La Fe is Daniel Rincon (@napmusick) and Michael Red (@michaelred)

“made over a weekend here in montreal while michael was visiting. we juss put our lil heads and hearts together and then boom. also the weekend I found out my studio was haunted. the ghosts were so into it that the lights would start going crazy flickering. ever since they flicker that shit when the beat is phat” -daniel

preorder up at
https://www.rubadub.co.uk/records/rico

La Fe 'Rico!' xpq?555 clips

DL / TEE:
https://johntgast.bandcamp.com/album/deceptive-shatter

DECEPTIVE / SHATTER

5GT022 ~ JOHN T. GAST, GOSSIWOR 2 ~ 220611-005 SHATTER

@dekalbworks
@29-speedway

BC: https://29speedway1.bandcamp.com/album/for-barney-who-was-a-bad-dog-but-a-good-boy-and-very-much-loved

“For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.” comes from Brooklyn-based Dekalb Works, the collaborative project of Austin Peru (Vision Fortune) & Daniel Creahan (Sweat Equity / Alien D). The record summarizes a series of experimentations between live performance contexts and sample-heavy collage work. Since starting their residency on Radio alHara, Dekalb Works found themselves drawn to the act of performing, whether as a live act or DJing, and the space between these two often overly rigid modes.

“For Barney…” draws heavily on the sonic palette of American country and western music, treated through the lens of heavy studio processing and the production techniques of dub, ambient, and trip-hop. Recording hours-long live improvisations with guitar, piano, or drum machines and samplers, they pillaged these sessions as source material. Whereas previous work focused on the voice and the interaction of text, voice and music, these recordings pulled from the sounds of musicians playing together in a room. The arrangement process remains the same, chopping and manipulating small samples and momentary gestures into dense, rhythmic collages.

For Barney, Who Was A Bad Dog, But A Good Boy, And Very Much Loved.

pi pi pi premiere: Dekalb Works -  Trinity Interlude (29 Speedway)

More @marwabelhajyoussef: http://www.stegi.radio/podcasts/marwa-belhaj-youssef

Gboi w/ Marwa Belhaj Youssef (02.05.2024)

Untempo Postcards #2: Breath Observation (for voice and hand - blown glass object)

In Breath Observation (for voice and hand-blown glass object), Chantal Michelle captures the acoustic resonances of hollow glass sculptures and merges them with the human voice. The work is part of a series of compositions using the sculptures, which were designed and fabricated by the artist, as instruments in relationship with various wind instruments. Exploring themes of fragility, permeability, and formlessness, the work invites the listener into an intimate space where boundaries between inside and outside blur

Composition, glass object, voice: Chantal Michelle
Voice: Eliana Glass
Mastering: Alexander Stuster
Cover & concept: Miro-Benjamin Lindström

Bandcamp

Untempo Postcards #2: Chantal Michelle – Breath Observation (for voice and hand-blown glass object)

🍁🍂🍃Autumn is around the corner, getting moody. U know I love edits, these ideas usually come when browsing deep corners of YouTube before going to sleep. This time I’ve revisited Czechoslovakian Stromboli from 1987, and gave it a new touch.

BANDCAMP

OBL4KA - Koshilella

[Noods Radio] Quiet Music w/ s.drift 24.08.24

My My My

The Chances of being in the Right Place at the Right Time are Mindblowing

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https://linktr.ee/xinferis

The Forsaken Place of Forgotten Horrors

enchantress

The Bridge Of The Devils

mix series and label by @deep_creep

Q&A's on ----> pipipi.life <------

label ~ https://pi-pi-pi.bandcamp.com

say it with me...
pi pi pi = (pie pie pie)