Mezzo Soprano Solo with Piano Accompaniment. Voice: Dawn Walters, Piano Graziana Presicce, Sound engineer Steve Brookfield, recorded in Howden Minster.

Sonnet 133

@juswel: Original Bed composition, bass, drums and guitars
@elephantpr: Vocals, lyrics and Backing vocals
@gotchi Orchestration and Horn Section
Concept, production and Mix by conover
© 2018 Conover/Labarca/Welin
Mastered at Abbey Road Studio by Alex Gordon
www.abbeyroad.com/engineer/alex-gordon
Play ☑ like ☑ repσst ↺ ☑ share with yσur frieиds ☑

Hazy mornings with you
Everything’s gone downhill

We’ll cruise through the stars
Just making up together
This beautiful collision

I know you know I’d do anything
Cause you care and I do
You and I so beautifully collide
This beautiful collision
This beautiful collision

Just a last time then I’ll disappear
All of our tainted years

We’ll cruise through the stars
Just making up together
This beautiful collision

I know you know I’d do anything
You care and I do
You and I so beautifully collide
This beautiful collision
This beautiful collision
This beautiful collision
This beautiful collision

Mastered at Abbey Road Studio by Alex Gordon
www.abbeyroad.com/engineer/alex-gordon

The Conover

Beautiful Collision Conover/Labarca/Welin/Gotchi

When Tom approached me with this piano melody, the initial arrangement and the title to which he hoped I’d add lyrics and vocals, I thought it was almost unnecessary as the piece already said everything required. Shortly afterwards, Jussi had added sublime guitar which offered a hopeful balance in the mood. Knowing what Tom was referring to without discussing it openly I wrote these words from a similar position of experience. I contrasted the first verse of a woman at her peak with the second verse of a woman in decline to heighten the emotion. I found that the spoken word approach allowed more emotion to flow from both the music and the words. Tom had the great idea to ask Hidefumi to complete the song with a phenomenal solo. Thank you to everyone who helped make this come together, and a very special thanks to all of you for listening.

Music composition, piano and other instrumentation - https://soundcloud.com/tom-r-gnier
First guitar and guitar arrangement - https://soundcloud.com/juswel
Lyrics and vocals - https://soundcloud.com/markjbennett
Final guitar and guitar arrangement - https://soundcloud.com/boon-suzuki

Image of a painted door in Funchal, Madeira - Douglas Corrance (https://www.facebook.com/DouglasCorrancePhotographer)

She knows just what it feels like now.
I think she’s losing it, I think she’s losing it. 
When she is almost ready, 
She will lose her reserve 
And her inhibition too.
Then she’ll lose herself in herself and then she’ll be free,
To be what she wants, what she wants to be.

She knows not who she feels like now.
I know she’s losing it, I know she’s losing it. 
As if she's gone already, 
She has lost her reserve 
And her inhibition too.
Already lost herself in herself and now she’s elsewhere,
Knows not what she wants, nor who she used to be.

She's Losing It - Tom Régnier/Jussi Welin/Mark J Bennett/Boon-Suzuki

Cast of Characters:
cgmaness-- @user-419254289-15129531 – Chris – acoustic guitar, bass, acoustic slide guitar, drums, vocals, lyrics, mix, production, and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –-mandolin, vocal harmony

This is a song that Chris wrote and shared with me last spring. We worked on it for several months. Originally, it was just Chris's acoustic guitar and some vocals. To that, I added some mandolin, thinking it would stay that way. However, he was pleasantly surprised when Chris added the entire rhythm section after the fact. I also came up with the high harmony towards the end, too. We always have a lot of fun playing together as our tastes and references are very much aligned. We have been making music together almost since we both joined SoundCloud and found each other there about two years ago. We hope you enjoy listening to this song as much as we enjoyed making it. 
Lyrics by Chris Maness:

In Time don't you think it might be time for you to rise?
In Time lost and found sleeping soundly by her side.
I know you by now, and it's not too late to come around.
In Time thinking, missing, drinking, wishing you were here.
In Time aging, watching, turning pages yester-year.
Well, I know you by now and it's not too late to come on out.
In Time don't you think it might be time for you to fly?
In Time don't you think it might be time for you to try?
In Time lost and found sleeping soundly by her side.

In Time (with cgmaness)

Semantique Danielou - DISCOVER THIS INSTRUMENT:
https://www.semantic-danielou.com/fr/  - 🇫🇷 🇬🇧

Recording sessions from 02/04/2024 - 13/04/2024.
MOOG Modular V3 (vst Arturia),
Sémantic Daniélou-53 (vst-UVI-Microtonal Instrument),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,   Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________
❤️🕊️🙏

Moog & Semantic

Music Is All Around Us

Cast of Characters:
xian3-- @xian3 – Christian -- vocals and lyrics
Holger Engel—bass, seed idea
J.J. Terrell-- @j-j-terrell—JJ-- electric piano, synth
mistermark-- @user-432503709 -- Mark-- electric piano
Llanpsych-- @llanpsych -- mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums
Entheogenic Psychonaught (Josh Clary)-- @josh-clary-1 – guitar and four-string fretless bass
 
