Kush Manzada: The Cult Trio That Never Left the Basement — Even When the Equipment Got Better

In a landscape where producers often chase trends, polish out the grit, or disappear into the algorithm, Kush Manzada stands as a rare, unwavering force. Formed in 2003 between Montréal and Toronto, the trio has spent over two decades crafting raw, cinematic hip hop that refuses to play by the rules — while still knowing every one of them inside out.

The group — Ty Berryman (T-Pep), Bjorn Sharemore (Pyo Deece), and David Zel (Zelly Zel) — started on bootlegged software and borrowed gear, building beats in cold apartments and late-night jam sessions. What could’ve been a phase became a lifelong pact: to honor the soul of hip hop while stretching its form.

Their music balances on a tightrope between dirty vinyl sampling and cutting-edge tech, lacing live instrumentation with grimy, boom-bap aesthetics, and a kind of emotional depth that feels almost too honest for the internet age.

“There’s a whole generation of producers trying to sound like the future,” one listener says. “Kush Manzada sounds like the future snuck into a back alley and found an old tape deck still spitting fire.”

They don’t post often. They don’t market much. But when a Kush Manzada track drops, heads nod, producers listen, and hip hop purists take notes.

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I’m a down to earth rapper just out here trying to tell my story in Beat because that is the language we truly speak,the intuitive expressionism, we may or may be able to allow people to comprehend. 🎵

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