composition Huba de Graaff performed in the Royal Conservatory (fragment)

127 - 128

Goska Isphording - harpsichord
Janco Verduin - composer

la tendre indifférence du monde (2017) - Goska Isphording (harpsichord)

Live performance by Jan Heinke on Steelcello and overtone singing on August 29th 2021 at Museum De Buitenplaats in Eelde, The Netherlands. 

Composed by Miranda Driessen with support of the Dutch Performance Arts Council

Die Entdeckung der Langsamkeit

Die Entdeckung Der Langsamkeit

Ligatus In Machina

Voor klarinet, tuba, percussie en strijkorkest. Uitgevoerd door Vienna Symphonic Library.
Toen de coronacrisis begon, met lockdowns, binnen blijven, onzekerheid, eindeloos afwachten, werd onze tijdsbeleving op de kop gezet. Voor de een leek een dag een week te duren, voor de ander een week een dag. Dit stuk gaat deels over mijn beleving van tijd in de eerste maanden van de coronacrisis. Stiekem bracht het een oase van rust, die helaas abrupt en langdurig verstoord werd.

Time Flows Within

Breathe

sad but true

22 'aan/uit' (1993) for trumpet

No.51 (resting Songs)

For flute, clarinet and electronics.
Reiko Manabe (flute)
Ryuta Iwase (clarinet)

Un Po' Per Non Morire

A composition for the 31-tone Fokker-Huygens organ based in Muziekgebouw aan het IJ, Amsterdam. Performed by Ere Lievonen on april 26th 2015 

This piece is based on a transcription I made from the Antifonario de la Cathédral de Léon, a manuscript from the 11th century. The music in this manuscript is notated in adiasthematic neumes from the Visigothic or Mozarabic tradition. In 1084 performance of these early Christian chants was forbidden and replaced by the dominating Roman Catholic style of Gregorian chant.

Canticum trium puerorum

Canticum Trium Puerorum (2013)

I studied composition with a.o. Louis Andriessen and Jan Boerman.
I look upon myself as a storyteller, as a member of an ancient tribe of shy and wild people who through stories sometimes succeed in creating another way to experience time.
My work comprises life as i live it: a piece of wood full of splinters, parts of beauty and the fracturing or missing of it: lots of waiting, silences.  
This explains my fascination with scratched movies,  squinting people, 
a broken voice,  old grammophone-records, growing old in general.
It’s all about looking for a novel beauty in the corrosion of an old (sound)world.

With some artists i built a special relationship, people who are devoted to quality and adventure; visual artist Petra van der Schoot, pianist Reinier van Houdt, percussionist Arnold Marinissen, soprano Jennifer van der Hart, the Ives ensemble and the ensemble MAE.

e-mail is buromono@planet.nl
website www.buromono.nl

bye

22 'aan/uit' (1993) for trumpet

Piet-Jan van Rossum

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