Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

For the past decade, Mad Decent has been invading your ears with fresh sounds. With humble beginnings in Diplo’s Philadelphia studio, Mad Decent’s unwavering mission is to highlight underground, genre-blurring sounds. Mad Decent tops iTunes, Beatport and Shazam charts worldwide with #1 Dance tracks and albums with releases from artists like Major Lazer, Dillon Francis, Grandtheft, Party Favor, NGHTMRE and Yellow Claw. Mad Decent is also home to Good Enuff, a launchpad for artists breaking the norm; notable releases include Bauuer’s “Harlem Shake” and DJ Snake’s “Bird Machine.” As an extension of the Mad Decent sound, Mad Decent Block Party was established in 2006 and now spans across North America and India.

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Management: jmcdonald@2plus2.net

North & South America: Mariesa Stevens - Mariesa@liaisonartists.com and Marlena Holland marlena@liaisonartists.com

Rest of World Bookings: jmcdonald@2plus2.net

https://avalonemerson.com/andthecharm

Now one of dance music’s most respected DJs, Avalon Emerson first made a name for herself in the storied warehouse scene of her birthplace, San Francisco, before relocating to Berlin in 2013. Over a decade of performances at the famed Berghain led to appearances at numerous festivals around the world which all cemented Emerson, and her evocative, genre- and decade-spanning sets, as perennially in demand. 

In 2020, she released her first full-length collection: a contribution to the longrunning DJ-Kicks series (which Resident Advisor described as “The sound of a well-honed DJ at the top of her game.”), nestled alongside a steady stream of remix releases for the likes of Four Tet, Slowdive, Robyn and more.

Next up was 2023’s Avalon Emerson & The Charm, an instant classic which saw Emerson exploring her singing voice and more traditional songwriting outside of the boundaries of her dance music work.  Created after a move to New York, the resulting & The Charm album was released to critical acclaim, landing on numerous critics’ best-of-the-year lists.

The stage is now set, then, for her to carve out a wholly unique path, and with the help of new label home and indie giant, Dead Oceans, Emerson is poised to connect her various musical endeavors to create an untouchably rich output of material. First up is Perpetual Emotion Machine, consisting of songs created for her DJ sets, delivered via a living, evolving project and announced ahead of her worldwide tour.

Contrataciones & Management: cg@bookingham.mx 

Coronel es un proyecto iniciado por los hermanos regiomontanos Juan e Ivan Sáenz. La búsqueda constante de un sonido original y la influencia del pop alternativo llevó a los hermanos Sáenz a crear en Coronel.

A finales del 2011, Coronel, lanza su primer EP homónimo conformado por 5 temas, de los cuales 2 son originales y algunos remixes de amigos como Hello Seahorse y Ezekiel. El disco fue producido y masterizado por Gil Gonzalez (Ex-Genitallica).

Coronel lanza en 2014 su álbum debut llamado 'Doble Diablo', editado por la disquera neoyorquina PONK con distribución en EUA, España y Sudamérica. Su ópera prima, la cual tiene un arte inspirado en la lotería mexicana, cuenta con colaboraciones de artistas como Tino el Pingüino, Adán Cruz, Mongosaurio y Pipe Llorens.

Se han presentado en mas de 13 ciudades de la repúplica, como San Luis Potosí, León, Cholula, Tlaxcala, Edo. de México, Monterrey, Guadalajara, Cd. de México, Cd. Juarez y Campeche (KEET: Encuentro de Arte Sonoro y Visual).

Coronel ha compartido escenario con Yelle (Francia), The Sounds (Suecia), WhoMadeWho (Dinamarca), The Presets (Australia), She's a Tease, Torreblanca, Technicolor Fabrics, Vicente Gayo, Descartes a Kant, Mexican Dubwiser.

Berlin based label-owner, DJ, producer and Promoter.
Best known for the track "Body Language" and the remake of Laurie Andersons "O Superman". Bodmer and his former band partner Philipp Jung, along with DJ T. and Booka Shade are the founders of Get Physical, which became one of the most popular dance labels in the world. M.A.N.D.Y. subsequently provided mixes for other labels, including „At the Controls“,  „Fabric“ and „Renaissance“. Following collaborations with Bob Moses, and Dubspeeka, as well as remixes for Roxy Music, Röyskopp, The Knife and Underworld to name just a few. The long-awaited debut artist album Double Fantasy was released, incl. collaborations with the iconic Jungle Brothers and the classical and experimental pianist Francesco Tristano . 2018 signaled the beginning of a new era for M.A.N.D.Y, since Patrick Bodmer will continue to fly the flag under M.A.N.D.Y. without his former partner and childhood friend Philipp Jung, who started his solo project „Forever Jung“.

Producer/DJ, Grammy award winner.
MERCH - DRUM KITS - VINYL
www.cookinsoulrecords.com

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