As an emerging visual artist working in sculpture, multimedia and assemblage using repurposed materials. Living with Disability from an acquired brain injury and mental illness, my art practice is both my voice and my mindfulness. 

I am committed to daily art practice and work out of River Studios within the City of Melbourne.   

My life is enriched by my assistance dogs, Bella, Penny and Frida.

Wanderer, writer and artist. Researching media art at Center for Visual Studies.

"New York's queen of avant-garde piano"
www.patreon.com/lisamoorepiano
Lisa Moore’s playing has been singled out by The New York Times for its “life and freshness” and “fragility and tenderness”. Her performances combine music and theatre with expressive and emotional power – whether in the delivery of the simplest song, a solo recital, or a fiendish chamber score. Described as ‘the wonderfully lyrical pianist’ in TimeOut New York and ‘visionary’ in the The New Yorker,  Pitchfork claims “she’s the best kind of contemporary classical musician, one so fearsomely game that she inspires composers to offer her their most wildly unplayable ideas”.
This multi-faceted pianist and avid collaborator won the silver medal in the 1981 Carnegie Hall International American Music Competition. Based in New York City since 1985, she has released 10 solo discs, ranging from Leoš Janáček to Philip Glass, and more than thirty collaborative discs (on labels: Cantaloupe, Tall Poppies, Orange Mountain, Irreverence Group Music, Bandcamp, Sony, Nonesuch, DG, BMG, New World, ABC Classics, Albany, New Albion, Starkland, Harmonia Mundi). Her 2016 disc The Stone People – featuring the music of John Luther Adams, Martin Bresnick, Missy Mazzoli, Kate Moore, Frederic Rzewski, and Julia Wolfe – was selected by The New York Times Top Classical Albums 2016 and Naxos Critics’ Choice 2017. Moore’s recording of Ishi’s Song by Martin Bresnick (Stone People CD) was ranked no.4 in the 2020 Naxos Best of Indie Classical. Her 2015 collaborative Steve Reich Music for Eighteen Musicians with Ensemble Signal made The New York Times Top Classical Albums list. Gramophone writes of her solo 2015 Mad Rush Philip Glass disc “what becomes abundantly clear from listening to almost any bar on this recording is Moore’s highly developed, intuitive and nuanced approach to this music, one which has been allowed to evolve and refine over a number of years”. 
Lisa was the founding pianist for the Bang On A Can All-Stars from 1992-2008 and, with them, the winner of Musical America’s 2005 Ensemble of the Year award. Given a special passion for the music of our time she has worked with over 200 composers – including Iannis Xenakis, Elliot Carter, Philip Glass, Steve Reich,Meredith Monk, Frederic Rzewski, Ornette Coleman, Jonny Greenwood, David Lang, Don Byron, Martin Bresnick, Elena Kats-Chernin, Paul Grabowski, Kate Neal, Thurston Moore, Missy Mazzoli, Hannah Lash, and Julia Wolfe.

Composer and Extraordinary Gentleman, but likes wine and fine meats.  

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