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“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

Hailing from provincial Italy, world class DJ & producer Benny Benassi is a name needing little introduction but always deserving of wide admiration and acclaim.  Indulging in a career spanning fifteen plus years, Benassi is renown as a humble, authentic and charming character who has grown from club DJ to festival king to multi-million selling record producer taking success in his stride. Trademarking his unique infusion of house and electro with his global smash “Satisfaction” Benny has continued to create music which is a clear evolution of this signature sound but never deviating too far. 

There is no better place to start delving into the rich history of the Benassi career than with his international blockbuster, “Satisfaction” and its game-changing music video became his launch pad into stardom. Created with his cousin and producer, Alle Benassi, and inspired by the car horns outside an open street facing window, this single catapulted into the charts with a #1 in France, #2 in the UK and Germany. Followed by his debut album Hypnotica, which reached top 20 across nearly all parts of Europe within the first month of release. 

The next few years for Benny were a culmination of successes, whether it be the major festivals he went on the play (Coachella, EDC, Ultra Music Festival, Tomorrowland to name a few) or his next artist album, Rock N Rave in 2008. The same year he won a Grammy Award for his ground breaking remix of Public Enemy “Bring The Noise” further catapulting the Benassi name into stardom. 

In 2011, Benny teamed up with a star-studded album cast for his album Electroman which featured T-Pain, Kelis, Jean-Baptsiste and Apl.de.ap amongst others and most famously Gary Go with his chart-topping single “Cinema”.  The Skrillex remix of “Cinema” not only went Gold in the US and platinum in Australia and Canada but won the Benassi’s another Grammy whilst holding firm in the iTunes top 10 dance chart for over 6 months. 

Still on this exceptional career high, Benny Benassi combined talents with Chris Brown to create one of the biggest cross-over dance records of its time with “Beautiful People”. The following years have been a measure of incredible world tours and releases, most notably his record “Dance The Pain Away” with John Legend, which premiered live on stage at Coachella with John himself. 

2016 saw Benny released his first album in five years Danceaholic, an unexpected, stunning cocktail of already released tracks, two unreleased reworks of older singles and brand new songs, led by the hit summer anthem “Paradise”, once again with Chris Brown. “Paradise” stayed in the Top 50 UK charts for 10 weeks and boasts more than 65 million video views and close to 47 million Spotify streams. 

In recent years, Benny's main releases include “Everybody Needs A Kiss” featured US duo Sofi Tukker racking up over 10 millions streams online and was featured as the sound of gay pride for Musica.ly, "Lonely Nights" featuring Lil Yachty, interspersed with two great house-oriented tracks, "Inside" with Chris Nasty, performing well in clubs and on streaming platforms and "Everybody Hates Monday Mornings" with his own production outfit, BB Team, and featuring the eccentric and charismatic YouTuber, Canguro English.

Beyond his own productions he brought his sound to a wider musical audience with a flurry of high-profile remixes with the likes of Bob Marley & The Wailers, Giorgio Moroder, Madonna, Sean Paul and the Rolling Stones, to name but a few; whilst maintaining a weekly radio show on the US heavy-weight iHeart Radio broadcasting to a staggering quarter of a billion listeners monthly.

New album Deluxe 'Northern Sun Sessions' featuring 4 bonus acoustic songs out September 2019.
www.thevirginmarys.com

new album Double Down
itunes: smarturl.it/doubledownDD
LP/CD: smarturl.it/doubledownDD2


Papa Roach doesn’t do lanes.

Be it rap-rock, electronic rock, rock ’n’ roll or anything in between, the quartet - vocalist Jacoby Shaddix, guitarist Jerry Horton, bassist Tobin Esperance and drummer Tony Palermo - have spent more than 20 years veering across freeways that most bands barely have the nerve to occupy, creating one of the most diverse and fearless discographies in music.


A hard left turn that sees them making their most daring maneuver yet, new single ‘Swerve’ is breathless in its unpredictability. Drawing inspiration from everything from jazz, funk and old-school hip-hop to hard rock and electronica, it’s a white-knuckle ride featuring a blistering array of rock solid beats, thumping bass lines, curveball saxophone licks and crunching guitar grooves, built around a chorus that features a stark warning cry of “Don’t swerve in my lane”, the track displays the fearless ability of its creators to cross as many as they desire.

With Fever 333 frontman Jason Aalon Butler and rap sensation Sueco joining proceedings to create a triple-pronged vocal attack, ‘Swerve’ provides a first glimpse at one of the most varied and compelling periods of the the group’s career. Clear, confident and above all competitive, it sees them challenging perceptions and breaking new ground, tossing the handbrake out of the window in the process.

Progressive rock band from Pennsylvania. 

Pipe Sarria is following