Northcape is a British producer making chilled and melodic electronica with elements of IDM, ambient and other genres. Albums have been released through US independent label Sun Sea Sky Productions including 2010s "Captured From Static" and 2013s "Exploration and Ascent", the latest EP "Glasshouse" was out in 2014.  The music is made in a very intuitive way, inspired by landscape, nature and memory. Northcape has evolved a distinct and recognisable style which may appeal to fans of acts such as Boards of Canada and Ulrich Schnauss.
[Most tracks deleted then re-uploaded in 2025 following clarification of Soundcloud AI policy]

Robin Rimbaud (Scanner) is an artist and composer working in the UK, whose works traverse the experimental terrain between sound, space, and image, connecting a bewilderingly diverse array of genres – a partial list would include sound design, film scores, computer music, avant garde, contemporary composition, large-scale multimedia performances, product design, architecture, fashion design, rock music and jazz.

Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music. He scored the hit musical comedy Kirikou & Karaba (2007), designed the sound for the new Philips Wake-Up Light (2009), and campaigns for Stella McCartney (2017), Chanel’s Fall-Winter collection (2012) and Jaguar (2014).

In 2019 he designed the sound for the Cisco telephone systems used in offices around the world, whilst his sound work in Vex House in London was voted as RIBA House of the Year. His work Salles des Departs is permanently installed in a working morgue in Paris.

Committed to working with cutting edge practitioners he has collaborated with Bryan Ferry, Dangermouse, Coil, Laurie Anderson, Carsten Nicolai, The Royal Ballet, Wayne McGregor, Merce Cunningham, Hermes, Hussein Chalayan, Philips Design, Mike Kelley, and Miroslaw Balka. His work has been presented throughout the United States, South America, Asia, Australia and Europe.

Shaun Blezard is a composer and improviser working with digital technology. Currently his interest lies in smart technology and his playing is based around an iPhone and iPad. Touch screen technology, accelerometers and wireless technology are opening up so many avenues of exploration in music and it is becoming much more like playing a traditional instrument.

Shaun has been working with digital/electronic music for 20 years, starting with basic samplers in the 90’s, through various versions of laptop set ups, fx boards and current smart technology. Starting in the world of ambient dance, he has evolved into a skilled electronic musician, playing a range of styles from sound art installations to full on free improv, pushing for new ways of expression working with new technologies and how they integrate with traditional instrumentation.

He has played with range of contemporary artists including Matthew Bourne, Ryoko Akama, Keith Jafratte, Charlie Collins, Shelley Knotts, Kalendar, Anton Hunter, Mick Beck, Martin Archer, Rachel Musson, Julie Kjær, Stephen Grew, Steve Lewis, Seth Bennett, Herve Perez, Susan Matthews and Yoko Miura

Netlabel releasing electronic/experimental/ambient music and sound. New release by Whalt Thisney out 1 January 2019. Based in Ashdown Forest, Sussex, England


The Implicit Order is not involved in any wave, stream, genre, or scene. 
CUT IT UP CUT IT IN

Prolific ambient musician, photographer, freelance philosopher and 50s steam machine. 

I make lots of music under many guises including Bing Satellites, The Lovely Moon, The Ambient Visitor, Kowalski Room, The ambient drones of Bill Baxter, Theta Wave Orchestra and probably many more.

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