pi pi pi premiere

20-23

23_10

The Self Elastic

Related tracks

Lila Tirando a Violeta - Desire Path

Arte: Asma - 'Alas, this flat image wins my love, as I behold it. But I cannot press my arms around the form I see' (2021) cortesía de Deli Gallery - N.A.A.F.I ® 2022 NF046

Desire Path

Tungsten Tears

@milliamusic
@kind_tree
@raw_silk
@benbondy
@specialguest-dj
@uwudustbath

Eagerly awaited yet patiently bubbling under the surface, UwU dust bath emerges with its primal offering, a deeply generous and authentic sonic array from lowkey prolifics Purelink. Despite the
Chicago trio’s humbly mysterious presence, the transcendental music speaks resoundingly.

The most unforeseen plot twist comes via xphresh (Special Guest DJ & Ben Bondy), causing Rihanna’s notoriously iconic vocals to drip like honey, seeping into the fuzzed post-dancehall daydream; a sunkissed celebration.

Words by Katie Campbell 

vinyl preorder : www.one-eye-witness.com/release/16539…link-Purelink
digital preorder : uwudustbath.bandcamp.com/album/purelink

releases July 1, 2022

Purelink

pi pi pi premiere: Purelink - Butterfly Jam (xphresh Bad Girl version)

NAAFI | PIRATA 5 - 2022
The fifth installment of our traditional bootleg compilation.
DL on naafi.bandcamp.com

OMAAR X KAROL G - PROVENZA (AMA EDIT)

Streaming from Amsterdam's Radio Radio: this is RRFM.NL w/ @ogkarin.

RRFM • Flippen Worldwide w/ OG Karin • 28-09-2022

@reptant_the_lizard
@trustvienna

https://trust.bandcamp.com/

"They entered the structure at dusk, barely able to comprehend its magnitude in the dim red twilight of the setting Agamid sun. Extrasensory hallucinations, infinitely folded spaces and quantum impossibilities had quickly separated Reppi T. Lizrd from the Gecko Force. Now his air supply was dwindling, and his limbs were numb from wandering endless corridors and strangely illuminated hallways, yet his determination to reach the centre of the palace only grew. The one-eyed tyrant was waiting."

Hailing from the land down under and currently taking the northern hemisphere by storm, @reptant_the_lizard joins forces with TRUST for his 'Halls Of Perception' EP - five tracks of blistering electro bass, percussive beat workouts, and bleepy moments of transcendent bliss.

distributed by @clone-distribution

Release date:
24 October 2022

pi pi pi premiere: Reptant - Syncussion Concussion (TRUST41 )

@0rds0
@kalaharioystercult

RDS plumbs the depths of analogue texture on his Kalahari debut proper. Following a guest appearance on Eversines’ ‘Plooi’ EP, the Amsterdam artist returns to explore the more expansive integers of his hi-tech sound across four deftly crafted tracks.It's exactly the sort of enveloping, sophisticated material we’ve come to expect from a De Lichting member.

Straight deep space manoeuvres on the opener. Setting billowing widescreen pads against solid, tight groove, ‘2312’ feels as if it’s escaping the eye of some turbulent solar event. Then, landing with a sensitivity absent from the harsh climes of its predecessor, ‘BBsuite’ leaps from translunar to tenderness with dappled keys and lithe breakbeat intricacy. Saying that, there’s still something undeniably explorative and sc-fi in its mood, almost reminiscent of Orbital or Future Sound of London.

There’s more refined deepness on the flip, starting with ‘Silky’s supple, slinky flex. Forlorn, exquisitely widescreen ambient techno, it treads between the warm optimism of early Detroit modes and a certain somber melancholia. And finally, ‘Autechrein’ finds RDS smudging his palette on a dusty, downtempo overhaul of the after-hours formula. 
credits

releases November 12, 2022

https://kalaharioystercult.bandcamp.com/album/suite

Suite

pi pi pi premiere: RDS - BBsuite (Kalahari Oyster Cult)

@keptmale
@indexrecords

New INDEX:Records transmission comes courtesy of Texan vibist Gi Gi. Trodding his own path of introspective, nu-age-infused ambient scapes and trip-hop-laced downtempo divagations, Gi Gi eases us in a distinctively soothing headspace. A self-driven, immersive audio bubble engineering a polychromatic mix of organic field-recording, exotic dub shades, lushly textured envelopes and smooth loungey jazz accents.

“Pyxis Glint” shows off an ambiguously feverish ASMR-like temper with its tightly woven web of chimey Andean melody and straight out Rephlex-fashioned escapism.

