magnifique, très drôle avec de grands espaces. je me suis régalé. merci

This is probably my favourite track I have ever made and it has been sitting on my hard drive for far too long. It might become part of an album project that I have had kicking around which is intended as a follow-up for ultimate cringe compilation but at this stage I am not entirely sure. In any case here it is for you to all enjoy. I hope you like it (whoever you are :))

speedrunning vampire castle

Pièce mixte pour percussion et électronique
Cette œuvre a été réalisée grâce à la Beca de Creación 2018 Fondo Nacional de las Artes, Argentina

percussion : Louis Lebreton

Antanáklasi III [2019] pour percussion et électronique

Stone Age (2022) for violioncello and electronics
Total Duration 8' 40" minutes.

Ensemble Holophony Project
Preview Full Score at https://www.panayiotiskokoras.com/compositions/
Studio edited mix © Panayiotis Kokoras

2022

Stone Age [cello & electronics]

Support

LaDdEr_Of_LiFe

Planes are coming, bombs are already falling from the dark sky. These poor orphans, they don't know... They don't know what those noises are. 

Antevie - Les Revenants Bombardent Les Orphelins, Leurs Âmes Vides Erreront

Release date : 03/02/2023

BPM : 90
Scale : C# Diminished

Les Revenants Bombardent Les Orphelins, Leurs Âmes Vides Erreront

Hyperviolence

little pieces coming together

20240507

Connotations (2015) for string orchestra and electronics
Total Duration 9' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Connotations [string orch & elec]

AI Phantasy [tape]

Gris souris - Sophie Delafontaine - 2017

Ardoise noire de brune
Ardoise gris souris
Ardoise bleue de lune
Satin du matin
Velours de la nuit
Ardoise éblouie

extrait de « Ardoises » de Jacques Prévert

Gris souris

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 90 distinctions and prizes in international competitions and have been selected by juries in more than 300 international calls for scores. He is a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). He is Professor of Composition at the University of North Texas.

Connotations [string orch & elec]

Panayiotis Kokoras

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