Toys

Deft 1s

Living Bones

Deft - Always Greener EP
WOTNOT MUSIC - WOT 015 (24th March 2014)

http://pitchfork.com/reviews/tracks/16791-emeralds/

Despite refusing to stick to a single genre, Deft is one of those immediately recognisable producers, which is nice because it means we don’t have to waste any time comparing him to anyone else. 2013 saw the Croydon man skilfully hopping from headphone to dance styles, often within a track, his signature blend of cinematic soundscapes and crisp, intricate percussion covering hip-hop, house, and ambient. What’s more, his noteworthy contributions to the burgeoning UK footwork scene means the young producer can now count Mark Pritchard, DJ Shadow and Rockwell among his biggest fans, and boy does this boy have fans, check this Bandcamp review of his Project Mooncircle EP Voight Kampff:

Anything this magician puts out has a pretty good chance of getting you pregnant right in the good old music hole.

Says it all really.

Emeralds opens with bubbling synths, building into epic space-station jungle juke with haunting toplines and heart-shaking bass. Cavernous electronic atmospheres introduce A Little Kiss, which interleaves percussion and stuttering bass with the incredible attention to detail we’ve come to know and love.

Octavia is a feisty younger sister to Loqux & Past, the Maya Jane Coles-championed hit from his Space Hardware EP; warm, headnod house joined by a SHOWER bass-line that roundhouse kicks its older sibling in the face for hogging the limelight. Maintaining the hyper vibes, Perky couples spiky footwork beats with slowly-evolving chords creating euphoric rises and falls, leading perfectly to the epic reflection of closing interlude On The Other Side.

All in all, Deft is an artist who continues to develop in awesome and interesting ways, increasingly able to balance striking dance music with immersive ambience. And finding his path with similarly ambitious labels like WotNot, there’s a not-too-distant future where Deft no longer worries that it’s always greener on the other side.

http://deftmusic.com
http://facebook.com/deftmusic
http://twitter.com/deft_1
http://wotnot.tv

Deft - Emeralds (WOT015)

Free Download

ERROR (Free download)

Third times a charm

GOLD

Claro

Brothomstates - Mdrmx

Taken from the album 'Ways Of Seeing' out 14th June 2019

Launch Events - 

05.06.19 - Berlin
07.06.19 - Glasgow
13.06.19 - London

Pre order via the label: https://planetmu.bleepstores.com/release/126501-konx-om-pax-ways-of-seeing
Pre order on Bandcamp: https://konx-om-pax.bandcamp.com/album/ways-of-seeing
Listen to LA Melody now on Spotify: https://open.spotify.com/album/61migHsxlWTUzLkm1bII83
http://www.konx-om-pax.net/

Ways Of Seeing

LA Melody

Konx-om-Pax - LA Melody

From the album Ital Tek - Outland (out 1st May 2020 on Planet Mu)
http://smarturl.it/ItalTekOutland

Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘.

The album was written during a period of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this time of self-imposed isolation Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album.

Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan’s sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions.

The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’.

The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters. 

These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.

Ital Tek - Deadhead

Planet Mu Records