nice...i like the vision you paint with sound......effective

"A mind that is stretched by a new experience can never go back to its old dimensions."

Released 03.23.23 to all streaming platforms, to be featured on "DVĀRAM."

Mirage

from darkness to light

"The ouroboros is an ancient symbol of a snake or serpent eating its own tail, variously signifying infinity and the cycle of birth and death." - dictionary.com

This album is for my son Jasper Myhill and in memory of my father John Myhill.

Cinematic Inspired I - Ouroboros

Ouroboros

His radif is considered to be the main source of contemporary Persian classical music as taught in conservatories and universities in Iran. 

Synopsis of his life 
Mirzá Abdollah received his first musical instruction from his older brother Mirzá Hasan. He, in turn, taught tar to his younger brother, Mirzá Hossein Gholi, until he became old enough to study with Gholam Hossein. Despite Gholam Hossein’s unwillingness to teach, the two younger brothers were eager to learn to the point that they would secretly sit outside the door when their cousin was playing in order to learn the melodies. Their mother finally persuaded Gholam Hossein to teach them. They subsequently were to become the successors of Ali Akbar Farahani and Gholam Hossein. 

Mirza Abdollah learned music only with great effort and difficulty because of the secretive manner of the musicians of his time, and their jealousy of their skills. As a result, he resolved that whatever music he heard he would learn well, that he would memorize the dastgahs completely and without error, and that whatever he learned he would teach freely to his own students so that Persian music would be passed on to future generations. He eventually became a musician at the court of Nasiru’d-Din Shah and remained such until his death in 1918. 

Notable students 
Seyyed Hossein Khalifih 
Dr. Mihdi Sulhi 
Mihdi Gholi Hidayat 
Esmail Ghahremani 
Ali Naqi Vaziri 
Abolhasan Saba 
Haji Aqa Muhammad Irani Mujarrad 

Notability as a musician 
Mirza Abdollah’s contribution to Persian music is so important that Haji Aqa Muhammad Irani Mujarrad referred to him as the book of Persian music. Music was Mirzá Abdollah’s life profession, and he became an important musician in the court of Nasiru’d-Din Shah. He organized the classical radif, some say with the help of Seyyed Ahmad. Tsuge states that: “The radif which we practice today in Iran (or rather Tehran) is generally known as the one of the Mirzá Abdollah school.” 

His open and generous nature, and his willingness to teach, transformed the image of music from a secret and jealously guarded tradition to an art available to all who desired to participate in its performance, expansion and development.

Origin of his title 
Ahmad Ibadi, one of Mirzá Abdollah's sons, related a story of how his father was given the title Mirzá. One day in one of the buildings of the palace of the shah, some courtiers were eating lunch. After lunch they played ás, a card game. Mirzá Abdollah sat and played the setar for himself. Nasiru’d-Din Shah could not sleep and came into the garden. He went over to that building and heard the setar, put his foot on the door sill, and listened intently. Mirzá Abdollah did not see the shah as he played. The gamers noticed, and all got up flustered. Then Nasiru’d-Din Shah signaled them to sit down and said, “Mirzá Abdollah, do you have a handkerchief in your pocket?” “Yes.” “Put it down in front of you.” Then the Shah ordered gold and silver coins to be put in the handkerchief.


میرزا عبدالله فراهانی فرزند آقاعلی‌اکبر خان فراهانی، نوازنده تار ، از استادان موسیقی ایران ، کسی که ردیف موسیقی ایرانی را به نظم درآورد. احمد عبادی نوازنده بزرگ سه‌تار فرزند او است. 

زندگی‌نامه 
میرزا عبدالله دومین فرزند آقای علی اکبر فراهانی اولین آموزشهای خود را نزد برادر بزرگترش میرزا حسن گذراند و پس از آن نزد پسر عمو و ناپدریش آقا غلامحسین آموزشهای خود رو تکمیل کرد و به برادر کوچکتر خود آقا حسینقلی هم آموخت. بزرگانی چون سید حسین خلیفه ، مهدیقلی هدایت، مهدی خان صلحی، فرصت شیرازی، اسماعیل قهرمانی، سید مهدی دبیری، حاج آقا مجرد ایرانی، ابوالحسن صبا و فرزندش احمد عبادی همگی از محضر این استاد بهره بردند. وی با تجدید نظر در دستگاه‌های دوازده گانه موسیقی ملی ایران و ادغام بعضی از آنها با هم ، هفت دستگاه کامل و مجزا پدید آورد که این هفت دستگاه توسط سه تن از شاگردانش به نامهای میرزا نصیر، فرصت شیرازی و مهدیقلی هدایت طی هفت سال نت نویسی شد. میرزا عبدالله در تهران در محله امامزاده یحیی کلاس درسی ترتیب داد که جوانان و متجددین دورش جمع شدند . 