This song began with Christian's friend Holger Engel coming up with a melodic bass line and sharing it with him to use as a seed stem for a project. Having collaborated successfully with him before, Christian thought of Josh and decided to pass it along to him to see what he could build with it. Josh was excited to work on another of Holger's creations. His bass line was in a high octave on the instrument, so Josh added a similar, complimentary bass line on the low octave to give it some heft. He invited Ken onto the project, and after doing their little rhythm section give and take, Ken laid down some powerful, yet tasteful drums. Mark was brought in next, and added some very fitting, wonderfully melodic electric piano, which he added in the choruses. Josh also asked JJ to add some electric piano to the verses and synth to the whole thing, which he did in a very mind-bending syncopated way. Josh then added some guitar to the high end to thicken things up a bit.
  We then sent the finished product back to Christian to add his thoughtful, inspired lyrics and signature vocals to his song. This is what Christian had to say about how the lyrics came about. 
  "[Being an avid reader], I came along the sentence, 'We write and make art to show our wounds to the world,' reading an interview with Paul Auster (1947-2024). He died earlier this year, yet his novels are legendary. There was talk about creativity, manifoldness and what the personality consists of. 
  "I can’t remember where that interview was and basically I wrote the lyrics around this sentence attributed to him. 
  "I quote another writer, Goethe (1749-1832), with a famous quotation from "Faust,“ 'Two souls, Alas, housed in my breast...' That points in the right thematic direction in my opinion.
For sure the lyrics also contain other layers of meanings, much more personal…
I am also happy about the title of the song 'We Are Many'. I think Tez came up with it. I was unsure for very long, what’s the name of that song… :)"
  After we had it in the bag, we asked mix-master Tez to produce and mix it, so what you hear is also his creative vision for the project. We hope you enjoy listening to this as much as we enjoyed creating it.
 
Original "We Are Many" lyrics by Xian:


1
To me it seems very obviously
That my I is not a unity
Rather a bunch of personalities
I got a problem with multiplicities


ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“ …


2
I am no self-contained identity
Cut off by other possibilities
No border guards set up at the boundary
Enforce the claim to exclusivity


ref
We write and make „art“ 
To show our wounds to the world
We write and make „art“…
„I“ writes and makes „art“
To heal the wounds of the heart


3
„Two souls, alas, housed in my breast…“
We hope, that if we do confess
To get rid of this fallacy
And collect the splits of personality


ref
We write and make „art“ 
To show our wounds to the world
I write and make „art“
To heal the wounds of my heart


out
There is
A consolation in round things
There is
A consolation in round things 
A consolation in round things
Oh, ohh,
„I“, „I“,
Oh…

We Are Many (Xian 3 and Eclectic Collective)

🌕🌠🌟⁂©All Rights Reserved 10-2024
©Creator: Lady ElectroTrek
Lyrics, by Lady ElectroTrek
***

Falling In Love

You Love The Night

Celestial Trax returns with new work of tonal-textural explorations.
On 'Lifecodes' the producer born Joni Judén weaves together a dense quilt of sound, shimmering and surging as it unfolds in free-time. Judén invites the listener down a luminous, harmonically adventurous path, where sound takes creaturely dimensions. The songs blossom and wilt, at times floating in states of ambivalence, at others washing over the listener like waves, bathing them in heavy light.

'Lifecodes' was created in the small village of Pynnölä, Joutsa in central Finland, where Celestial Trax has been living and working since 2020.

✩○ º༺☆༻ º○✩

Music by Celestial Trax, recorded and mixed at TUO TUO
Album art and visual concept by Robert Ra linktr.ee/RobertRa



Buy album

Beyond

sommar250

SUICIDEWAVE/ YouTube:
https://music.youtube.com/channel/UCkJptzUgDjtUQ38CgGGD7ig

SUICIDEWAVE/ Vkontakte:
https://vk.com/suicidewave

SUICIDEWAVE/ Telegram:
https://t.me/suicidew4ve

SUICIDEWAVE/ Spotify;
https://open.spotify.com/artist/0q63tKdtyDcdUu2UEjWHUj

SUICIDEWAVE - Hold Me

I'm almost back...

After the death of a loved one, I found myself unable to play music... so I opened a small attic room deep in my unbalanced mind and played other types of instruments... it had to happen...

So here's a track, "ATTIC ROOM" (37 minutes), composed and produced, bringing together 10 very different and surprising tracks... I feel like I was in another dimension for a while, and I hope you enjoy it.
Have a great listen. Thank you.
Pier WILL


Me voici presque de retour...
Après le décès de l'un de mes proches, je me suis retrouvé dans l'incapacité de jouer de la musique... alors j'ai ouvert une petite chambre mansardée tout au fond de mon esprit en déséquilibre et j'ai joué sur d'autres types d'instruments... il fallait que cela se réalise...

Voici donc un titre "ATTIC ROOM" (37minutes) composé et réalisé rassemblant 10 titres tellement différents et surprenants... je pense avoir été dans une autre dimension pendant un certain temps et j'espère que vous allez apprécier.
Très bonne écoute à vous. Merci
Pier WILL 

- I thank you all in advance for your listening and your comments and for the interest you have in my music.
- Je vous remercie tous par avance pour vos écoutes et vos commentaires et pour l'intérêt que vous porter à ma musique 
◄┤❤️🕊️🙏├►
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A./No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________
*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia