Bruce & Eris FM - The Fool In Reverse

from APPX:16 Eternal Game by @teleself

Releases: Feb 6th 2025

Credits:
Written and produced by Jordan Nason
Mastered by Ike Zwanikken
Artwork by Amos Turner

Eternal Game

enigmadub

Buy Digis & Lathe Cuts

Teleself - enigmadub [APPX:16]

traverse is proud to announce the release of its first record - a compilation of six tracks from various artists, inspired by Pembroke King’s poem moving silhouettes, written for this occasion.

As the fourth volume of the compilation series “traversée”, moving silhouettes encourages artists to explore all corners of listening music and creative avenues that aren’t tied to any one convention. 

Pembroke King’s poem sheds light on the mood of the compilation, and even though each artist brings its own interpretation of it, there is a beautiful harmony of it all - from Kate Miller’s atmospheric sounds to Teqmun’s drums-made-of-rain-drop-recordings or Ghjuliú’s nostalgic melodies, the listener travels around Pembroke’s words with each track. 

As our first physical release, we feel honoured to collaborate with artists who have been involved in a way or another on traverse before such as Officium, Mika Oki and Alohn, but Kate Miller, Teqmun, and Ghjuliú, that we’ve been keeping close to our heart for a long time already. 

artwork: Gabriel Sauvageot 
tracks produced and mixed by (in order of appearance): Alexis Tytelman, Tijmen Blokzijl, Alban Mercier and Yolek, Kate Miller, Ghjuliú, Mika Oki
mastered & cut: Marco Pellegrini at Analogcut
digital master: Umvral
distribution: Kuroneko

Preorder

Kate Miller - Fenced Fringes (snippet)

XENIA REAPER returns to INDEX:Records with ‘Gambling’ – a requiem to noughties trance-euphoria, with a contemporary ambient twist. A collection of nine deep, emotionally-explosive tracks that wrench your heart, as much as your gut.

Exclusive to this edition is a made-to-order transparent 12” LP lathe, cut by Disc Archive in Berlin – super limited though, so get your pre-order in ASAP if you’d like a piece.

Written & Produced by XENIA REAPER
Mastered by Ike Zwanikken
Artwork by Lucas Dupuy

XENIA REAPER – Gambling (previews) [INDEX019]

Appendix.files introduces Lint. with the release of their debut single No Time for Distance, a lush and disorienting collage of decaying textures and rhythmic detritus, out on May 2nd.

Pre-order: https://appendixfiles.bandcamp.com/album/appx-lint01-no-time-for-distance
More: www.orbmag.com/music

@appendixfiles
@kingsofty
@genus-aix

Listen more

Premiere: Lint. - No Time for Distance (Genus Aix Remix)

@axine-m
@ann0000

https://anno2.bandcamp.com/album/bored-giant-engine-sputter

pi premiere: Axine M - Rectilinear Monster [anno]

Circling the Whuhula
by Suzana Benesova and X Ariaz

Tales of Our Inner Kingdoms Episode 1
A concept series imagined by Random_Kingdom

In the hush of night, when the veil between past and present thins, stories emerge—not as linear truths, but as echoes, fragments, whispering their way back into form. 

Tales of Our Inner Kingdoms is a seven-episode sonic odyssey. Each episode unfolds the journey of a soul— distant from its own life. Across an hour of intimate narration, memory and imagination blur, listeners are pulled into a world where voices, field recordings, music, and poetry entwine. This is storytelling as invocation—an act of deep listening, a way to feel the weight of lives that came before.

At the heart of this project is a practice of trust. Each episode is based on the channeling work of Clemmie Wonder, an intersectional witch, whose ability to navigate and guide participants through past lives offers the foundation for these tales. Through her divination, a past life is revealed —an imprint left in time, resurfacing through sound. Clemmie’s practice offers guidance for the mind and the spirit, and the co-created articulations springing from it aim not at the reclamation of empirical fact or documentary making. Rather, they aim at divining, through the mystical and the subliminal, different paradigms for reflection on the interwoven connections between artificially bordered concepts of self, world, space, and time. A listening experience: where the boundary between past and present dissolves like melting snow, inviting the audience to step into a dimension where sound becomes memory, and memory, myth.

