Very warm and inviting rhythmic patterns that creates a great foundation for the dreamy soundscapes and synthetic offerings to light the way. Really diggin’ the spaciousness and floaty vibe of the piece, and the way you fit the sonic pieces of the puzzle tightly together likes this !!

A splendid music production! The journeys  to the party at Saturn 🪐 starts here!

Getting a feeling of being cast adrift from the spaceship and scared faced with the vast expanse of space.

Dangerous stepping. Don't dip your toe in the rings!

Very interesting, nice tempo, synth and drums

If you like you can buy the digital track in high quality here:
https://crumius.bandcamp.com/track/score-without-a-movie

Score Without A Movie

🖤Buy

Music Written and Performed by Ash Emile. 
Recorded, Mixed, and Mastered at 'Ashwood Music Productions' by Ashley Bachelier. 
Subject to copyright ©

From the darkest depths of the sea,
A large shadow did I see
There’s something evil watching me,
As a wave of fear comes over me

You will not take us alive,
Cause we will fight to survive
Fight through the fear

Well as the Kraken rises up
We power ahead, we’re not giving up
As giant limbs rise from the deep
We’re headed now for eternal sleep 

You will not swallow us alive,
Cause we will fight to survive
As I spear it through it’s eye  

As water slowly fills my lungs
I simply cannot breathe
As it draws me to its mouth
A calm comes over me

You will not take us alive,
Guess I was wrong this time 
As I looked into it’s eye

Kraken

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___
_____BE CURIOUS, CREATIVE, INVENTIVE, DARE!____

Feel like dancing on the rings of Saturn?
Cover-Nasa
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, MSI, Focusrite, Korg, M-Audio, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

Saturn's microgrooves

Saturn's Microgrooves

LAND OF SHINAR

ARANTZAZU

Part of a new album I've been uploading, featuring compositions written over the last several months of 2021. If anyone can pinpoint what all of these compositions have in common, musically-speaking, put it in the comments - there was a concept tying everything together but I'm not going to reveal what it was unless if someone figures it out on their own.

Cover art created using NeuralBlender.

This album is going to be called "Prohibited Topics," a tribute to the textbook authors and teachers whose work is being disrupted by right wing efforts to stifle education about racial disparity and structural racism in the US.

Prohibited Topics

21 12 23

Chapter 103 of 266
Chapters released every weekend. All TAFFETA tracks are created within seven days. 

I use a complete hybrid of organic & electronic sounds within the scope of the Taffeta project. Nothing is out of the question and no limits are set on how things may evolve one way or another.

If you want to hear everything that has come before:
The TAFFETA Albums are available for free on Bandcamp.
Released in 15 part/chapter increments:

TAFFETA VOL. 6 is now available on Bandcamp:
https://belialpelegrim.bandcamp.com/album/taffeta-vol-6

TAFFETA VOL. 5
https://belialpelegrim.bandcamp.com/album/taffeta-vol-5

TAFFETA VOL. 4 
belialpelegrim.bandcamp.com/album/taffeta-vol-4

COVER YOUR TORSO WITH TAFFETA! Check out the official TAFFETA 2022 t-shirt!
https://belialpelegrim.bandcamp.com/merch/belial-pelegrim-official-taffeta-design

TAFFETA Volume 1:
belialpelegrim.bandcamp.com/album/taffeta-vol-1

TAFFETA Volume 2:
belialpelegrim.bandcamp.com/album/taffeta-vol-2

TAFFETA Volume 3:
belialpelegrim.bandcamp.com/album/taffeta-vol-3

The TAFFETA Playlist is always kept up to date:
soundcloud.com/belial-pelegrim/sets/taffeta-a-266-part-musical

TAFFETA | 103

Night of the seven Trees.

