What times in Isfahan. We laughed a lot. Sweet spices tasted. Incense coiled round her lips like a snake in the Golden Temple. I dreamed the velvet umbrella lights of other days, and as the night drew into morning we slept down.

Low Magic

@p-v-a-s
@hundredthousandmiles
@sonidoisla

“Somaesthesia” is for the body, for how the body feels and how the body communicates with its soul. It was written through a year of growth and sickness, which stimmed inflection to a body at rest, a body aroused, a body communicating needs, a body happy, a homeostatic body, a friend body.

These four songs drift through different dimensions of somatic sensation. Deep corporal sensuality, spectrums of control of self, identity, and their relation to others, plateau, release, extra sensorial touch, extraterrestrial encounter, novelty, experiment, finding self where you thought you stood alone, finding self
in bass, basing self in body. 

Do not disembody, hold closeness to body, trust body, body as a litmus, body as a truth, truth as unmovable, unmovable as grounded, rooted, dense body, flesh body, REAL body, this is your body, feel your body feel.

BC Link: https://isla.bandcamp.com/album/somaesthesia

pi pi pi premiere: PVAS - Dream Resumption Feat. PS (ISLA)

@plebeiann
@eternalocean

Plebeian returns to the Eternal Ocean, continuing his exploration of psycho-cerebral realms with a collection of six sonic spells titled “Graffiti World”

“Splashes of color accent immersive and introspective environments full of unexpected aural organisms and secret passageways. Playful rhythms bounce off of one another, discreetly stuttering and slithering between carefully considered spectral and pointillistic textures. An enveloping bass weight massages the listener, providing the foundation to an alien world full of unknown life. The landscape is shrouded in a mist of psychedelic fog, which clears in brief moments revealing shimmering and resplendent views that defy language. Coming down from the heights, we are taken back into the depths of this new terrain, grappling with how to describe what was experienced. Words do little justice here – my advice is to close your eyes, focus on your breath and allow it to happen. It won’t last forever: be as present as you

Bandcamp Pre-order: https://plebeian.bandcamp.com/album/graffiti-world

Graffiti World

pi pi pi premiere: Plebeian - Graffiti World (Eternal Ocean)

@plebeiann
@grid-records

BC: https://gridrecords.bandcamp.com/album/contrast-ep

Grid kick off 2024 with Contrast EP, a mesmerising collection of future-facing tracks from certified one-to-watch Plebeian. The NYC producer is quickly garnering deserved attention for his acutely detailed and explorative bass productions reminiscent of Objekt and Djrum.

With his EP Plebeian offers up four shimmering and lush dance organisms that exist in an ecosystem entirely of their own. Microscopic drum engineering coupled with flourishes of dubbed out percussion, moments of blissful beauty and infinitely oscillating synth swells, all distilled to create 4D soundscapes that will captivate and intrigue the listener.

Contrast EP

pi pi pi premiere: Plebeian - Contrast (Grid)

Produced by: Peder Mannerfelt
Additional production by: Pär Grindvik
Mastered by: Stephan Matthieu


Pre Order Opp Nord I (Kora001): https://korasounds.bandcamp.com/album/opp-nord-i-2

Opp Nord I

Peder Mannerfelt - Business In The Front

Objekt launches his new label, Kapsela, with a 10-year anniversary reissue of his lauded production ‘Ganzfeld’. An ambitious, evocative electro/IDM epic with cavernous drums and a riotously funky bass solo, Ganzfeld was initially released in 2014 on Leisure System as the B-side of Hypnagogia, a split EP with Detroit electro pioneers Dopplereffekt. It quickly garnered critical acclaim (including Track Of The Year by Resident Advisor) and amassed a cult following despite clocking in at 147bpm, a relatively unwieldy tempo for most DJs at the time. Given the seismic shifts in tempo and genre that have taken place in the 10 years since and the emergence of a new generation of producers with whom Ganzfeld’s influence has resonated, 2024 seemed like the perfect moment for a re-release.

Commissioning remixes for the first time, Objekt enlists Djrum, who delivers a jaw-dropping 10-minute rendition which weaves through multiple genres and tempos with the cinematic flair of a short film score. Milan’s Piezo contributes a taut, prickly interpretation that builds tension at 80bpm before exploding into a cathartic double-time closer. Finally, US ambient artist Ulla fully deconstructs the original into a serene, undulating lullaby.

Objekt - Ganzfeld

Hailing from Amsterdam via Catalunya, Will & Ink label head Yaleesa Hall kickstarts Timedance's 2025 run with a hefty arsenal of sound system artillery, expertly sprinkled with rude UKG and electro-laden pulses

Infused with the perfect dosage of driving grooves and earth-shattering low frequencies, these four big and bad cuts are sure to shake the bodies and eyeballs of bass-weight maniacs, breakbeat explorers, adventurous DJs and dancers alike.

Voices

traverse is proud to announce the release of its first record - a compilation of six tracks from various artists, inspired by Pembroke King’s poem moving silhouettes, written for this occasion.

As the fourth volume of the compilation series “traversée”, moving silhouettes encourages artists to explore all corners of listening music and creative avenues that aren’t tied to any one convention.

Pembroke King’s poem sheds light on the mood of the compilation, and even though each artist brings its own interpretation of it, there is a beautiful harmony of it all - from Kate Miller’s atmospheric sounds to Teqmun’s drums-made-of-rain-drop-recordings or Ghjuliú’s nostalgic melodies, the listener travels around Pembroke’s words with each track.

As our first physical release, we feel honoured to collaborate with artists who have been involved in a way or another on traverse before such as Officium, Mika Oki and Alohn, but Kate Miller, Teqmun, and Ghjuliú, that we’ve been keeping close to our heart for a long time already.

artwork: Gabriel Sauvageot
tracks produced and mixed by (in order of appearance): Alexis Tytelman, Tijmen Blokzijl, Alban Mercier and Yolek, Kate Miller, Ghjuliú, Mika Oki
mastered & cut: Marco Pellegrini at Analogcut
digital master: Umvral
distribution: Kuroneko

Preorder record

Teqmun - Waddling on Wet Stones (traversée04)

Free Dl

Maundu

De Toli - Door

OS004 - Big Hands - Lakamha

In the old city of Lakamha ancient tombs stand tall and ruined, woven with moss. Birds as old as time beat their wings over tropical forests; their cries bouncing off wet rock lassoed with carvings of Mayan symbols.

Buy: https://oscillasound.bandcamp.com/album/lakamha

Big Hands - Calix's Head

mix series and label by @deep_creep

Q&A's on ----> pipipi.life <------

label ~ https://pi-pi-pi.bandcamp.com

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pi pi pi = (pie pie pie)