Pre-order: indexrecords.bandcamp.com
Written & Produced by: Gi Gi
Mastered by: Marco @ Analog Cut
Artwork by: Amos Turner & Marutonkun
Words by: Baptiste Girou

Lamella Pressed

pi pi pi premiere: Gi Gi - Pyxis Glint (INDEX:011)

@mariiinmusic
@lapserecords

The second release on Lapse records welcomes UK Tech House mainstay Len Lewis, who’s extensive catalogue of club music stretches across the last few decades, along with newly appraised London based DJ and producer Mariiin. The split EP supports a four track selection of old and new head down club music touching different moods.

The B side spans a more contemporary 4x4 influenced thread of this style that circles closer to the outer rims of techno and acid. The Italian born producer joins the label with the “Snake Is Changing It’s Skin” and “Impasse” which continue fittingly to carve their signature sound, a style consistent in their early releases on the likes of BPR and EYA Records and across their DJ sets as Pleasure Club resident.

https://lapserecords.bandcamp.com/album/lapse002

Out November 10th 2022

LAPSE002

pi pi pi premiere: Mariiin - The Snake Is Changing Its Skin (LAPSE002)

Everything Merged Vol 2
(release Dec 2)

‘Everything Merged’ is 3024’s second series of compilations featuring artists from the 3024 Mentoring Program. At the beginning of the pandemic, label owner Martyn started forming a lively online community of artists, providing them with ideas and inspiration. This community grew larger and larger, and musicians started to connect both online and offline, across continents and genres. It resulted in the “It Was Always There” series of compilations in 2021, as well as countless independent releases, radio appearances and gigs, putting a host of artists on the map.

Working on the program made Martyn and partner Jeroen Erosie reconsider the purpose of running a record label in 2022. ‘Are we still interested in putting out records via the usual channels?’ Or should a label become more of an umbrella for various activities by a larger community, both online and IRL, with digital and physical products, in other words merge everything into one.

“Everything Merged vol. 2” features both artists debuting their first tracks on a label as well as mainstays of core local scenes like London, NYC, SF and Berlin. From the percussive mastery of Sister Zo, Arcane Prospect and Manchester's DR MYSTERY to the sly techno mutations of Kudeki, Clay Wilson and Pino Peña, this collection highlights the wide variety of sounds and influences inhibiting the current electronic scene. Especially check out the post-pando exuberance of uuklyph, Henry Kerins and Padua and the bass mutations of Dutch duo TMSV & Case, Kenji Ko, Ragdy and Rex the Bard! 

credits
released December 2, 2022

Everything Merged vol 2

CASE & TMSV - Superspeed (3024-MEN5)

Tristan Arp - Liquid

Tristan Arp - Shrink Wrap

SLINK007: Tristan Arp - The Self Elastic
Release Date: October 20, 2023

We are thrilled to welcome our dear friend Tristan Arp into the SLINK family with his latest EP, "The Self Elastic".

A shapeshifter across strains of biologic club environs and tender sculptural soundscapes, this project finds Tristan Arp testing the elasticity of his own sonic blueprint through an exploration of varicolored intensity, mischief, and evolution.

Inspired by the sci-fi writings of Octavia E. Butler’s Parable of the Sower and Bo-Young Kim’s “An Evolutionary Myth,” the fluidity of free jazz innovator Ornette Coleman, and a fascination with alchemy, these four tracks are designed for freak-time club rapture.

What would it sound like if one could alchemize a self that is beyond the sum of all our parts. Would it make a sound? Would it have a shape? Would it have a body?

Tristan Arp - Afterimaging

Journey Replan: "Journey At The End of the Brain" Remixes

01 Hexacomb — Cocktail Party Effect remix
02 Purple Leaf — Eszaid remix
03 Common Ground — Basic Rhythm remix
04 Purple Leaf — Low End Activist remix
05 Common Ground  — I700N remix
06 Skyline — Nothus remix
07 Urania — Eduardo remix
08 Ghosting — SDEM remix
09 Common Ground — Delikwe remix

"Journey Replan" breathes new life into Pushlock's LP from 2021, "Journey at The End of The Brain", featuring nine reinterpretations by an eclectic lineup of artists reimagining Pushlock's initial musical voyage. 
A genre-bending exploration that takes elements from the realms of drum and bass, bass music and abstract sonorities weaving them together into a mesmerizing tapestry of sound, inviting to get lost in a territory where sonic boundaries dissolve.

Pushlock — Journey Replan | XM005X

‘Lip Locked’ is an animated collaboration between Parris and Untold, is certified fast house compatible and comes stripped back to the classic raw elements of synth stab, vocal, sub bass and kick drum.
Early support by Ben UFO and Marie Montexier.

