PREMIERE RENCONTRE ET PREMIERE SEANCE ENSEMBLE POUR:
BRUNO GUSSONI  https://soundcloud.com/bruno-gussoni
HENRY KOEK : https://soundcloud.com/henry-koek
ARNOLD CABOTT
http://h-a-z-e.org/archives/4600#.WBeCP9zpnq0

Innersound of Plants extrait: GUSSONI/KOEK/CABOtt

DISASTER AREA is an open  project created for the purpose of experiment various interactions between acoustic and electronic instruments in a  context of improvised music. 
The founding members are Claudio Ferrari, Bruno Gussoni and Iao Aea.
Disaster Area is available for collaborating with other artists; we remember here our collaborations with musicians like Jane Rigler, Bernadette Zeilinger, Diego Mune,  Anja Kreysing, Ulrike Lentz, Anton Mobin, Roberto Lazzarino,  and others, and with the videomaker Jutta Pryor.

CLAUDIO FERRARI operates several electronic instruments, both analog and digital, to produce electronic music both composed and live improvised.
He also is a member of the experimental electronic group NOS
https://soundcloud.com/user-753101217
https://www.facebook.com/claudio.ferrari.37051
soundcloud.com/nos_it
https://www.facebook.com/Jagolab-289977391020911/

BRUNO GUSSONI flutist, non idiomatic improviser, instant composer, plays with some of the most representative free improviser musicians from all over the world, doing concerts all over Europe. 
soundcloud.com/bruno-gussoni
soundcloud.com/bruno-gussoni-flutech 
https://soundcloud.com/fluctuation
https://soundcloud.com/flutespace
https://www.youtube.com/channel/UCeoshYzgRFB1LPkmgU9T-UA?view_as=subscriber
https://www.facebook.com/bruno.gussoni.3
https://www.facebook.com/flutexplorations/
https://www.facebook.com/PryGus-189218734790689/

IAO AEA usually plays different electric basses and electronic devices; in the Disaster Area context he is specialized in playing only a customized fretless bass. He is also member of the experimental electronic group NOS
https://soundcloud.com/iaoaea
@nos_it
https://www.facebook.com/riccardo.canessa.10

https://soundcloud.com/bruno-gussoni
Bruno Gussoni (born in 1951), is a flutist who works in the field of free improvisation/instant compositions. He plays several flutes (C flute, alto flute, bass flute, piccolo, shakuhachi, shinobue, dizi, etc.), used to create a unique and personal language producing experimental flute sounds. He is not interested in the use of the flutes as “academic instruments”, he has given up on traditional techniques in favour of extended techniques like un-pitched breaths, multiple sounds, harmonics, overtones, whispers, microtones, keys percussion, and other sounds, all combined with breath, silence, soundscapes… exploring the acoustic possibility of the flutes, in the sound space and in relation with other improvisers.

Ambient-drone-abstract-experimental-minimal... Soundscapes...Ηχοτοπία...

https://soundcloud.com/bruno-gussoni
Bruno Gussoni (born in 1951), is a flutist who works in the field of free improvisation/instant compositions. He plays several flutes (C flute, bass flute, piccolo, shakuhachi, shinobue, dizi, etc.), used to create a unique and personal language producing experimental flute sounds. He is not interested in the use of the flutes as “academic instruments”, he has given up on traditional techniques in favour of extended techniques like un-pitched breaths, multiple sounds, harmonics, overtones, whispers, microtones, keys percussion, and other sounds, all combined with breath, silence, soundscapes… exploring the acoustic possibility of the flutes, in the sound space and in relation with other improvisers.

Se oggi,mentre noi possediamo forse mille macchine diverse, possiamo distinguere mille rumori diversi,domani,col moltiplicarsi di nuove macchine,potremo distinguere dieci,venti o trentamila rumori diversi,non da imitare semplicemente, ma da combinare secondo la nostra fantasia. Luigi Russolo, "L'Arte dei rumori", 1916.

Biker, hiker, poet, skier, sound artist, photographer, FORMER horse rider, retired crime investigator

Composer and double bass player Adriano Orrù was born in Nuoro, Italy in 1958 and now lives and works in Cagliari. He devotes his time to jazz, radical improvisation, chamber music. He also works as a music teacher.

Orrù has collaborated with artists such as Giancarlo Schiaffini, Paolo Fresu, Tony Oxley, Lenka Zupkova, AN MOKU, Paulo Chagas, Mauro Sambo, Joao Pedro Viegas, Guy-Frank Pellerin, Maria Do Mar, Luiz Rocha, Samuel Hällkvist, François Choiselat, Stefan Schimdt, Mia Zabelka, Ettore Fioravanti, Roberto Cipelli, Marco Tamburini, Tino Tracanna, Maria Radich, Andy Gravish, Tim Hodkinson, Marcello Magliocchi, Victor Nubla, Simon Balestrazzi, Silvia Corda, Takatsuna Mukai, Henning Frimann, Renato Ciunfrini, Guro Skumsnes Moe, Håvard Skaset, Angelo Contini, G.P. Campus, Corrado Altieri, Billy Sechi, Monica Serra, Mauro Cossu, Clara Murtas, White Noise Generator, Stella Veloce, Sebastiano Meloni, Alessandro Garau, Stefano Figliola, Alessandro Olla, Paolo Angeli, Manuel Attanasio, Variable Geometry Orchestra, Moex Ensemble, Elia Casu, Mauro Usai, Paolo Sanna, Roberto Pellegrini, Enrica Spada, Carla Onni, Giacomo Calabrese, Sara Marasso, Mario Faticoni, Paula Gimeno, Yali Herbet, Pedro Sena Nunes, Tonino Casula.
He has recorded for Splasc(h), Digitalis Purpurea, Comar23, TiConZero, Big Round Records, Setola di maiale, Magick With Tears, LaBèl, Pan y Rosas, Endtitles, Creative Sources.
Reviews of his work have appeared in Down Beat, Il Manifesto, Musica Jazz, Cadence, Jazzit, Cuadernos de Jazz, All About Jazz, L’Unione Sarda, La Nuova Sardegna, Double Bassist, Jazzword, One Final Note, Flash Art, and on Radio 3 RAI.
He has performed at events such as Isole che parlano, Time in Jazz, Ai confini tra Sardegna e Jazz, Concerts of the Nuoro Jazz Seminary, Jazz d’autore, Cerisano Jazz, Varese in Jazz, Jazz in Sardinia, Veneto Jazz, San Teodoro Jazz, Sardegna Arte Fiera, Musica sulle Bocche, The Barcelona Lem Festival, Senni Jazz, Isole che parlano, The Signal Festival, Festival Spaziomusica, MIA Festival (Portugal), Creative Fest (Lisbon), Marathon Der HochKulturen (Zurich), Clockstop Fest (Noci), Free Flow Fest (Irsina), Tempo al Tempo (Bruxelles).

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Guitares, piano, voix, tablette numérique, divers.
You can listen my  music  on net labels,on Bandcamp, or live. You can follow me on my other sound cloud's pages. L'aubergine acoustique, with acoustic guitar, but not only. Electric ratatouille, with electric guitar, electronic sound, not only, and repost.
And Soundproject, for repost and electronic music.
You can hear me too with Nos Namajs and Soul Circus

Innersound of Plants extrait: GUSSONI/KOEK/CABOtt

Christophe Meulien