MODE, GARY NUMAN, LEONARD COHEN, STONE ROSES, GIORGIO MORODER, GEORGE CLINTON, THE CURE, DALIS CAR, JOHN ASTLEY, KILLING JOKE, ALIEN SEX FIEND, ROBERT FRIPP, DEVO, B52’s, IAN CURTIS, FAD GADGET, TALKING HEADS, GORILLAZ, MIKE PATTON, JON ZORN, LES CLAYPOOL, STEVEN REICH, TOM WAITS, THE EX, TOM CORA, THE CAKE, NAPOLEON XIV, KEVIN AYERS, ROXY MUSIC, FRANK TOVEY, RUPERT HINES, ROBYN HITCHCOCK, DEVIN TOWNSEND PROJECT, SPARKS, BILL NELSON, JOHN CALE, TRIO, JULIAN COPE, HEAVEN 17, LLOYD COLE, TUBEWAY ARMY, FRONT 242, NITZER EBB, COCKNEY REBEL, SHRIEKBACK, VICTOR SNOW, GORDON LIGHTFOOT, THE THE, BABYBIRD, JOHN LENNON, ULTRAVOX, DAN DEACON, BACH, SQUEEZE, ANDREW ELDRITCH, IGGY POP, MIDNIGHT OIL, BILLY CHILDISH, BUTTHOLE SURFERS, VELVET UNDERGROUND, LOVE AND ROCKETS, ART OF NOISE, LOOK PEOPLE, CABARET VOLTAIRE, PRODIGY, et al.
>
Don't take sides and I'll respect you for it; take sides and I'll treat you with the same contempt I treat anyone with a mob mentality, because mob mentality invariantly betrays an underlying intolerant right-wing mentality!
>
#SUPPORT gathers #MOMENTUM when #RECIPROCATED!
>
My tunes are ten times better than you might imagine!
>
A lack of listens proves nothing, other than the fact that no one is finding your tunes; it does not prove, as some believe, that your tunes must be crap, so don’t ever take such a ridiculous notion on board—on an internet FLOODED with music no listens rarely has anything to do with the quality of your music, your creative talent, is almost always down to the fact that the right audience can’t find your music, because finding it is now as difficult as finding a needle in a haystack!
>
SOMETHING FOR EVERYONE, EVERYTHING FOR SOMEONE!
>
For diversity and consistency, I am not hesitant in saying my Soundcloud pages house the most inventive creations on here. There are others making fabulous tunes, but no one is more prolific while maintaining a high standard of pole to pole invention, and that applies to the lyrics too. I won't escape obscurity and oblivion, but that proves nothing, the internet is way, way, WAY overcrowded with unsigned music, way too much mediocre stuff, which obscure anything exceptional out there; the wood hidden away behind lots and lots and LOTS of trees, and no one has the time to look for needles in haystacks, to find a diamond in the rough, it's just way too big a task, not humanely possible!

INVENTIVE, AUTHENTIC, DIVERSE MUSIC, INVENTIVE, AUTHENTIC, IMAGINATIVE LYRICS, but those are the last things the vast majority of listeners are looking for these days!
>
Me, I'm awestruck by musicians who can't be pigeonholed, who don't conform to any borders, who don't think about which direction each new creation will take, they just go wherever that creativity takes them; pure, on the fly, innovation, imperfect but 100% authentic, as far a way from manufactured, recipe book, regurgitation, as it is possible to get, totally unforced, inspirational and way, way, WAY outside the box! There ought to be a place for such creativity, there was at one time, but a mercenary music industry put an end to that, leaving us with a situation where those who deserve the most adoration for the talents receive the least!
>
Will this ever change, will a yearning for TRUE underground, creativity unique to the individual, ever return, or has the spoon-feeding gone to far this time, is its grip so vicelike nothing can break it!
>
I make #INVISIBLE music, perhaps it feels that way to you too!
#Overlooked, #Underrated, Dismissed Without A Listen!
>
When Soundclouders follow me or click like without leaving feedback, what is it they are hoping for? That I come listen to their tunes and heap praise on them, what? I mean really, what is the point of following someone, what is the point of liking one of their tunes, if you don't actual think they are deserving of feedback, if you don't think the tunes are as good as what you do???

EXPLODING THE MYTH THAT UNSIGNED IS UNSIGNED BECAUSE IT’S INFERIOR TO SIGNED MUSIC!

>
UNTIL this MYTH is blown out of the water we don’t have a cat in hells chance of breaking through. #TheMyth  is the BIGGEST obstacle that stands in our way, it is the FIRST hurdle we must get over, it is the message that should be going #VIRAL, it’s down to each & every one of you to make that happen!
>
#ExplodeTheMyth
>
Listening to just one of my tunes tells you nothing about my creative approach, listening to ten of my tunes will still tell you very little, listen to a hundred of my tunes and the penny will start to drop, but it's only after hearing 500+ of my creations and collaborations that your eyes will widen in amazement! 
However, if you don't have unlimited eclectic taste none of that applies, and the reality is, who, in this world, is going to listen to every tune I've created, no one--if even one tune is heard from beginning to end it's a minor miracle, because sadly, there is a belief that unsigned means inferior, but I've heard enough tunes by the rest of you guys to know that's a myth, that's bullshit, we create some of the most inventive, authentic, imaginative tunes out there!
Give me unsigned, independent and underground music over signed, safe, predictable, recipe book, music any day of the week!
>
I MAKE TUNES NO ONE WILL EVER LISTEN TO!
>
Some musicians & music fans don’t want to hear music from the past because they would have to acknowledge IT’S ALL BEEN DONE BEFORE!
>
Finally come to terms with the fact that I'm PLAYING TO AN AUDIENCE OF ONE, and even I have to FORCE myself to listen!!!
>
My music and lyrics are all about different, but if no one listens no one will EVER know! 
#StevenVellou

I CREATE TUNES ON THE FLY; NO FORMULA, NO PLAN, NO DIRECTION; THEY JUST HAPPEN--I'M IGNORANT OF THE RULES INVOLVED IN THE MUSIC MAKING PROCESS, SO I'M NOT BOXED IN BY THEM, WHICH IS WHY THEY ARE SO VARIED AND UNPREDICTABLE!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Meaningful yet tongue-in-cheek tunes that can’t be #PIGEONHOLED!
Great production ISN'T my forte, accomplished musicianship ISN'T my forte but #UndergroundInvention, #InfiniteDimensions & LYRICS are!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Now I don't personally believe I'm in the same league as #Bowie, other than my lyrics, more often than not, making more sense, but I do think I share his ability to adapt to different genres, and his endless, diverse, creativity, just not quite on the same level.
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
I'm not proficient/accomplished on instruments, & I have other musical limitations, but most genres come natural to me, and I much prefer having that unforced ability to being highly accomplished on instruments, highly polished on production, or having the perfect voice!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
If I didn't feel I had my own approach, if my music was easy to pigeonhole, I would have quit music a long time ago!
Never been about fame & fortune, just about pushing the boundaries without actually intending to push the boundaries; creativity that's second nature not formula! 
Yes, I want to reach an audience but making money from my music means nothing to me!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
NOT saying I’m THE MOST #talented musician on music promotion sites but I will say I’m one of the most #UNDERRATED! Even so, I would much rather be underrated than overrated!
>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>

Cool Wind At The Edge Of The Wood

Pier WILL

Recent comments

Midisound

Alain GUERIN

BoxTox

Pierre Bordetti

Related tracks