Living the game 2024

Glory to Jah.🙏 No AI.  I’m a musician, since 8 years old, playing guitar, drums & keyboards. Peace & one love 🙏 Free Gaza.
Email. davespencer2011@hotmail.co.uk   https:davidkaspencer.bandcamp.com/follow_me 🕊 www.facebook.com/profile

seansmithorangepaperbacks@gmail.com
Writing acoustic pop songs, playing them in strange & beautiful places w/resounding joy.
All songs: Sean M. Smith, R.O.S.E.D. Music Experience. S.D.G.
2025 Strange and Beautiful Tour:
3/1 - New Albany (OH) Indoor Farmers Market - The folks at New Albany have been so good to me. When I was first getting started playing solo, they gave me dates and kept inviting me back. I love the atmosphere, both indoors and outdoors. I've had times when I played about the best I can, and other times when I wasn't sounding so great. But they keep having me back, and I am very thankful.
4/26 - Cap City Half Marathon (at 12.5 mi) - On a cool, blustery day, I set up my canopy tent with 29 lbs of weights on each corner. I had my amplifier turned up higher than I had ever had it before, and it didn't seem to bother anyone. I had my choice of where to set up, and I could have been sheltered from the direct north wind if I had chosen a spot just fifteen feet  over; however, I didn't realize this right away, and by the time I did, hundreds of runners were passing within a few feet of me. So I basically played in a wind tunnel. Live and learn. I really hope I get to play there again next year because it's such a great event. Many of my best memories came near the end, when I felt like I was playing for individual runners/walkers. Thanks, Cap City!
6/19 -- Juneteenth - New Albany Farmers Market, Outdoor - Started out with a mist of light rain and blustery winds, but warm. By the time the Market started at 4pm, the weather was calming down. Gave away 5 little paper guitars. These are my handmade business cards and pieces of art. Music went well, played 49 songs in a little over 3 hours. People were so nice to me, and I even got some free baked goods from one of the vendors. Playing with both foot tambourines seems very natural now, and I feel like something is missing when I don't use them. I donate all of my tips to SmileTrain.org. Check them out! I was really honored to play this holiday. The weather cleared up about 5:30, and by 7pm it was a beautiful, calm summer evening. Kids and families out having a good time.
7/5 - North Market Downtown on the Patio - Played from 10:45 to 2pm during lunchtime. Beautiful, warm, sunny day. Protected from the direct sun by the North Market building, then by the awnings for the last 30 minutes or so. Played 49 songs total and had a few short conversations. I am really thankful for being able to play in a wonderful location.
7/17 - New Albany Farmers Market - Let's be honest: Playing for 3+ in the summer heat is not as simple as it sounds. It takes some common sense preparation: shade, snacks, liquids, a short break, and perspective -- thankfulness for just being in a public place getting to share my original songs. There were lots of families with kids dancing and running around, there was a choreographed sword fight put on by the high school drama company halfway through. One song went over nicely in particular: "So I Married Mary Tyler Moore". I gave away 7 little guitar pieces of paper art that I'd made for the occasion. One little boy pretended to be playing along with me on the little guitar. And I could sense that a few people were paying attention to the lyrics, which brought me joy.
8/16 - NAFM - I try to be prepared. It was hot, humid and I had to work the first half of the day before playing. I burnt my tongue on some coffee. But even so, things were going well. The people who stopped to listen applauded, and I gave away about 8 little guitars, mostly to families with little kids. But in the middle of a song I broke the D string. Well, I carry two additional sets in my guitar case plus the string changing tool. I tried to keep as cool as possible, and just a few minutes later I was back in tune and played the rest of the set. Somehow I made it to the end, and I talked with a few folks who had been so supportive: Jeremy, writer and book publisher whose vendor tent was closest to me - super nice and very supportive; Alex, dad of a little boy, who, along with his wife, have come out to see me play several times, which is very much appreciated.
8/30 - North Market Downtown (lunchtime) I was given the choice of playing inside or outside. I wanted to play inside because I've only played inside the North Market once a few years ago, and it was kind of a chance thing. But on this day I chose outside. It was a beautiful late summer day, and there was a big game at noon, so lots of people were out and about. But there was a surprise too: dozens of awesome Pokemon cosplayers roaming about, some of which stopped to give tips or take one of my little guitars. I am not a big gamer, but  know a lot of the Pokemon characters through my son (11), and watching our favorite gamer's play-through videos. Let's see: I recognized Scorbunny, Pikachu, Eevee, Gengar (or maybe just a Gengar T-shirt; I can't remember), Gothorita (maybe?), and Umbreon. One of the most impressive outfits was a young man in a pinstriped, tailored suit with an embroidered insignia on his chest and wearing sunglasses with red lenses. I took it for having something to do with a Pokemon academy, but maybe he was just wearing a school uniform of some sort... on a Saturday. I was sitting in the cool shade of the North Market building for the whole gig, and just as the sun was getting closer and closer, 2pm arrived.  I think I made the right decision.
10/13 - Topiary Park, Downtown Columbus - I had the day off so I went Downtown to play an acoustic set at lunchtime. I set up under the shade of a tree, just far enough to be out of the way, but close enough for people to hear me. I played 24 songs, and the set went well. I got some looks, some nods. I know how it is. In that context, people are listening to hear if anything sounds familiar. My goal is to be catchy so that the unfamiliar sounds attractive and pleasant. Plus more than half of the people walking around are wearing ear buds, so it can be tough to impress someone who's not hearing you. My goal is to play this place more often and inch somewhat closer to the crowds gathered on the Main Library's back patio. I played "The Day that I Surrendered," and the apartment where I surrendered was just across the alleyway and up three flights of stairs.

