Contemporay Mixed Music

New Music (Listed) 1.2

Composers Albums

Instrument(s) and Electronics

version electronica de mi pieza para soprano y ensamble.
Es la version del CEPROMUSIC y la solista, la soprano Irasema terrazas

When Most I Wink Electro

EL procedimiento fue tomar la pieza de flauta y electrónica, recortar en pedacitos muy pequeños, para luego transformar cada uno de ellos y acomodarlos en el tiempo.

TONADA DE LA LUNA LLENA ELECTRO

INTERPRETA  PLURAL ENSAMBLE, MARINERO SOY DE AMOR II
para flauta, clarinete, piano, violín, viola,violonccelo
Dirige Fabián Panisello


Marinero soy de amor II

This Burning Mass - A Feast of Colours (2022) 
for Ensemble 

Commissioned for Riot Ensemble
by Britten Pears Arts for the 73rd Aldeburgh Festival 2022 
Premiere: 19th June 2022
Riot Ensemble, Aaron Holloway-Nahum
Britten Studio, Snape Maltings, Suffolk

This Burning Mass - A Feast Of Colours

Salvatore Sciarrino (1947), D'un faune pour flute et piano (1980)

Esaias Järnegard: Pharos for violin and ensemble. Karin Hellqvist, violin with Ensemble Gageegoo! Live in Stockholm 2015. 

Esaias Järnegard: Pharos for violin and ensemble

jan-philip schulze, wdr sinfonieorchester köln, peter rundel
(released on mode records)

clouds and sky

Salvatore Sciarrino
L'orizzonte luminoso di Aton (1989), per flauto

Concerto in occasione del 70° compleanno di Salvatore Sciarrino
martedì 4 aprile 2017, ore 21.00, Aula Cavazzoni del Conservatorio di Musica "Lucio Campiani" di Mantova

Salvatore SCIARRINO - L'orizzonte luminoso di Aton

Recorded live at IMPULS Festival
Graz, 23/02/2015

Richard Barrett - EARTH

West Pole (2008) for piano and electronics.
Duration 9 minutes.

Ensemble Holophony Project
Preview Full Score at www.panayiotiskokoras.com/en/works.html
© Panayiotis Kokoras

West Pole [pno & elec]

Soundboarding (2008) for amplified piston flute, classical guitar and electronics. 
Duration 7' minutes.

Ensemble Holophony
Preview Full Score at www.panayiotiskokoras.com/en/works.html
© Panayiotis Kokoras

Soundboarding [rec gtr elec]

INFERNO
for Choir, Orchestra, and Solo Performer

Gulbenkian Choir & Orchestra
conductor. Nuno Coelho
soloist. Andre Hencleeday

music. Nuno da Rocha
text. Clément Bondu

commissioned by OSESP - Orquestra Sinfônica do Estado de São Paulo & Fundação Calouste Gulbenkian
premiere. 24th January 2020

audio & video. Gulbenkian Música | Fundação Calouste Gulbenkian

INFERNO - for Choir, Orchestra, and Solo Performer

T-Totum (2009) for snaredrum and electronics.
Duration 10' minutes.

Ensemble Holophony Project
Preview Score at www.panayiotiskokoras.com/en/works.html
© Panayiotis Kokoras

T-totum [sd elec]

Jet (2011) for soprano recorder and electronics.
Duration 8' minutes.

Ensemble Holophony Project
Preview Full Score at http://www.panayiotiskokoras.com/en/works.html
© Panayiotis Kokoras

Jet [rec elec]

Hiss and Whistle (2013) for alto recorder and tenor voice and electronics.
Duration 8:51 minutes.

© Panayiotis Kokoras
Ensemble Holophony Project

Hiss and Whistle [a.recorder voice electronics]

Johannes Kreidler: Piano Music

Zum Geburtstag

Panayiotis Kokoras studied composition with Yannis Ioannides, Henri Kergomard, Kosta Varotsi, and classical guitar with Evangelos Asimakopoulos in Athens, Greece. In 1999, he moved to England for postgraduate study at the University of York where he completed his MA and PhD in composition with Tony Myatt. His works have been commissioned by institutes and festivals such as the Fromm Music Foundation (Harvard), IRCAM (France), Guggenheim (New York), MATA (New York), Gaudeamus (Netherlands), ZKM (Germany), IMEB (France), Siemens Musikstiftung (Germany) and have been performed in over 1000 concerts around the world. His compositions have received 98 distinctions and prizes in international competitions and have been selected by juries in more than 350 international calls for scores. He is president of the International Confederation of Electroacoustic Music (ICEIM-ICEM) and a founding member of the Hellenic Electroacoustic Music Composers Association (HELMCA) and from 2004 to 2012 he was a board member and president. Kokoras’ sound compositions develop functional classification and matching sound systems written on what he calls Holophonic Musical Texture. As an educator, Kokoras has taught at the Technological and Educational Institute of Crete, and, the Aristotle University of Thessaloniki (Greece). Currently, he is Regents Professor of Composition at the University of North Texas and director of the Center for Experimental Music and Intermedia (CEMI).