Pre-Order here:
https://oro005.bandcamp.com/album/lip-locked

Parris and Untold - Lip Locked

Forthcoming ORO
https://oro005.bandcamp.com/album/lip-locked

Artwork by Andrew Horn
Mastered at Precise

Just Look At The Rain (Clip)

Artist: Slave To Society
Title: Is There No Alternative
Track:  The Future That Never Arrived
Label: Scuderia
Catalogue: SR31

Slave To Society pays homage to the legendary cultural theorist and philosopher, Mark Fisher. Diving into some of the conceptual ideas of Fisher’s literature and philosophy, you'll feel like you're wandering through a post-apocalyptic landscape in the future with this hard hitting, haunting and atmospheric piece.
With ‘The Future That Never Arrived’ experience the paranoia and anxiety of the digital age with this gritty and dissonant track. Fisher's ideas about technology's impact on society come to life in a sonic onslaught. Out on the 6th of October available on vinyl and digital on Scuderia records.
 
Written by Andrew Bowen
Mastered by Luciano Lamanna
Artwork by A.I.
Produced by Scuderia, MMXXIII

IOD PREMIERE #026 // SLAVE TO SOCIETY  - THE FUTURE THAT NEVER ARRIVED

@tristanarp
@slinknyc

BC: https://tristanarp.bandcamp.com/album/the-self-elastic

A shapeshifter across strains of biologic club environs and tender sculptural soundscapes, this project finds Tristan Arp testing the elasticity of his own sonic blueprint through an exploration of varicolored intensity, mischief, and evolution.

Inspired by the sci-fi writings of Octavia E. Butler’s Parable of the Sower and Bo-Young Kim’s “An Evolutionary Myth,” the fluidity of free jazz innovator Ornette Coleman, and a fascination with alchemy, these four tracks are designed for freak-time club rapture.

What would it sound like if one could alchemize a self that is beyond the sum of all our parts. Would it make a sound? Would it have a shape? Would it have a body?

pi pi pi premiere: Tristan Arp - Polymer (SLINK)

Anna Homler and Steve Moshier - Ee Chê 

Pre-order from RVNG: http://smarturl.it/breadwoman-rvng
Pre-order from Bandcamp: http://smarturl.it/breadwoman-bcamp
Pre-order from iTunes: http://smarturl.it/breadwoman-itunes

From the album Breadwoman & Other Tales.

©2015 RVNG Intl. / www.igetrvng.com

Breadwoman and Other Tales

Anna Homler and Steve Moshier - Ee Chê

From the album Plaisirs Américains coming soon on Mind Records & Bethlehem XXX 2016

Video: https://www.youtube.com/watch?v=qZH3HZzCZoc

Du sexe pas trop cher sous les tropiques,
C'est vrai que vous êtes pathétique,
Sous leurs beaux corps exotique.

Le bel amour importé du Mexique...
C'est vrai que ça vous excite...
Les scandales politiques.

Ça pénètre, ça chauffe, ça gicle, j'ai la gueule en sang...
Je les salivent de mon rétroviseur.
Sodomites en décapotable.
Voulant toujours jouer à Cache-Ca$h...

J'aurai préféré prendre la fuite.,
Et ne pas y donner une suite,
Mais maintenant je suis addicte.

Certains aiment le sexe romantique...
Certains aux rituels chamaniques...
Mais j'préfère quand c'est chaotique...

Garçons déguisés en call-girl et qui pleurent papa...
Dans les grands restaurants où photographes.
Dévorant ces princesses osseuses...
Comme des cobayes sous cocaïne.

Complètement pété sous narcotiques,
Le trou de balle rempli de beau fric,
Baisez-moi bande de sadiques.

Sous mes comportements hystériques,
Bipolaires et alcooliques,
Se cache un grand romantique!

Contretemps en devinette, constellé d'une mort...
Même les honneurs sont des châtiments.
Entre les jambes de ce jeune puceau vous chantez: 
"Money Is Wonderful!".

Diversité de valeurs, d'intérêts et d'opinions.
Je remets ma culotte souillée par ses mains gantés.
C'est honorer la corruption qui nous honore.
Jouiessements glacés sur mon cul fané.

Nous sommes les garçons pourrissant au soleil...




