Here is an "old school" synthesizer track, played live in several takes. I'm back to making "space doodles" again. Hope you are all keeping safe and well during these crazing times. Yes, this track pays hommage once more to JMJ, and follows up on the first "hydrogene" track from a while back. More to follow? Who knows. All the best, take care, the Shaman.

Hydrogene 2 "Star"

Falling Phones

i hope you like the track.
Alien Darling - angeles city (Original Mix)

Alien Darling - angeles city (Original Mix)

_.01.mp3

Album made over 10 Years, Mastered with care.

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24 Suns

You Are Happy Now

You Are Happy Now (Single Version)

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: www.billholabmusic.com/store/index.p…oducts_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - III. Melting Clocks

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OPSAT - Onus

Apollo square

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PINEAPPLE THE PROJECT is a solo act from Helsingborg, Sweden. The creator behind the project is Stefan Wig. He is writing and producing electronic music with a taste of retro and melancholic synthetic pop. 
With over 1,5 million streams and a fast growing fanbase PINEAPPLE THE PROJECT is back with a long awaited new release, DISCO DYSTOPIA!

https://open.spotify.com/album/32EV14U8rMywUuzRDSPyzk?si=8uCfRmU4T1ibnmxNqLGvPA

on my way to you

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