Swiss DJ & Producer 🇨🇭

IG : @lansneversleep 
Contact : lannssmusic.contact@gmail.com

Producer | Label Boss | Kaluki Musik

🌎francesco@tomomanagement.com
🇬🇧joshua@lgrp.co
🇮🇹grillo@beatoflife.it
🇳🇱sherif@peoplesagency.com
🇪🇺diego@oasis-bookings.com

-Tech house/minimal and organ house producer

ZEDEFF is an independent house music producer aged 17. He has worked his way through music from performing to producing. He has a small fan base however he is expected to be the "Next big thing" in the EDM world. Follow him and his journey through his socials:

SANA MUSIC MGMT: Your Music Partner
info@sanamusicgroup.com

ROSTER & SERVICES
www.sanamusicgroup.com

Contact us via mail for any kind of collaboration or topline request

𝐃𝐉 & 𝐏𝐑𝐎𝐃𝐔𝐂𝐄𝐑
Never Stop What Moves Your Soul 💎

𝐖𝐎𝐑𝐋𝐃𝐖𝐈𝐃𝐄 𝐁𝐎𝐎𝐊𝐈𝐍𝐆𝐒:
fran@b4bookings.net

Miane has established herself as one of the most solid names in international electronic music, forging her own sound and unparalleled versatility. Her talent has led her to release on prestigious labels such as Hot Creations, Black Book, Saved, DFTD, Repopulate Mars, and Knee Deep in Sound, earning the support of heavyweights from the scene like Jamie Jones, Chris Lake, Nic Fanciulli, Lee Foss, and Carl Cox. 
Additionally, she has worked as a remixer for renowned artists such as Hot Since 82 and Gorgon City, and the success of her own tracks like “Who Are You,” remixed by Chris Lake himself, which has already accumulated tens of millions of streams.

Thanks to the quality of her productions, her influences from soul and R&B, and her unique mixing style, Miane has been part of legendary parties such as Paradise, Black Book, and Elrow, and has performed at top-tier festivals like Coachella (Indio), Movement (Detroit), EDC (Las Vegas), Dreambeach (Spain), and Mysteryland (Amsterdam), among many others.

Her world tours have also taken her to perform at iconic clubs such as Ushuaïa (Ibiza), Amnesia (Ibiza), Hï (Ibiza), Pacha (Barcelona), Printworks (London), Brooklyn Mirage (Brooklyn, NY), and Marquee (Las Vegas). 
With each new step, Miane reaffirms her unstoppable evolution and rightfully rises as an essential figure in the global electronic scene.

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation. 

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night. 

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize. 

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday. 

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself. 

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs. 


DARIUS SYROSSIAN  (MOXY MUZIK)
TO BOOK > luke@nge-booking.com 
UK & Spain & Rest of World
———————
Management + Remix Enquires
Shino > Shino@motionartistmusic.com
———————
Italy Bookings
Grillo@beatoflife.it
———————

OUT NOW
Alan Fitzpatrick - Don't Stop [APX031]
orcd.co/apx031

Tour Dates & Music: https://alanfitzpatrick.komi.io

Labels
@wearethebraveofficial
@apexfaction

Management - Electric Ibiza 
Neil Evans 
neil@electricibiza.com
Lisa Barraclough
lisa@electricibiza.com

WATB/Apex Label Manager
Graham Sahara
graham.sahara@electricibiza.com

Socials - Tom Aves
digital@avesie.com
 
Bookings - UK, Europe, Asia & ROW
NGE Bookings
will@nge-booking.com

Bookings - North & South America
Emma Hoser
Liaison Artists
emma@liaisonartists.com

A man who needs little introduction, Southampton born techno legend Alan Fitzpatrick has spent the last decade carving out his musical niche and holding rank in the upper echelons of the underground electronic world. Few artists can claim to have headlined Berghain and also had a hit on daytime BBC Radio 1, but then there aren’t many artists like Alan Fitzpatrick. 

One of the most popular techno DJs in the world, he has rubbed shoulders with the likes of Carl Cox and Adam Beyer for the best part of a decade, performing at the world’s biggest clubs and festivals. Known primarily for his raw hard-edged sound, Alan has developed into one of dance music’s most versatile producers, equally at home putting out techno bangers on Drumcode as he is making disco-infused house anthems, or experimental electronica under his 3STRANGE alias, not to mention his impressive range of collaborations (including CamelPhat, Skream, Sasha, Rebūke and Jamie Jones). 