Composed, arranged, performed, and produced by:
Carlos Vivanco

In music, the acoustic scale, overtone scale, Lydian dominant scale, Lydian ♭7 scale, or the Pontikonisian Scale is a seven-note synthetic scale.
This differs from the major scale in having an augmented fourth and a minor seventh scale degree. It is the fourth mode of the melodic minor ascending scale. The term "acoustic scale" is sometimes used to describe a particular mode of this seven-note collection (e.g. the specific ordering C–D–E–F♯–G–A–B♭) and is sometimes used to describe the collection as a whole (e.g. including orderings such as E–F♯–G–A–B♭–C–D).
The acoustic scale appears sporadically in nineteenth-century music, notably in the works of Franz Liszt and Claude Debussy. It also plays a role in the music of twentieth-century composers, including Igor Stravinsky, Béla Bartók, and Karol Szymanowski, who was influenced by folk music from the Polish Highlands.[8] The acoustic scale is also remarkably common in the music of Nordeste, the northeastern region of Brazil[9] (see Escala nordestina). It plays a major role in jazz harmony, where it is used to accompany dominant seventh chords starting on the first scale degree. The term "acoustic scale" was coined by Ernő Lendvai in his analysis of the music of Béla Bartók.
The name "acoustic scale" refers to the resemblance to the eighth through 14th partials in the harmonic series (Play (help·info)). Starting on C1, the harmonic series is C1, C2, G2, C3, E3, G3, B7♭3*, C4, D4, E4, F↑4*, G4, A13♭4*, B7♭4*, B4, C5 ... The bold notes spell out an acoustic scale on C4. However, in the harmonic series, the notes marked with asterisks are out of tune: F↑4*  is almost exactly halfway between F♮4 and F♯4, A13♭4* (Play is closer to A♭4 than A♮4, and B7♭4* is too flat to be generally accepted as part of an equal tempered scale.

The acoustic scale may be formed from a major triad (C E G) with an added minor seventh and raised fourth (B♭ and F♯, drawn from the overtone series) and major second and major sixth (D and A). Lendvai described the use of the "acoustic system" accompanying the acoustic scale in Bartók's music, since it entails structural characteristics such as symmetrically balanced sections, especially periods, in contrast with his use of the golden ratio. In Bartók's music, the acoustic scale is characterized in various ways including diatonic, dynamic, tense, and triple- or other odd-metered, as opposed to the music structured by the Fibonacci sequence which is chromatic, static, relaxed, and duple-metered.

Another way to regard the acoustic scale is that it occurs as a mode of the melodic minor scale starting on the fourth degree. Hence, the acoustic scale starting on D is D, E, F♯, G♯, A, B, C, D, containing the familiar sharpened F and G of A melodic minor. The F♯ turns the D minor tetrachord into a major tetrachord, and the G♯ turns it into Lydian. Therefore, many occurrences of this scale in jazz may be regarded as unsurprising; it shows up in modal improvisation and composition over harmonic progressions which invite the use of the melodic minor.

Heptagram

Lydian Dominant

Easter Blues

Breath of the Trees

Breath Of The Trees Part I

AMBIENT, CREATIVE, EXPERIMENTAL MUSIC...
Sassy, unconventional but so free...

The remarkable precision of our electronic music is far too perfect, it lacks colors, emotions, imperceptible details of imprecision which gives it a different flavor.
So I inflict hours of torment on myself in this area to break and circumvent this precision, which is certainly a good thing, but which harms the development of my music which I wish to be human.

Enjoy reading and don’t hesitate to leave a little comment ❤️🕊️🙏
________________________________________________________________________
MUSIQUE D'AMBIANCE, CRÉATIVE, EXPÉRIMENTALE... 
impertinente, non conventionnelle mais tellement libre...

La précision remarquable de notre musique électronique et beaucoup trop parfaite, elle manque de couleurs, d'émotions, de détails imperceptibles de l’imprécision qui lui donne une saveur différente. Alors je m'applique dans ce domaine des heures de tourmentes pour briser et contourner cette précision, qui est certes une bonne chose, mais qui nuit au développement de ma musique que je désire être humaine.

Bonne lecture à vous et n'hésitez pas un laisser un petit commentaire ❤️🕊️🙏
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite, Hewlett Packard, Korg, Logitech, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Experimental
________________________________________________________________________

*** Visit the collaborators' websites:

Kaerian @kaerian-1
E.P.Beats @lala-land-361191160
Special CECILIA @spacialcecilia

Saturn's Microgrooves

Pier WILL

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