ولی بر اثر تحریکات، مخالفان به خانه اش ریختند و با شکستن وسائل تعلیم بساط درسش را تعطیل کردند. با این حال تا دم مرگ دست از تعلیم نکشید و دربستر بیماری با سه تار قطعاتی به‌عنوان یادگار به شاگردان برجسته خود تعلیم می‌داد. ابتکار ساختن برخی قطعات ضربی از اوست که در قطعات مجلسی توام با آواز پس از اجرای چند گوشه، برای تنوع قطعه ضربی می‌نواخت. مضراب ریز و تک مضرابها در ساز او در تعادل و جملات موسیقی او منظم است و در همراهی با آواز پس از خاتمه یک بیت توسط خواننده او خود گوشه جدیدی را شروع کرده‌است وخواننده را هدایت می‌کند. در حفظ وزن قطعه دقیق بوده و غالبا نوازندگی خود را با قطعه تند رنگ مانندی پایان می‌داد. رنگهای او متنوع است و با آنکه آثار ضبط شده از او مربوط به حدود ۶۵ سالگی بوده ولی پنجه او روان و قطعات را راحت اجرا کرده است. 

البته ایشان در نواختن تار هم استاد بوده ولی شهرت ایشان بیشتر در نواختن سه تار است. از وی چهار فرزند به نامهان مولود ، ملوک، جواد و احمد عبادی به یادگار گذاشت که همه آنها با موسیقی مانوس بودند، وی در سال ۱۲۷۹هجری شمسی(۱۹۱۸م) درتهران و در سن ۷۵ سالگی درگذشت.

Mahur: 11. Tarabangiz - طرب انگیز

jenas - Panda

Harire Khial

Soudaye Del

SALVATION - رهایی

Guidance
I've been lacking it I need more
Assurance
I'll surrender anything, Lord

I'm not gonna (Don't you try to let go)
I'm not gonna (Of...)
I am gonna (Take a chance on me)

I've spent some time
Contemplating my life
What did I... do?
To be called?

Explain, je suis reconnaisante
C'est ca, ma vie est different
You believed in me from jump
I'm thankful you can handle me (x2)

I'm not gonna (Don't you try to let go)
I'm not gonna (Of...)
I am gonna (Take a chance on me)

I've spent some time
Contemplating my life
What did I... do?
To be called?

Explain, je suis reconnaisante
C'est ca, ma vie est different
You believed in me from jump
I'm thankful you can handle me (x)

(Don't you try to let go... of... me)
How can I?

DebbyCathrine (ft. D3X) - Here

@ninexcix
ffm.to/endlesslyremix

lyrics:
Yeah you know we got that special chemistry
Yeah you know I'm poppin' off that centerpiece
Gettin' on the song, she pullin' me
Girl you 멋있어, you swoonin' me

No way, there's no way that I got you
Your face, it's the way that I want you
Want to do summer things that you taught me
You on me, I'm gonna want you, I need you

So please, stay with me
I love lookin' in your eyes
So suddenly, baby, I don't wanna be
Something you leave
You deserve more than the world
And endlessly, yeah, yeah

난 멈출 수가 없어 so
잠을 잘 수가 없어서 I can work my career
These notions ain't my problem
It's the cynical, so serial

Yeah you know we got that special chemistry (you know)
Yeah you know I'm poppin' off that centerpiece (centerpiece yeah yeah)
Gettin' on the song, she pullin' me (she pullin' me)
Girl you 멋있어, you swoonin' me

(영원히야)
365 you been on my mind
Heaven or hell put in the overtime
Into the afterlife this is the after like
I’ve been runnin' it runnin' it till you’re mine (alright)

Best boy puttin' you to sleep after we wrestle
Better than your toys and better for you than a capsule
I know how to press all your buttons I’m the cheat code
I know how to press all your buttons I’m the cheat code

Tuesday speakin' dulce down in Cabo
Wednesday taste un dolce in Pompeii
Going round and round I’m your circadian
Got you glowin' radiant
Eternal vacation

생각조차 없음 (mm)
나와 하품 없음 (mm)
Baby your body my metronome
Matchin' your breath with my strokes

Yeah you know we got that special chemistry (yeah you know)
Yeah you know I'm poppin' off that centerpiece (centerpiece)
Gettin' on the song, she pullin' me (she pullin' me yeah yeah)
Girl you 멋있어, you swoonin' me
Vibe with me

Yeah you know we got that special chemistry
Yeah you know I'm poppin' off that centerpiece
Gettin' on the song, she pullin' me
Girl you 멋있어, you swoonin' me

Endlessly (wone Remix)

NINEXCIX & Wone - Endlessly (wone Remix)

PorKhor - KarePanir

Sick Day

Pink Kaffir is a stadium rock group featuring singer / keyboardist / multi-instrumentalist / producer Krs (Crystal Dawn Macintosh), guitarist / multi-instrumentalist / producer Mic (Michael James Macintosh) and a continuously active, rotating cast of musicians, producers, sonic / visual artists and remixers. Rooted in post-punk, post-rock and electronica, their collective mission is to continue to bring music forward, into the 21st century and beyond.
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Booking / business / etcetera: xesmanagement@protonmail.com.
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The music on this page is now streaming on all platforms, including YouTube, Spotify, Deezer, Tidal and more.
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Snail mail:
Crystal + Michael Macintosh,
The Macintosh Corporation,
444 Alaska Avenue,
Suite No. AVC596,
Torrance, California 90503,
United States of America.

Crystal + Michael Macintosh,
The Macintosh Corporation,
Am Gläschen 23,
MUMB-15497,
Markranstädt,
Germany.

Sick Day

Pink Kaffir

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