Just a random guy that does low-quality lo-fi type music. Give it a listen and let me know what you think!

I make strvnge sounds 

All tracks are available for free download!

Make Your Music More Attractive for Listeners and Labels.

Our advantages:
- Professionally designed studio,
- Qualified Specialists,
- Work with All Genres,
- No Presets or Automatic Mastering,
- Only Real Engineering Processes and Individual Approaches to Each Track,
- Certified by iTunes (MFiT).

Our work is supported and played by Pete Tong, Joris Voorn, ARTBAT, Guy J, Eelke Kleijn, Wally Lopez, Stan Kolev, Erick Morillo, Nora En Pure, Chicane, Donatello, Amber Long, Basil O'Glue, Lonya, Solid Stone, and many more.


Contact via: 
Email: analogmastersagency@gmail.com
Facebook: m.me/analog.masters.agency
Instagram: https://www.instagram.com/analogmastersagency/ 
Or DM in Soundcloud.


Our Services and Prices:
Standard Mastering - 40€
STEM-Mastering - 100€
Mixing vocal tracks with instrumental + Mastering - 150€
Full Mixing + Mastering - 200€


We Use:
AD/DA:
- Apogee AD 16 X
- Apogee DA 16 X
- Apogee Symphony 64
SUMMING:
- Phoenix Audio Nicerizer mk2
EQ:
- Tonelux Equalux EQ
- Vermona E2010
TUBE AND TAPE SATURATION:
- Rupert Neve Designs Portico 5042
- SPL Vitalizer MK2T
DYNAMIC:
- Pendulum pl2
- Elysia Xpressor
- DBX 160A

Experimental Sound Idealist. As Ideas go, for some, they can prove difficult to come by. My approach to creating different sounds and mood ...along with varying tempo and pitch - comes from a vocal grasp of the experiences that are imperfect at first - to simply confine a rapid impulse that does not allow  for the time required in the organization of these impulses - as they escape as quickly as they appear! So...as rudimentary and flawed these drafts tend to be...  It is the MOMENTUM that is of great value to me , it is repeatedly LOST when I attempt to use conventional methods - such as writing the score for their accurate reflection of the sound on pulp or trying to convey this raw urge to another.  In twenty years of learning this technique, it has really allowed for the creative aspect to become reasonably fruitful - by isolating this raw flow as a form of notation to be drawn upon in the future. It now gives a sense of satisfaction that my fleeting ideas of the recent past... are easily referenced. It also leaves frustration and uneasiness behind and allows for clear focus when these experimental sounds are ready for refinement and purposeful inclusion.

Pixels Over Jupiter is following