The River w/ Niurkas Chica Orion Mix DJ E edit

Elysia Crampton - Smile

Taken from the archives, here's Shlohmo's classic mix from 2011 for Gilles Peterson Worldwide.

Nathan Johnson - Emily's Theme (Brick OST) - [Lakeshore] 
sounds 
His Name Is Alive - One Year (Four Tet Remix) - [Domino] 
Emily Reo - On The Beach - [self released] 
sounds 
Drake - Club Paradise (RL Grime screw) - [OVO] 
Jon Brion - Phone Call (slow) - [Hollywood] 
+ found voicemail 
Dimlite - Roo - [self released] 
Asura - Her Tearing - [Non Projects] 
M83 - I Guess I'm Floating - [Gooom] 
Evenings - [I] Softly, We Go.. - [self released] 
sounds 
Little Dragon - Twice - [Peacefrog] 
Groundislava - Culminate - [Wedidit] 
sounds 
D'Angelo - Africa - [Virgin]




Shlohmo Mix on Gilles Peterson Worldwide (2011)

Elysia Crampton - Tie Me E bootleg

Starfrog Slipmoded

Starfrog (JP's Little Shinety Clouds remix) [feat. Ben Bondy]

Playboi Carti - Love my Shawty (Prod.By Adrian)

@melquiadesmusic
Good friend and constant source of inspiration Alex Albrecht, joined me to celebrate my 300th episode of Passing Notes.

Few artists channel a consistent stream of creativity like Alex Albrecht. With over a decade of music-making under his belt, Alex has cultivated a distinct and frankly iconic musical identity. Effortlessly shapeshifting between experimental jazz, ambient, atmospheric house, and deep techno, Alex’s compositions are marked by an environmental undertone that imbues them with a uniquely “Alex Albrecht” earthly sense of place. Simultaneously anchoring and weightless, the common thread between it all is Alex’s ability to leave listeners safely ensconced in a swell of emotional resonance.

Improvisation and exploration are at the heart of Albrecht’s craft. His constantly evolving and captivating live performances have taken him to far corners of the globe, with appearances at iconic venues like Bassiani in Georgia, Monument in Norway, and Vent in Tokyo just to name a few. Each journey fuels his exploratory nature, offering new opportunities to immerse himself in the world around him. Field recordings serve as an auditory journal—postcards sent home to evoke memories of space and place that form the ever-important foundation of his creative process. These recordings provide a naturalistic canvas upon which Alex layers syncopated rhythmic subtleties and soaring, colorful synthetic brushstrokes.

With a rich discography amassing on celebrated labels such as A Strangely Isolated Place, Constellation Tatsu, Apollo, Scissor & Thread, and his own Analogue Attic Recordings—also celebrating its 10th anniversary this year—Albrecht’s work reflects a steadfast commitment to artistic authenticity and a depth of accrued knowledge now expressed through a craft so refined that oft feels effortless.

It was an honour to have Alex performing LIVE in the studio to celebrate this milestone together and share in his music that will continue to inspire us all.

Alex Albrecht [LIVE] - PN 300

1998 Backyard Sequence

https://ssaliva.bandcamp.com/album/riri-stretchd-editz

close2u ss stretchd_ascent edit

Original Music
Duncan Thum & Sebastian Örnemark

Additional Music
Tyler Sabbag
Jon Natchez

Orchestrator
Alex Cap

Musicians
Juan-Miguel Hernandez  (viola)
Beldina Nyadwe  (vocals)
Ashley Knight (vocals)
Andrew Parker  (guitar)
Tyler Sabbag  (percussion)
Duncan Thum  (guitar)
Daphne Tsao (violin)
Uriel Vanchestein (clarinet)
Vladimir Martinka (conductor)

Chef's Table - Mashama Bailey

Elysia Crampton - ORCORARA 2010
Format: 2LP (July 10) / DL
Cat.No. PAN 101
Release Date: 1 May 2020 
Purchase: https://bit.ly/2WeCpPj

This album follows intergenerational trauma, fugitives of Christian violence in a twilight called Puruma, returning to Mama Cocha, the sea that theorists call Nowhere.

Dedicated to the life of Paul Sousa, who while incarcerated, worked years as an inmate firefighter across the Sierra Nevada of California. Also dedicated to the work of Sage LaPena and Dr. Gretel Mendizabal Nolte. (Includes misreadings of Jimenez, Saenz, Claudel, & Wright).

Not one, not world, not body, not god, not salvation, not zero; only a ceaseless approaching toward, with, and as the great mystery, by Grace, Tatamama. Jallalla.

ORCORARA 2010 was comissioned and released in 2018 by Centre d’Art Contemporain, Geneva, CH for the first floor at the Biennale de l’Image en Mouvement 2018 ‘The sound of screens imploding’.

The album is mastered by Jeremy Cox.

All proceeds go to the American Indian Movement West/ AIM SoCal chapters.

1998 Backyard Sequence

soft 404s