❤️

🔥

plenka

wivi

Featured in the new Devolver Digital video game RUINER, released September 26th 2017 on PS4, Xbox One, and PC / Steam.
Listen to this song on SPOTIFY - https://open.spotify.com/artist/48nHO1cuTbpx4ELhChsxX1

Follow me on Instagram for exclusive clips of what I'm working on - https://www.instagram.com/sidewalksandskeletons/

RUINER TRAILER - https://www.youtube.com/watch?v=8kt6SSibH9s

MUSIC VIDEO - https://www.youtube.com/watch?v=EWES7Uqbc9A

RUINER OST 2017

STREAM / DOWNLOAD

SLEEP PARALYSIS [RUINER Soundtrack]

another world

new remix with @salva

free download n shit

enjoy :)

follow @rlgrime
www.facebook.com/rlgrime
www.twitter.com/rlgrime
www.rlgri.me

follow @salva:
www.facebook.com/salvabeats
www.twitter.com/salva
www.salva.us

Skyfall (RL Grime & Salva Remix) - Travi$ Scott (Ft. Young Thug)

prosto smotryu na mir

豆bean - everlasting (ℍUM♥ℕIGHTM♥RE Remix)

not gonna get us (vs. Tatu)

visitor

Trials Pt. I

Faded - Alan Walker (Frozty Remix)

So Use

Lubetsky - Victory

WinDey - I'm Crying I'm Fall

Catharsis

Рудбой

np-oh-mp

playing with fire

you are

vk.com/craspore vk.com/pl3nkv

PLENKA x CRASPORE - DISTANCE

vk.com/pl3nkv

in point of fact

Hyperactive since 2001, the San-Francisco based label Roam Recordings welcomes for their 70th release the Spanish producer artist Undo. Purely cosmic and mezmerizing record, this EP includes a Rigopolar remix, that turns the melancholic chords of the original to a splendid slow and cinematic version. Out march 15th, including 2 original tracks and another remix from Curses.

https://soundcloud.com/undo
https://soundcloud.com/rigopolar
https://soundcloud.com/roam-recordings

Bird Without Wings

PREMIERE | Undo - Bird Without Wings (Rigopolar Remix) [Roam Recordings] 2019

another world is dying near u

Discovered for the first time on stage a year ago, as they opened Vox Low’s release party in a sordid Parisian venue a rainy day or winter, Order 89 is a promising french neo-punk band where saturated guitar riffs meets binary electronic drums and a cold blooded voice, in a pure dark wave tradition. Poetic and hypnotic, this track is part of Ombra Intl’s new various EP, joining works from Local Suicide & Curses, Dog.ma and Amacord. 12’’ and digital out on march 29th.

https://soundcloud.com/oeightynine
https://soundcloud.com/ombrainternational

PREMIERE | Order89 - Future [Ombra INTL] 2019

observer

Forthcoming as part of the 'Sabbath' collection, alongside remixes from Mathias Schober + Zombies In Miami.

Follow: https://soundcloud.com/gettongued

DHA Article: http://www.deephouseamsterdam.com/london/premiere-speaking-in-tongues-mood-swing-microcastle

microCastle’s second offering of 2019 welcomes Speaking In Tongues to the label for their debut EP. Conceptualized by long time friends Miguel Angel and Philip Anthony, Speaking In Tongues was a project born out of love for cutting edge electronic music. Originally meeting almost 20 years ago, after Miguel’s move from Colombia to Philip’s hometown of Los Angeles, the two spent a great deal of time together in various capacities, many of these aligned through a joint musical appreciation. Speaking In Tongues is meant to capture and embrace that cohesive fusion and spread it across the airwaves. The duo’s creative vision has seen them land releases on TAU, Atlant Recordings and My Favorite Robot, while their recent remix of Kauf’s ‘Let It Slide’ was aired by Kölsch on BBC Radio One. Now presenting their first EP project of 2019, Speaking In Tongues make their microCastle debut with ‘Sabbath’, alongside remixes from Mathias Schober and Zombies In Miami.

The ‘Sabbath’ collection is a transcendent blend of desert, eastern and indie-dance motifs, further reinforcing the duo’s nomadic style. Beginning with the deep, cross cultural themes of the title track, the EP then shifts energy to the modular intensity and oriental motifs of ‘Mood Swing’, before eventually melting down into the pulsating, indie-esque psychedelia that is ‘Eraser’. An expansive collection from the Los Angeles duo, one which draws on a variety of inspirations and thus resonates on multiple levels, as they describe.

“During the process of writing this record we had kept in the back of our minds that we wanted to create something diverse enough that each track would be countered by the following, reflecting the differing emotions built around our lives and provoking the question, as David Byrne quite simply put—how did I get here?

We wrote the lead track, Mood Swing, and the title track, Sabbath, back to back—both being inspired by a recent recording session we had done for a local percussionist who was creating an album full of worldly and sound-bath oriented music. Drawn to the sounds he was incorporating, we wanted to keep that same worldly essence while presenting backing elements that had a sense of angst and attitude. Right out of the gates Mood Swing hits you with a steady rhythmic modular-esque bass-line, which was the foundation we laid for the track within the first hour of sitting down. From there, it was easy enough to add the pull and tug of swelling lead synths to capture the bipolar toggle found in the nature of life—ups and downs, highs and lows, strikes and gutters—ahh, the beautiful curse of the artists’ daily mood swing!

Sabbath, we think, will remain a special tune for us. The sort of progressiveness that it lends is a style we flourish in, although not a “genre” we often flex—and perhaps that constitutes its uniqueness. For us, the track immediately conjures images of the Southern California desert and the hypnotic nights we have spent under the stars there, ultimately turning into beautifully strange mornings. Joshua Tree in particular is a special area we make a bi-annual pilgrimage to, and the spirit of that place often leaves its fingerprints on our music—Sabbath being no exception.

Rounding out the record with the final track we wrote for it is Eraser. A touch more light-hearted in nature, we made this one a few weeks after the first two were finished. Drawing influence from the early LA psychedelic scene, you’ll find elements of a Ray Manzarek like keyboard that drifts seemingly off into the aether before humbly crashing down into a driving house beat reminiscent of one of those nights where you may find yourself asking (again): well, how did I get here?”

DHA AM PREMIERE: Speaking In Tongues - Mood Swing [microcastle]

Moscow's electronic scene heavy weight and quality indicator - Odopt are releasing this insane remix of Belgrade’s awe-inspiring superband TAPAN, real meeting of two dark wizards from the east from the upcoming ‘Ghana’ EP on almighty, never stopping Malka Tuti. The russian duo switched this originally hypnotic slow-techno tune to a mysterious mutating monster, blending buzzing synths and sordid backgrounds with a massive kick drum, creating this unique dark electronica soviet weapon. 
This is third release of Nebojša Bogdanović aka Schwabe and Goran Simonoski since their breathtaking debut album Europa and Tarantella EP and its includes 2 original mixes and a remix from Belgian’s finest duo Front De Cadeaux.

https://soundcloud.com/tapanbg
https://soundcloud.com/odopt
https://soundcloud.com/malka-tuti

PREMIERE | TAPAN Feat. Jan Nemecek - The Beast (Odopt Remix)[Malka Tuti] 2019

it's a feeling

на заре

later