https://alterkix.net is where you find all my info, news, music, media, videos etc!  Electronic instrumental with a dark atmospheric and sometimes cinematic vibe is our thing.🔥 
Alterkix is a one woman project by Sabine Vermeylen. From Gent, Belgium.

the search for the beauty that cannot be named

I also make things with friends  ...

@leavesofabsense
@liluandtheghost

Ask an AI .....
The term "Quality Without a Name" (QWAN) was introduced by Christopher Alexander, an architect and design theorist, in his book "The Timeless Way of Building." QWAN is an elusive concept used to describe the intangible essence or feeling of a well-designed space or object that makes it feel alive, comfortable, and harmonious. It represents the innate quality that resonates with people on an emotional level, making them feel at ease and at one with the space.

Alexander argues that this quality is timeless, meaning that it transcends styles, periods, and cultures. He believes that when people can experience QWAN in a space, it indicates that the design follows a natural and universal order, aligning with human needs and desires.

QWAN can be applied to various fields, including architecture, urban design, software development, and other disciplines where creating something meaningful and harmonious is the goal. In each of these domains, the concept of QWAN is a reminder to designers and developers to strive for that elusive, intangible quality that makes their work resonate with users on a deeper level.

I'm a sound engineer at Woods Studio that mixes and masters songs.  Check out my web page: https://woodsstudionorway.com, I only charge $35 US Dollars per song.  For only mastering, I charge $20 per song 
if you are interested. Email me to:
woods.studio.mail@gmail.com

At Woods Studio, we specialize in creating high-quality mixes and masters for your music. We work closely with you to understand your unique style and vision, and tailor our mixes to bring out the best in your tracks. With years of experience and a passion for music, we are dedicated to delivering exceptional results that exceed your expectations. Our team of experienced engineers use only the latest technology and techniques to ensure that your music sounds its best. From EQ and compression to reverb and delay, we have the skills and expertise to craft a mix that perfectly captures the essence of your music. Whether you're a solo artist or a band, we can help take your music to the next level. Contact us today to learn more.

I have attended an audio school and worked several years at a concert hall named Olavshallen https://www.olavshallen.no/arrangere/store-sal I followed Khaliq Glover’s courses and webinars. I've been into sound engineering since 1991 and mixed over 1000's of songs. I have previously mixed for One Time Records and have released a vinyl with Koalra. I also have mixed "Where Do I Go" with Chris TR that was airtimed on the BBC radio

I use Universal Audio, fabfilter, soundtoys, autotune, melodyne, ozone and Plugin Alliance plugins and have a Uad apollo interface .

 I also use outboard gear like the RME Fireface, Universal Audio 2-1176 stereo compressor , An Avalon channelstrip, a space echo RE-201, a Drawmer 1968 mkii, and a Lexicon Pcm92. Also a dual ssl eq 

If you have the session files I would be happy to mix your song. Let me know if you’re interested.

E-mail: woods.studio.mail@gmail.com
Web page: https://woodsstudionorway.com
Youtube page: https://www.youtube.com/@stereosonic5182
Instagram: https://www.instagram.com/woods_studio_mixing/
Facebook page: www.facebook.com/Woods.Studio.Norway/
Donate: https://www.paypal.me/woodsstudio

DOL is a hardware-first electronic artist. 

All tracks are recorded live in a single take using Elektron, Moog, Akai and Teenage Engineering Instruments. 

No DAW. No edits. Built live on machines.

Here is my first physical music CD available!
https://mtlsir.bandcamp.com/album/dark-in-nature
https://elasticstage.com/mtlsir/releases/dark-in-nature-album
thanks to everyone!

1/2 member of Glitchy.dot.Phong
2/2 member of Glitchy.dot.Phong  DaRo_aka_Mr_Menator :@david-robitaille-8107929
thank for all the likes and reshare!
bandcamp: https://mtlsir.bandcamp.com/music
instagram: https://www.instagram.com/mtlsir
facebook: https://www.facebook.com/Mtlsir_-110479471627237
Youtube:  https://www.youtube.com/user/babz6nile/videos

Pieter Rotthier - Belgian artist, based in Antwerp. He produces electronic music, a blend of techno, house, ambient and experimental electronics. His music has often a darker or more melancholic vibe, often mixing synths with more organic sounds like piano, strings and brass. It is danceable, but it also serves as a soundtrack for movies, that yet have to be made.

Quick on the drawing is also a visual artist, making drawings (hence the name), paintings and illustrations. The artwork of the tracks are exclusively made by Quick on the drawing.

Gear:
Ableton
Garageband
Arturia MK 2
Novation Launchpad MK3

Living the game 2024

Quick on the Drawing