Boys' Trottoir

An exclusive @ivdb track, taken from @modern-obscure-music's upcoming 'Ritual Rhythms' compilation

Release Date:
February 24, 2016

Ivy Barkakati - "Mango Sheen"

Artist: @galtier
Catalogue Number: IM079
Album: Dancing On Ruins
Release Date: July 31st, 2020
Format: Digital
Artwork by @benfikaa
Mastered by Kamil Sarcowicz

Making his return to the Infinite Machine catalog is Nostro Hood System boss Galtier with his 3 track EP ‘Dancing On Ruins’; a relentless slug of driving percussion and discordant atmospheres. Taking quite a step from his 2018 ‘Terran’ EP released on IM, Galtier abandons the hopeful, up-lifting, sometimes euphoric mood that has characterized much of his sound for the last few years and flexes his ability to handle anxious, hard-hitting techno-influenced material – a healthy departure from the purposeful, existential theme evident in earlier works.

‘Dancing On Ruins’ is characterized by its dusty, weather-beaten sound palette, as if such music was created and played in a desolate, lifeless world to provide solitude for the stoic beings that reside there. It is fast and aggressive, utilising techno-esque sonics as its base, yet it avoids being scary or oppressive or too stereotypical in nature.
‘
Scuffed Souls’ leads into the chaos with the pounding force of its 909 kick that thumps over the ever-evolving, fundamentally gothic sequence of melody. It is menacing and daunting to say the least, and gets straight to the point. Rhythmically it is reminiscent of classic rave-inclined techno but draws for quick transitions evident in contemporary club music. Crisp, pointed hi hats play gracefully amongst the angry soundscape and are quickly scared off by the growling Moog bassline that rumbles in to occupy the decrescendo.

The rhythm is broken and far more syncopated on ‘Precious Quartz (To Reave), which likewise increases in BPM from 140 to 148. Being the most stripped back, percussively oriented track on the whole release, Galtier flexes his capacity to execute myriad shifts in rhythm and pace as the majority of the track chugs along, the vessel made up of a its short but monstrous kick, sharp hi hat slashes, restrained 909 rides and a mutated bell call – warning others of its approach.

Finally the namesake of the EP, ‘Dancing On Ruins’, takes place, leaving the zenith of the release’s unnerving energy for last. Galtier combines elements of UK Techno rhythm with loose UK Funky instrumentation and meshes the two and speeds things up significantly. Though the rhythm returns to a more pulsing, simply structured state, the hollow lead is pulverising and raw throughout the whole track. This, accompanied by the blistering 150 BPM tempo, makes it a vicious, restless beast.

Tracklist:

1. Scuffed Souls
2. Precious Quartz (To Reave)
3. Dancing On Ruins

Dancing On Ruins

Galtier - Dancing On Ruins (IM079)

https://soundcloud.com/avernianofc

Joining the NHS team is Manchester’s own Avernian, whose presence amongst many other contemporary electronic music producers has shone brightly through a slew of releases on Daniel Haaksman’s Man Recordings, Scuffed Records, Row & Circular Jaw; a refined synergy of worldly instrumentation and modern mechanical sounds characterized by oblique rhythm structures defines his works. His foray into the NHS realm comes in the form of ‘Ripper’ – a battle-ready EP that encompasses the stages of conflict through rolling drum work and thunderous atmospheres.

We are called into battle with the title track ‘Ripper’ whose namesake suggests a sense of tearing and viciousness. Commencing with the ominous gong that swims through the emptiness at the beginning of the piece, we are immediately crushed by the monstrous kick drum sequence that dominates the mix of delicate distortion on the hats and mid frequency African percussion guiding it forward.

Following on is ‘Tornado’ taking a much more-fuller, bolder approach to the quality of the soundscape. Still carrying the same focus on rhythm primarily, Tornado chugs along as the 4x4 kick pattern carries the polyrhythmic force into the eye of the storm. Double time tabla keep the furious pace spinning around the outside of the intricate structure of this anarchic clash personified.

Taking the relentlessness of Tornado, Glacial Industries affiliate ELLLL expels the track into the nothingness of space with an exercise in low-end mastery. A distinct lack of high-end sounds, complex, rumbling sub bass hooks and its hammering rhythm help create the haunting mood on her reinterpretation of Tornado, an ideal soundtrack to the aftermath of the devastating storm.

Our last stand is not one that we take on alone; Avernian is joined by Cressida on ‘Canary’. Breathy risers maximise the forcefulness of the rhythmic madness on Canary. Rough, distorted smashes and crashes, much like that of the metal of swords and shields engaged in conflict, maintain the constant energy of the ensuing struggle. A powerful conclusion to the EP, though the war carries on. 

Artwork by Benfika
Mastering by Doug Shearer

Ripper - EP

Buy EP

Avernian - Tornado

mix series and label by @deep_creep

Q&A's on ----> pipipi.life <------

label ~ https://pi-pi-pi.bandcamp.com

say it with me...
pi pi pi = (pie pie pie)