Ya me di al poder que a mi destino rige.
No me agarro ya de nada, para asi no tener nada que defender.
No tengo pensiamentos, para asi poder ver.
No temo ya a nada, para asi poder acordarme de mi.
Sereno y desprendido,
Me dejara el Aguila pasar à la libertad.
CAstaneda Le don de l'aigle
La passion selon st Jean.. Gardiner

LOs NUOvos VIdentes

Music from one screen puzzle „Forgotten Ritual“ by Nozomu Games https://nozomu57.itch.io/forgotten-ritual

Forgotten Ritual (Title Theme)

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dancing in oblivion (disquiet0649)

The assignment: write a piece of music informed by the concerto form 

The "generalbass" roots the original form of the concerto. Everything is carried out musically around this. I focussed upon this impression. Good to connect and remind one's own "generalbass".

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More on the 649th weekly Disquiet Junto project, Concerto for — The Assignment: Write a piece of music informed by the concerto form — at https://disquiet.com/0649/

dancing in oblivion (disquiet0649)

Don't Buy Anything Today

23 5 27

Timeline : 0m00s : 08h16 ~~~ 1m50s : 10h56 ~~~ 2m40s : 12h56 ~~~ 3m20s : 15h30 ~~~ 3m45s : 16h10 ~~~ 4m20s : 16h58 ~~~ 05m00s : 19h36 ~~~ 05m50s : 00h36 ~~~ 07m05s : 00h31 ~~~ 07m45s : 01h55

zuunzug.com/2023/05/28/struga/

A Hundred Days in the Balkans

Marshal Tito Street, Struga (Macedonia), from 8:16 to 1:56

Normalcy is just another shade of strange

This is my first Fl studio track .
My main DAW is Ableton Live,but FL is awesome!!

Enjoy

My first FL Studio WAV :  I am learning FL Studio!!! Fun!!  Nice fat sound!!! Enjoy!

As per the instructions, the track starts and ends with the sound of a turn signal, which is then processed, cut up and re-arranged and then over ruled by a funky beat. Except the beat is interrupted by the occasional failed connection, to remind me of the dodgy sound systems I had in my car when I was young. And then the beat stops, the turn signal returns, first in bits and then steady and strong. I turn into my driveway, and I am home.

disquiet270

2024-11-03

Lady Of The Blue Lagoon

荒みて靡きて 震えながら夢を観る
失くなりて 人の手 草葉の影に重なりぬ

秋高く 宇宙は軋みて 夢の深く 抱く胸に花々
儚過ぎて抗えずに此の部屋にも差し込む光

如何様にも常軌を遠ざけた足跡を編む
故意入り乱れ 明日の傷を振り切れず

邂逅は空に託す 人の世は此の痛みに深々
変わることない憧憬は更に此の意味を映す

サヨナラ 葉は落ちて色の深く 抱く花を遺した
別れの言葉 礫に月 此の部屋にも差し込む情景

秋高く(Aki Takaku)

Connotations (2015) for string orchestra and electronics
Total Duration 9' minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
Studio edited mix © Panayiotis Kokoras

Connotations [string orch & elec]

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), Guggenheim (New York), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 98 distinctions and prizes in international competitions and have been selected by juries in more than 350 international calls for scores. He is president of the International Confederation of Electroacoustic Music (ICEIM-ICEM) and a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). Currently, he is Regents Professor of Composition at the University of North Texas and director of the Center for Experimental Music and Intermedia (CEMI).