Releases

WZY004 Premiers

Brooklyn’s @laenzzz delivers five cuts of hauntological club experimentation on @woozydublin, with a remix from Hemlock Recordings’ Untold

More info: https://djmag.com/listen/premiere-laenz-choices

After Sunset

Premiere: Laenz ‘Choices’

@laenzzz
@woozydublin

BC: https://woozydublin.bandcamp.com/album/wzy004-after-sunset

Laenz joins EMA’s beloved Woozy family with After Sunset; an extended player of haunted dub architecture, set out within a found-sound planetarium of deconstructed rhythms and textural deviancy. Seminal UK producer and Hemlock Recordings’ founder Untold also features with his first remix in 9 years.

Brooklyn-based Laenz reimagines the expansive structures of her native city as aural scaffolding, reconstructing indeterminate spaces via an emotional rendering process of world building. It’s music that explores the duality of shape and unform, immersed in traditions of sound design and latter-day UK broken beat techno binded by a tender hauntology that’s sublimely immersive as it is intimately personal. After Sunset is her debut for EMA’s boundary-pushing Woozy imprint, following releases for Early Reflex, Rhizome and Eastern Margins, a project detailing elongated processes of varying intensities evoking a rawness which she described as a “war on the heart”. It’s a body of music that’s a direct portal into Laenz’ singular vision, and highlights her inimitable talent amongst the milieu of bass-leaning producers of New York and beyond.

Ballad Before The Break intros us with a garbled chug of out-of-body proportions, before Choices marches in with an uncanny half time of tense textures and After Sunset follows with trip-hop adjacent psychedelia gorged in subs. B-side opens with Echoes Until, a lurching wormhole of disorientating skank while wiL offers a gorgeous ambient epic circled by a percussion-heavy concrète of breakcore abstraction. Untold sees us out with a remix of Choices, a trip into his unrivalled sound world, buoyant by throbbing modulation and rolling kicks of pure surreality. 
credits

pi pi pi premiere: Laenz - Echoes Until (WZY004)

Interview and words over at: https://www.asifnoway.com/feature-laenz

@woozydublin
@laenzzz

Premiere: Laenz - wiL (Woozy)

A phone call with a past mentor who at age 95 is still teaching piano, a memory of giggling at her transfixed mother photographing swans, a feeling of being floored whilst unearthing letters from her parents’ relationship. Exploring her most personal narratives to date, Laenz’s album ‘88 keys’ is suffused by the power of unwavering devotion - both towards others and towards lifelong study of music. Leaving behind the guilt of adolescent indignation and deviation from classical music towards fascination with leftfield dance music, the release circles back: a reverence to former piano teachers and the nurture they instilled in her.

Across ’88 keys’, loosely tethered memories and the intricate yet unpredictable sonic turns Laenz is known for are grounded through bass frequencies. On ’’11’ which samples recordings of Laenz’s last public performance of Bach’s ‘Chaconne in D minor’ arranged by Busoni, sustained solemnity is beset against misty, dubbed-out percussive explorations of piano acoustics. ’’24’ reminisces on lazy walks by Berlin canals, basslines ebbing hazily below spiralling hi-hats and caliginous melodies. ’9-30-91’ delicately re-casts one of the many love letters written by her father to her mother when they began dating, into a sonically distinct, tenderly stripped back vocal track. The lyrics read: ‘My dear, I miss you so much, I miss you deeply, from the bottom of my heart. Thoughts of you, occupy my whole heart, and every corner of my mind’.

Conversations, past performances, and archival recordings are run through iterations of radio transmission-reception, audio becoming irreversibly lost or altered into ambiguity. Each titled after a year, though not emotionally bound to it, the tracks are an aggregate of Laenz’s desire to calibrate them actively in her current memory—resisting any inevitable, obsolescent effects of time’s passing. In Laenz’s words ’88 keys’ ‘though a fraction of the appreciation I have for my parents, Carolyn Shaak, and Larry Graham, this project was from start to finish an ode to their impact. 

The singles ‘’11’ and ‘‘24’ are out on the 2nd and 9th May, ahead of the full album release on 16th May 2025.

Artist Bio:
Laenz is a producer based in Brooklyn, NY, working within radiophonic textures and caliginous dance music. Her work explores the sonification of indeterminate spaces, saturating abstract musical forms with intensely tender and personal observations. She uses vocals, radio equipment, and live processing in her performances, sonifying unknowable sounds into unsuspecting ears. She holds a Lot residency, and has released projects under Woozy, Early Reflex, Dance Data, and more.


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