In episode one, Circling The Whuhula: A Return to Origin, X ARIAZ (poet, myth-maker, ritual performer) and Suzana Benesova (sound curator) return through Clemmie’s guidance to Suzana’s past life in prehistoric time and the deep kinship her soul and her tribe in that life experienced with the Wholly Rhino or Whuhula. Playing with the concept of an intuitive creation process, X and Suzana, working together, translate the unfolded narrative into a lyrical script with a one-hour composition, giving interpretive voice to this echo through time.

Credits

Clemmie Wonder (@intersectionnal_witch) — Energy Worker, Somatic Practitioner 
Naomi Cassim (@naomi_bbt_) — Concept & Experience Designer, Artistic Director, Curator 
Suzana Benesova (@suzanabenesova) — Sound sculptor & Sound curator
X Ariaz (@and.xtina) — Poet, Myth-maker & Ritual Performer
Random_Kingdom (@random.kingdom.rk) — Artistic playground and international platform
Awarded by Perspektive Visual Art 2024 
+300 creatives members based in Europe
Laia Flynn (@laiaflynn) Photographer, Graphic Designer 
Francesco D'Ostuni (@fresko_ink) Lettering Designer
Rhys Shurrey (@derrhysie) — Editor, Storyteller, Writer
Mattia Onori (@hrnrmusic / @mel.studio.berlin) — Mastering

Artists & Works Featured in This Mix
Suzana Benesova (@suzanabenesova) — Sound curation, X Ariaz (@and.xtina) — Poetry & voice, Amber Jae (@musaelektrika) — Voice

Music by
Perila (@_perila), Koenraad Ecker (@koenraadecker), Jacob Kirkegaard 
(@kirkegaardjacob), Philip Jeck, Loek Frey (@loekfrey), Chantal Michelle (@chantalmichelle), Caterina Gobbi (@sixzeroeighteightone), John Eckhardt (@basswald), Mathieu Bonnafous (@mathieu_bonnafous), Laboratorio Palestro (@laboratoriopalestro), Bjarki (@bjarkore), Benjamin Nelson (@slowsmallsounds), María Vélez Gallo (@mariavelezgallo)
Field recordings by Nina Pixel (@ninnpix) and Suzana Benesova (Iceland, Summer 2024) 

Contact Press 
Community@randomkingdom.eu 
Download Press kit > https://linktr.ee/randomkingdom

© 2025 Random_Kingdom. All rights reserved. randomkingdom.eu

Circling the Whuhula

CCL launches their subglow label with Rebuild, an EP from Bristol club provocateur @georg-i, featuring remixes from @Metrist and the elusive B. McQueen.

Rebuild is influenced by math rock's feverish and cataclysmic energy, eschewing conventional club BPMs in favour of dizzying tempo trickery and polymetric wizardry. “Torn In Two” gets off to a slow, chugging start, with raucous synths riffing over emphatic drums, but soon swirls into a juddering, pointillistic frenzy. “Bridging The Gap” is a cathartic shout, an acidic crescendo whose triplet meter offers tempo-transitioning opportunities for adventurous DJs who don’t mind a bit of maths. “Communication” gallops along cathartically through ricocheting synths and drums, unfolding into a thrilling breakdown. On remix duties, B. McQueen re-imagines “Torn In Two” as a sultry, dubbed-out roller, charting groove across a heady plain, while Metrist’s ambitious rework of “Communication” amps up the tension and primes it for a peak-time dancefloor sometime in the next millennium.

Rebuild

Buy now

[subgl01] georg-i - Rebuild

A freebie track filled with culturally appropriated goodness.

Bad Man Sound

prod. by - https://www.instagram.com/nai.sivex/

- IF IT BLEEDS, IT DIES QUICKER //prod. sivex

satanwave - From Suicide

mix series and label by @deep_creep

Q&A's on ----> pipipi.life <------

label ~ https://pi-pi-pi.bandcamp.com

say it with me...
pi pi pi = (pie pie pie)