Niou

Buy on iTunes: http://bit.ly/LordSteppington
Buy on CD/Vinyl: http://bitly.com/Steppington_FE
Watch the video: http://bit.ly/StepMasters_Vid

rhymesayers.com/stepbrothers
twitter.com/alchemist
twitter.com/evidence
#StepMasters

Step Brothers - Step Masters

SS4 by Domo Genesis, Produced by Erick Arc Elliott

'Good Times' is Jeremiah Jae's second mixtape since signing with @warp-records, taking inspiration and its title from the '70s TV sitcom set in a Chicago housing project. Download it free from <a href="http://www.datpiff.com/Jeremiah-Jae-Good-Times-mixtape.605534.html" target="_blank">DatPiff</a>.

The mixtape features Black Jungle Squad regulars Oliver the 2nd, Tre, Isreal and additional production contributions from Lord Raja and Stones Throw artists Jonwayne and Knxwledge.

Good Times follows Jeremiah Jae’s Bad Jokes mixtape, also available on <a href="http://www.datpiff.com/Jeremiah-Jae-Bad-Jokes-mixtape.512844.html" target="_blank">DatPiff</a>, and <a href="http://warp.net/records/jeremiah-jae/dirty-collections-vol-3-out-now" target="_blank">Dirty Collections 7"</a> series released at the end of last year.

<a href="https://www.facebook.com/pages/Jeremiah-Jae/111580498919269" target="_blank">Jeremiah Jae Facebook</a> / <a href="https://twitter.com/Jeremiahjae" target="_blank">Jeremiah Jae Twitter</a>

Download

Get Mine Feat. F.A.B.L.E

"No Type" is from Rae Sremmurd's debut album #SremmLife, out now via Ear Drummer Records/Interscope .

Buy #SremmLife on iTunes: http://smarturl.it/SremmLife

Twitter: https://twitter.com/raesremmurd
Instagram: http://instagram.com/RaeSremmurd/
Facebook: https://www.facebook.com/RaeSremmurd



Rae Sremmurd - "No Type" [Prod. By Mike WiLL Made-It & Swae Lee of Rae Sremmurd]

note from https://soundcloud.com/moonbounce: "I wrote this song to celebrate my lady’s body and worship carnal desire. It’s my raunchiest song to date, but also the purest. I didn’t attempt to tackle any complex emotional themes, I just wanted to praise my woman!" 

note from ryan: "shouts to my dood noah breakfast for putting me onto moon bounce. MB is such a strong example of what i've been seeing as the next evolution of the producer -- morphing into the singer-songwriter. it's really all coming full circle. these are kids who grew up learning guitar, drums, and then naturally just relying on computers. but that cycle is coming back around again. the producer - not even the *DJ* now - but the sitting-in-their-mom's-basement producer is comfortable being the frontman; singing, writing real songs about real things. moon bounce is like a secret weapon within this new movement, but he probably won't be secret for much longer."

https://twitter.com/moonbounce_

artwork: Anjela Freyja
http://anjelafreyja.com/

shh016: Moon Bounce - Body

Free Download → https://luckyme.net/advent

Since 2009 we have hosted an annual Advent Calendar- a daily release of rarities, alternate versions, and brand new exclusives that span the sound of the LuckyMe family. We ask that if you enjoy the music you use the site to donate to the charity linked in the site. These songs stay archived and absolutely free at • https://luckyme.net/advent

Love from LuckyMe

FREE DL

Lunice ft CJ Flemings - Weather Man

Taken from 'Sour Soul', the new album by BADBADNOTGOOD & Ghostface Killah.

Released February 24th US & CA / February 23rd UK on Lex Records & Eone Music (Canada)
http://smarturl.it/GhostfaceKillah2015
https://badbadnotgood.com
https://www.facebook.com/GhostfaceKillahOfficial
http://lexrecords.com
https://www.eonemusic.ca

Sour Soul

Ray Gun (feat. MF DOOM)

Pre-Order 'Sour Soul'

“Satin Black” is the first single off of the third Converse CONS compilation, CONS EP Vol. 3, with three more tracks being released throughout Spring 2015. The song was written by Hanni El Khatib and Freddie Gibbs, with Khatib handling production as well. 

