Eora’s dub-techno tastemaker Command D and Naarm’s harmoniser of the emotive and abstract Zara combine for Gravity Reset, a collaborative four-tracker on Butter Sessions.

Both producers are equally nestled with love into Australia’s underground, with releases on beloved labels like Animalia and Pure Space. Command D also boasts refined live sets heaving in sub-bass, while Zara's celebrated for boundary-blurring productions and her Kinesis imprint championing the local scene. On Gravity Reset, they meet in lockstep, delivering trance-inducing offerings rooted in a shared love of rhythm, space and subtlety seeded with dub minimalism and introspective, tech-driven sound design.The titular track 'Gravity Reset' sets the tone with a deep, persistent kick, reverberated snares, and a low-end that twists and lifts. 'Cascadia' introduces pad warmth and light percussion, where laughter weaves into the mix, adding a human touch to the dub-soaked cut. '2Pulse' brings expressive congas and dubby psychedelia into dialogue with the wubs, before The Fog closes in a haze of phasing hats and musky bass.

A collaboration for the ages. What they mean when they say #deep.
credits
releases July 18, 2025

Mastered by Corey Kikos
Artwork by Maryos Syawish
Words by Margarita Bassova

Command D & Zara - Gravity Reset (BSD08)

beams vol. 1 brings together extended friends and family for the label's first compilation release. it explores the full spectrum of beam-adjacent sounds, combining swampy mnml and tek haus; zenonesque refractions; fast-slow warpers; and contemporary progtranse iterations. more than anything, these are artists we have connected with as humans, whether in london, on travels further afield, or through digital mediations.
credits
releases July 18, 2025 

Mastered by Marco Pellegrino at Analogcut. 
Artwork by Victoria Martínez. 
Type by DAYS. 
Compiled by Mr Assister.

beams vol. 1

Berlin-based artist Marie Tjong Ayong delivers a captivating four-tracker with her „motherland“ EP, which unfolds like a sonic ritual — earthy, dubby, and steeped in natural rhythm.

Navigating fluidly between dub techno, grey area, downtempo, and breakbeat, the EP carves out its own genre-blurring identity. The sound is rooted in a warm, organic atmosphere, driven by percussive detail and an unmistakably natural flow. You can sense Marie’s background as a trained jazz trumpeter in the subtle musical intelligence that underlies each movement.

From the driving, rhythm-heavy opener „freshelle“ to the introspective, bass-laden „tiger balm“, the EP continuously shifts form and energy. „desert of boredom“ maintains the dub-soaked aesthetic while injecting a more forceful groove, before "rodeo of the bugs“ rounds things off with deep, muted dub techno and refined percussive finesse.

Buy: https://qeone.bandcamp.com/album/motherland

PREMIERE: Marie Tjong Ayong - rodeo of the bugs [QEONE]

Inner Zone - Fallout EP (SL015)

A1	Folded Realm
A2	Folded Realm (Kohra Remix) 			
B1	Spiral Form 			
B2	Fallout 				

Inner Zone returns to space•lab with an immersive EP exploring the meeting point of deep techno and progressive minimalism, shadowy rhythms and spatial resonance. 

Folded Realm opens the release with a hypnotic pulse, drawing from the darker edges of the Inner Zone sound with precision and restraint. Goa’s Kohra steps in on remix duties, transforming the original into a tunnelling techno weapon — dense, focused, and primed for the floor.

Spiral Form is a slow-burn evolution, unfolding in layers of submerged textures and flickering synth work. Closing the EP, Fallout breaks formation with a menacing, breakbeat-driven excursion through scorched sonic terrain. 

Written: Inner Zone
Remix: Kohra
Mixdown: AudioSol
Mastering: Marco Pelligrino
Distro: One Eye Witness

Pre-sale: August 5
Release: September 16

Inner Zone - Fallout EP (SL015)

A Walking Contradiction resurfaces with a new release by their friend & collaborator Katatonic Silentio, channeling a collection of tracks submerged in echoes and pressure-shaped pulses. AWC011 traces fluid architectures built from delay, decay, and deep resonance—each composition unfolding like sediment in motion. Sounds sway with tidal pull, suspended in chambers where space thickens and time refracts. Basslines emerge like sonar beneath shifting layers, while percussive elements flicker at the edges, softened by current and drag.

Elastic and disorientated, these underwater constructions are tuned to the language of depth and dissolution.

https://soundcloud.com/katatonicsilentio



B1 - Deep Water Dub (Snippet)

Animalia's natural evolution into new regions & sounds comes with the introduction of @sub-basics to the label. For the first iteration in a new series of releases by the London based artist, Sub Basics brings his signature blend of minimal UK bass, with prismatic percussion loops & spaced out, psychedelic grooves, meeting a tech-house adjacent score that underpins the release.

Immersive yet functional, the release is versatile by nature, timely and fitting for both the autumnal shift in the northern hemisphere, and the welcoming of spring in Australia.

Artist: Sub Basics (London, UK)
Title: Wavelengths
Format: 12” / Digi
Distributed by: Clone (Rotterdam, NL) 
Artwork & Design by Josh Abramovici, (New York, USA)
Mastered by Jason Goz, Transition Mastering (London, UK)

Animalia would like to acknowledge that whilst all tracks were produced in the UK, the label itself operates on the traditional land of the Woiwurrung & Wurundjeri peoples of the Kulin Nation, and pay respect to their elders past, and present. Sovereignty was never ceded.

2025 Animalia Label

Sub Basics - Wavelengths (ANIMA17)

Never-before-heard psychedelic acid techno and ambient compositions from beloved Japanese producer Susumu Yokota. Recovered from a collection of DAT tapes.

https://www.soundmetaphors.com/release/1757339415/susumu-yokota-unreleased-works-94'-97'

Susumu Yokota - Dust

1/3 Groove Tools

free download: https://hypeddit.com/scanlaan/scanlaanteachyasum

let me know what you think! <3
IG: @scanlaan

SCANLAAN - Teach Ya Sum

"ASCENSION" is the debut album release from artist ston, an independently released project. 

For Ascension, I set out to explore hard house, bassline, and electronic elements throughout.

This body of work means a lot to me; it took up six months of my life and taught me so much about music production. It also taught me the importance of committing to what you set out to achieve and the struggles that can come with that. Most importantly, it showed me that imperfection is okay when the alternative is procrastination.

I created this album using the DAW FL Studio, and as of its release, I’ve begun transitioning to Ableton, a commitment I set for myself when I first began this project.
Through this experience, I’ve learned that moving forward, I want to dive into more intricate ideas and trust my creative process without falling into the trap of comparing my work to others. I’m eager to experiment with more abstract percussions, deeper emotional progressions, and unconventional grooves. It’s going to be a journey, but I’m excited for it to begin.

If you connected with any of the music from this release, I’d love to hear from you.  I’m excited to continue exploring! 

Shoutout Splice lol

Harbinmoths has been constantly active in the Estonian underground techno scene since 2020. He picked up the groove and mixing skills very quickly thanks to his childhood piano studies and singing in the church choir every Sunday. This has been a great benefit to his musical hearing and he knows how to use it – his constantly changing selection of tracks goes through a pretty tough check before being put on the flash drive. On the selection you will hear deep and solid grooves, driving basslines and every once and then some rave and even a few melodies, but the main focus stays always on the 4/4 rhythm which keeps him (and you) going. If you want to know what fast modern techno this year sounds like you should catch Harbinmoths playing for sure.

@harbinmoths

eeee.show - EP.6 - Harbinmoths

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