state of mind

Bʝöɾƙ ♡

chillest I’ve been

arca x aphex twin x bjork

🔴Dot's🔵

Coldplay - Sparks slowed

Wave Your Moonlight Hat for the Snowfall Train

Eye, Soul and Hand

Setting Sun

Bjork - History of touches slowed reverb

charlene is a b-side taken from the isobel single, originally released in 1995. 

itunes: http://smarturl.it/klkh67


björk : charlene - 1995

Bjork - Army Of Me

Björk - Atlantic (1993)

A Vinsin Lau custom of the original unreleased version of "Scatterheart" by Björk. From the 2000 motion picture "Dancer In The Dark".

Björk - Scatterheart (Unreleased Version) [featuring David Morse, Vladica Kostic, & Cara Seymour]

History Of Touches (Strings)

"EN" off MUTANT, OUT 20 NOVEMBER 2015.
Video for EN - https://youtu.be/Wtn7mNNqvqA 
www.arca1000000.com
PRE-ORDER NOW: Digital - http://smarturl.it/ArcaMutantiTunes
VINYL - http://arcalightbox.sandbaghq.com/arca-mutant.html 
CD - http://smarturl.it/ArcaMutantCD
Video by Arca
http://www.arca1000000.com

Drukqs

Gwarek2

Deep and emotive introspective techno from Iceland producer @Yagya on @delsinrecords.

Read more & buy: http://www.stampthewax.com/2016/11/16/premiere-yagya/
Listen on Youtube: bit.ly/yagya-crepuscular

Stars And Dust

Listen on Youtube

Yagya - Crepuscular Rays Over The Horizon (STW Premiere)

Space Song (slowed)

blissing me - björk (peace edit)

mac demarco - my kind of woman ( slowed + reverb )

Sódóma Reykjavík

Takk

ТРИ

Молодость

Скриптонит - Положение ( Slowed + No Words )

its august 2022 now and ive been off soundcloud for about 2 years and i did not expect people to still listen to this its crazy, thank you so much (its not even well made i was only 14 when i made it so really thank you)

505 x Swing Lynn

Undo is part of the Vespertine album.
Written and Produced Jan/March 2000 by Bjørk and Thomas Knak.
Released by One Little Indian in 2001.

Bjørk : Undo - Vespertine (2001)

[ I do not own the song or the picture.]

original music :https://youtu.be/yEgilud6tRU
[ edited by me ♡]


twitter: jvnixio



youtube:https://m.youtube.com/channel/UCtBC3Whohiv8BiqO3lodCDw



Fousheé - Deep End [slow + reverb]

Eartheater - Phoenix: Flames Are Dew Upon My Skin
Format: LP / DL
Cat.No. PAN 112
Release Date: 2 October 2020
Purchase/stream: pan.lnk.to/Phoenix

Composed, produced, and arranged by Eartheater alone, Phoenix: Flames Are Dew Upon My Skin draws a path back to the primordial lava lake from which she first emerged, as it also testifies to the reincarnating resurrections the project has undergone over its first full decade of existence. While the album renews her focus on guitar performance and legible structure, Eartheater balances the unabashed prettiness of acoustic harmonic songs with the dissonant gestural embroidery of oblique instrumentals. Having fallen back in love with the idioms that first captivated her, she worked to crack open the techniques that had fossilized inside of her, while still seeking to apply the electro-alchemical knowledge she picked up along her journey. The result of a laborious revival in fire, Phoenix recontextualizes Eartheater’s combinatorial approach to production within her most confident abstractions, adjacent to some of her most direct songs to date.

Eartheater composed and workshopped most of Phoenix over a ten-week artist residency (FUGA) in Zaragoza, Spain, housed in a sprawling, cubic glass facility that looked out over wildflower-flecked mountains. Following an intensive period of recording and touring, the residency provided her with an unprecedented period of solitude in the small Spanish town. Her newfound sense of isolation ultimately became liberating, leading her to sidestep the crutches and steady grids inherent to electronic music, and to conceive pieces rooted in her guitar and her desire to perform with other players live. Eartheater’s voice glows brighter than ever at the center of Phoenix’s arrangements — her familiar operatic highs are grounded by newly expanded velvety lows, leaping lucidly up and down octaves. Her intricate guitar work flits across baroque fingerpicked passages and latches into cyclical figures that meet her voice in lush harmonic progressions. From her own guitar parts, to the orchestral string arrangements she wrote for the Spanish conservatory group Ensemble de Camara, to the harp and violin lines performed by her close friends and collaborators Marilu Donovan and Adam Markiewicz of LEYA, Eartheater’s applications of acoustic instruments bring an extraordinary emotional emphasis to her compositions. Phoenix prepares for a future where electronic sound — or even electricity itself — isn’t guaranteed, but where her music could still come to life with a group of hands dexterously winding across instruments against the light of the fire.

Eartheater drew inspiration for Phoenix from geological imagery, whose turbulence and potential for genesis mirror the trajectory of her own life and relationships. The album’s instrumental pieces directly reference these moments of upheaval, colliding audio of volcano and lightning storms with resplendent string and vocal arrangements. “Volcano” looks out over the album from its peak at the center, its tectonic plates colliding in towering melodies and layers of vocal harmonies, as piano accents crest and cascade down the mountainside. When Eartheater sings, “I’m still building mountains underground,” she is trying to reconcile the pinnacles of her ambition with the comforts of a simple existence buried beneath the surface. “Diamond in the Bedrock” finds her admiring the gemstone forming under intense pressure inside her, but rejecting the romantic promise that the diamond signifies, choosing instead to escape a relationship that has come to stifle her.

Read full press release: bit.ly/2XtJGvQ

Bjork - History of touches slowed reverb

illfordpun