Produced by: Hanni El Khatib
Music by: Hanni El Khatib
Lyrics by: Hanni El Khatib and Freddie Gibbs
Vocals by: Hanni El Khatib and Freddie Gibbs

Hanni El Khatib x Freddie Gibbs – “Satin Black”

'Imago' is an aural, visual and soulful blend of organic innovation with sonic virtuosity that will entwine the listener to their innermost primordial vibrations. This EP is available both digitally and on 7" opaque cream vinyl, plus features production from elite beat makers Elaquent, Black Cat, Phat Tony, and Quasar, with a special guest appearance from Tona. The record jacket features artisan photography by Celine Saki and avant-garde original artwork directed by Jesse Read, George Kish and Radek Drutis, who has collaborated with Stones Throw, Eglo, Digitalis, and All City Records.

'Imago' is an unmistakeable exposition of the evolution Deez has undergone to reach the final stage of his musical self-actualization. From rapping, to singing, to playing keys, then back to rapping and beat making, Korry displays his artistic growth and how comfortable he has become in all facets of composition.

04 Chrysalis (produced by Elaquent)

sweatshirt, budgie, & samiyam : quest/power

from the upcoming album "The Night Took Us In Like Family"
Pre-Order (4/21): https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

Premeired @ Pigeons & Planes: http://pigeonsandplanes.com/2015/03/premiere-lorange-jeremiah-jae-taken-by-the-night/

About the Album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family."

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping.

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus.  A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap.

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic.

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed. 



L'Orange & Jeremiah Jae - Taken By The Night

Ol' Dirty Bastard Jr.  - Turn Up feat. Ziplok - Ol' Dirty Bastard Jr.

Nasty

Mac Miller - Days

produced by L'Orange
vocals by Jeremiah Jae
guest vocals by Gift of Gab

The Night Took Us In Like Family
https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

About the album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family." 

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping. 

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus. A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap. 

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic. 

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed.

L'Orange & Jeremiah Jae - All I Need (feat. Gift Of Gab)

I want you guys to see and understand where Doms & I come from. Even though I'm in Brooklyn and Domo is from Cali, we have many similarities being the artists we are and the situations we've been through - A La $ole

Follow A La on Twitter: https://twitter.com/alasole_
Follow A La on Instagram: https://instagram.com/aaronrose_ 

A La $ole  - "Where I'm From" ft. Domo Genesis(Prod. by Jordan Granados)

First LP from Superior Productions. Vinyl coming soon!



Superior - Entire Empire Feat. Declaime

Connect:

http://Facebook.com/RotimiMusic
http://Instagram.com/RotimiMusic
http://Twitter.com/Rotimi
http://Youtube.com/RotimiTV 

Rotimi - Lotto ft. 50 Cent

3x Grammy Award Winner Jack Splash laces production for legendary West Coast mc Ras Kass on "Jesus Press Mute."  From the upcoming group album Semi Hendrix (Ras Kass & Jack Splash) "Breakfast At Banksy's" - out 10/16 on Mello Music Group http://geni.us/1QU2

vocals by Ras Kass
produced by  Jack Splash

photo by Jeremy Deputat

Semi Hendrix (Ras Kass & Jack Splash) - Jesus Pressed Mute

"WOAH" is a collaboration between Brodinski & @shy-glizzy and the latest in @yourstrulysf & adidas originals' #songsfromscratch series.

Witness the making of this and other #songsfromscratch by Fetty Wap, Baauer, Tinashe, Shlohmo, Chance the Rapper, Nosaj Thing, GoldLink and more at www.songsfromscrat.ch.

www.twitter.com/Brodinski
www.twitter.com/ShyGlizzy

Artwork by Hassan Rahim

Niou

Pitooo