The We Are The Brave and Apex Faction label don adopts a no nonsense approach to A&R and in 5 short years Alan has welcomed some of Techno’s finest producers to his fold. The Englishman champions the musical output of both established artists and breakthrough alike, accumulating over 50 million Spotify Streams on We Are The Brave records since its inception in 2016. Fast-forward to 2021 and the southern powerhouse shows no sign of slowing down, his passion for music permeating all aspects of his career. The WATB frontman is renowned for curating an evening of exceptional magnitude, having already showcased his roster’s talent at The Warehouse Project, Shine Belfast, SWG3 Glasgow and the infamous Fabric nightclub in London.

In December 2018, Darius Syrossian Launches MOXY MUZIK

a new Vinyl & Digital record label 

“reaching any top 10 chart doesn’t interest me nor is it the purpose of this label,
I feel there is a big shift at the moment with too much generic tech house being put out on the market,Too much music is sounding the same & there seems to be a distinct lack of Depth in music aimed at the Dance floor, i want to show with this label that underground music can still be for the dance floor, it doesnt have to be Generic.

This is the answer Darius gave in recent interview when asked why is he starting Moxy Muzik

* THE MOXY MUZIK LABEL

Moxy Muzik will have Bespoke hand drawn art for each Vinyl release & Darius has been working with renounced artist Charlotte Archer making sure each release has individual art.

The first few releases feature artists such as

Phil Weeks / 
East End Dubs / 
Man Power / 
Doc Martin / 
Dense & Pika / 
Christian Burkhardt /
Tommy Vicari Jnr /
Ray Mono / 
Shaf Huse / 
Seb Zito /
& ofcourse Darius himself

These artists have been carefully hand picked & the purpose of the label is to bring quality House & Techno that is aimed at the Dance floor, Music that can be heard in 10 or 15 years & still be enjoyed rather than music that is aimed at reaching a top 10 chart of a current fad, as Darius explains

The first release on the label is the EP ‘Dance of the Shaman’ by Darius Himself
a Hypnotic track that has an unorthodox method of using an organ as the main baseline, it’s a turbo charged left field house cut with rubbery bass running alongside slick driving drums. The infectious groove is full of late night soul and chords stabs & is littered with plenty of human emotions.

There are 3 remixes with Me Me Me label boss Man Power delivers a 13 min remix that has all the ingredients of becoming timeless classic for those that like quality deep house music that uses chords and keys to deliver a lush remix that would easily be one of the main tracks had this been on someones artist album. The legendary Doc Martin then strips things back further and layers in some steamy female vocals to his remix and East End Dubz delivers a remix that will have all the fans of the Romanian Techno sound frothing at the mouth.

MOXY MUZIK is a sol project while Darius still continues DONOTSLEEP with the rest of the DNS team
DONOTSLEEP had another huge Ibiza summer this time at Amnesia, a party that saw Darius play alongside artists such as 

Robert Hood /
Floorplan / 
Martin Buttrich / 
Guti / 
Josh Wink / 
Cassy / 
Charlotte De Witte / 
Luigi Madonna /
Mella Dee /
Fabe /
& a host of other quality underground artists


* THE MOXY MUZIK RESIDENCY

So as the Label is launched, Darius is doing a series of parties across the uk & abroad to coincide with the Launch of the label, 
these are ALL going to be all night long or 6 hour sets, and to be ONLY held in CLUBS. as well as starting a Monthly residency at Joshua Brooks in Manchester.
the purpose of this is to take ‘CLUBBING BACK TO CLUBS’ and at the same time, play long extended sets

Having agreed to play a 6hr set at Joshua Brooks Manchester in June, the event sold out in under 24 hours off the back of Darius tweeting a ticket link, before any artwork or even an event page was created, such was demand their was another date added the following week which also sold out
The atmosphere was electric & this led Darius to plan on a residency in 2019

Clips from the party > 
https://www.youtube.com/watch?v=eAnp69S0cJU

So 2019 is the year Darius takes things back to basics, sure he will be doing the big festival shows & continue the DO NOT SLEEP residency all over the world, which includes North, South America tours, as well as Asia / Asutralia & all over Europe

for more info vist 

www.instagram.com/moxymuzik
www.facebook.com/moxymuzik
www.twitter.com/moxy_muzik

Manchester Based Electronic Music Label

luftkussrecords@gmail.com

Pirate Copy is following