Excerpt from the album version of Hey John -- taken from the "Line One" track.  


HEY JOHN | Alexei Easton & Scott Johnson

Cover Art by Zina Mussmann
Mastered by Tony Scholl at Tone of Arc Studios

Music Copyright 2012 - Pilot Light Media

Hey John - Album Excerpt

Live at Melt #4, a monthly electronic and experimental music showcase in Milwaukee, WI

Speakerdust Live at Melt #4 2-24-11

A segment of a live recording at The Sugar Maple, with cellist Janet Schiff of Nineteen Thirteen

Speakerdust Live at The Sugar Maple 5-19-10

Scott Carpenter is my favorite astronaut.

Interview with Scott Johnson and Alexei Easton of Hey John as a part of their CD release show. Originally broadcast on April 21st, 2013 on the show 'Alternating Currents' with host Hal Rammel

Hey John Interview 91.7 FM WMSE

Preview from the forthcoming album Bronzed, set for release early 2012.

The Laughing Garden

Excerpt from the audio installation series 'Edwardian Transmissions'

Copula

Excerpt from Hey John, live at Stage Right as part of the Burdock Presents Series, February, 24th 2012

Recorded by Ross Oldenburg

Hey John - Live at Stage Right

Excerpt from Hey John, live at The Nut Factory as part of the Midwest Small Press Fest, June 1st 2012

Recorded by Ross Oldenburg

Hey John - Live at The Nut Factory

Pilot Light Media is a showcase for experimental audio and visual artists. We propagate the work of our solo and collaborative artists by documentation, publishing, distributing, and exhibiting their most compelling pieces. 

Current Exhibit:

Edwardian Transmissions
recent works by DJ Detour

Edwardian Transmissions is a series of aural representations of the world’s first wireless communications. They are pieces of what electrical waves and audio may have sounded like during the frontier of the air. Examples include Morse code, Marconi communications, shortwave radio, and the dawn of FM radio. 

These waves had their own unique traits based on the source of the wave and the materials they passed through. Early radio equipment was built of cardboard, wax, wood, and various metals. Many of these metals used were not pure. Early copper contained traces of other metals, creating a proprietary blend. The wires they forged yielded their own brand of sound.

Popular turn-of-the-century building materials also affected these waves. Materials such as marble, terra cotta, and limestone certainly leave a different fingerprint on waves than vinyl, plastic, or asphalt. Add to this a stately Dutch Elm, versus today’s skinny maples, and you have a different transmission altogether.    

It must have been a wonder to hear these early outputs. Although weak and unstable, they floated effortlessly in the empty skies. The static filled scratch of an old sea captain reporting his position, or some of the worlds first DJ’s, armed with primitive transmitters and relays. Their final destination was the tiny receivers in the ships, laboratories, studios, and homes across the globe.  

Today, we have all sorts of electronic waves darting across our atmosphere. From radio and television, to infrared interfaces, two-way radios, and cellular technology, our buildings and bodies are bombarded with electronic fields. Again, these waves have their own traits contributed to by today’s conditions.

Copula

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