Ya me di al poder que a mi destino rige.
No me agarro ya de nada, para asi no tener nada que defender.
No tengo pensiamentos, para asi poder ver.
No temo ya a nada, para asi poder acordarme de mi.
Sereno y desprendido,
Me dejara el Aguila pasar à la libertad.
CAstaneda Le don de l'aigle
La passion selon st Jean.. Gardiner

LOs NUOvos VIdentes

Oddity

Lamentations pour J

Lamentation 5

Trabajo realizado con un cruce entre la impronta vanguardista de la musica concreta y electroacustica con tecnicas de digitalizacion de muestras analogicas y sintesis granular.
año 2022.

Suite Industrial Acusmatica

COMPOSER'S SUFFERING

Fly To The Sun

Kali Yuga

🔜↔🌎⁂©All Rights Reserved 11-2024
©Lyricist & Creator: Lady ElectroTrek 
***
TITLE: SUBTLE RECONDITIONING
_________________________________________________________
LYRICS:
VS1) Woke up with that feeling that things are being somewhat rigged for a bigger reason. Really? What's to come?
VS2) When you start to see people are more fake inside than out in a day of digital haze; it's got me feeling it's more difficult to find the real ones without having any doubt. 
(Chorus) If the spirit realm opened up & told us what they see, would we confirm our suspicions of what is or will be? 
(OUTRO) How can we ever have true peace of mind when nothing solidly aligns? Without unity hope lays near dead. Isn't this why so many have dread? Not much of a world if all we can do is be left to be grateful for just our daily bread. Need more from life, this is just us being conditioned to kill what's inside our own heads. Cut the cords, full speed ahead.

Our Daily Dread

Subtle Reconditioning

APE (2019) for fl, b.cl, perc, pno, vln, vc, cb, elec. 
Duration 11’ 30 minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/compositions/
Studio edited mix © Panayiotis Kokoras

APE [fl, b.cl, perc, pno, vln, vla, vc, db & elec]

2024-12-03

It Stretches Like Honey

Pile On

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), Guggenheim (New York), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 98 distinctions and prizes in international competitions and have been selected by juries in more than 350 international calls for scores. He is president of the International Confederation of Electroacoustic Music (ICEIM-ICEM) and a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). Currently, he is Regents Professor of Composition at the University of North Texas and director of the Center for Experimental Music and Intermedia (CEMI).