Rain and train

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fractal sleep

playing the my new Obsession Project live with hy sequencer, synth, reverb - delay fx rack, controller, bitwig cv out eurorack, analog mixer, analog eq,...

digitali - obsession LIVE 11-08-25

2016 has just begun and Lokane is already dropping some brand new heat! Get ready for "Visions EP"! With five original dance floor must haves and two killer remixes by Scratcha DVA and Tsvi, this EP is set the raise the bar for the Nervous Horizon label.

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Tracklist:
A1 - Lokane - Visions 
A2 - Lokane - Body Double 
A3 - Lokane - Bomba 
B1 -  Lokane - In The Trap
B2 - Lokane - Overproof 
B3 - Lokane - In The Trap (DVA Soule Power Remix) 
DIGITAL BONUS Lokane - Body Double (Tsvi Remix)

(Out 4th of March 2016)

LINKS:
https://soundcloud.com/lokane
https://www.facebook.com/LarryLokane
https://www.facebook.com/Nervoushorizon

NH003 // Lokane - Visions EP

Taken from the album 'Ground and Figure' released as 2LP and download.

Ground and Figure

Sendai 'Porter Swiss' (EMEGO 232)

The Late Aubade by Sonja LaBianca

Preorder: https://planetmu.bleepstores.com/release/139691-meemo-comma-sleepmoss, released 25th October.

“Sleepmoss is a romantic eulogy to autumn and winter. A time for peaceful inner reflection, amidst the backdrop of British woodlands, dramatic skies and turbulent storms. Finding peace with mental health and being mindful of the beauty in death and endings.”

'Sleepmoss', the second album from Meemo Comma a.k.a. Brighton-based producer Lara Rix-Martin, is an adventurous, unusual and very contemporary sonic take on the impact of landscape. It’s a kind of storytelling, inspired by the shifting landscapes of her daily walks with her dog on the South Downs.

Discussing her under-the-radar debut album 'Ghost on the Stairs' with Aimee Cliff at The Fader in 2017, she noted how she is “drawn to eerie sounds in my work.” This fascination remains on 'Sleepmoss' but the context has changed from the interior and inwards gaze to a much wider, wilder viewpoint. Lara describes her new record as being “about getting lost in the sumptuous divinity of the dark months in Britain. It is in many ways the opposite reflection of 'Ghost on the Stairs' which was about internal processing of sounds, specifically human speech. The last album was almost an exorcism of issues troubling me but this album is about the glory of solitude and the richness of romance that can be found in nature.” 

‘Sleepmoss’ challenges us to rethink our perceptions of the “pastoral” and to look at nature afresh with new eyes. For not only are the landscapes around us an escape: much more lies there, it's this turbulence we need to find peace with, and Sleepmoss grapples with the physicality of the landscape in a fresh and intuitive way.

Rix-Martin notes “Musically, we have never truly embraced rugged landscapes in their full glory and I felt this when I thought about the many different composers over the centuries, their work seemed uptight and far too human in scale. For instance Vaughan Williams had unquestionably beautiful moments in The Lark Ascending, but it's too clean, too controlled. I wanted to channel a take on classical music that was hyper-real, focusing on letting the elements speak to us, not the other way around.”

A visual influence is J.M.W. Turner - “his work with changing light and storms that are raw and expressive.” and the abstract way in which Turner boldly revealed both horror and beauty (some would say “reality”) is reflected in the sonic approach throughout Sleepmoss. 

The album’s timeline starts out with summer's end, and the feeling of the air changing. Within this timeline, Rix-Martin describes the drama of her songs as visual stories. “The sounds around us are totally different depending on the season, I always assumed it was to do with the change in water vapour and heat in the air. Summer is much too high pitched and spiky.”  To pull out a couple of our favourites, the songs 'Night Rain' and 'Murmur' are “the story of predator and prey, death and life, one fortifying the other while a storm rumbles. The next morning the woods are clear birds sing in the breeze from the night’s storm.”

‘Sleepmoss’ captures not only a unique perspective on nature but like nature itself, reflects the shifting times we live in. As Rix-Martin points out, Nature is often seen as “something to be controlled, neatened, conquered.” Sleepmoss interprets and admires nature in all its glory.

Sleepmoss

Meemo Comma - Tanglewood

From Upcoming ANM048 Prants "Axon Ladder" CD
Digital Album and pre-order available now via the artist's website — https://bhobrainey.com/store/47
Prants is the project of Chris Cooper and Bhob Rainey

Axon Ladder

ANM048 Prants — Sheep Swallow

When they go under, how they navigate’ is the debut release of multidisciplinary artist Helena Pulkkinen.
On her EP Pulkkinen builds a captivating world through intricate compositions, juxtaposing her own voice with electro-acoustic ambiences. Across the EP’s five songs ‘When they go under, how they navigate’ emanates emotions which travel seamlessly from haunting to alluring and yearnful.

Written, produced and mixed by Helena Pulkkinen
Mastered by Joni Judén
Cover art by Gabriel Boicel

When they go under, how they navigate

Kara

Re:Conceive is a collection of tracks from artists living in Tiohtiá:ke:, so-called 'montréal', which is raising money for The Native Women's Shelter and The Just Solutions Clinic. It aims to activate solidarity between indigenous peoples, settlers, immigrants and refugees alike. Electronic music is a potent conduit in this process, in reclaiming space where just realities might be cultivated or imagined. With the arrival of the rising global tide of right wing politics in 'québec', and the unaddressed history and continuance of colonialism and structural white supremacy in 'canada' at large, it is high time that we reconceive of our history, our present, and our way forward. 
~ 
All revenue generated by this compilation will be donated 50/50 to The Native Women's Shelter of Montréal and The Just Solutions Clinic. 
~ 
Re:Conceive est une collection de pièces d’artistes habitant Tiohtiá:ke, appelée «montréal». Le but de cette initiative est de lever des fonds pour The Native Women's Shelter of Montreal et l’organisme Clinique des Solutions Justes. 
Ce projet à pour but d’activer la solidarité entre les peuples autochtones, les colonisateurs, les immigrants de même que les réfugiés. La musique électronique est un conduit puissant dans ce processus, en réclamant l’espace où les réalitées équitables pourraient être cultivées ou imaginées. Avec l’arrivée d’une vague globale de politique de droite au «québec» ainsi que l’histoire et la continuation du colonialisme et de la suprématie blanche au «canada» qui n’ont toujours pas été adressés, il est grand temps de reconcevoir ensemble notre histoire, notre présent et notre chemin vers l’avant. 
~ 
Tout revenu généré par cette compilation seront donné 50/50 entre Native Women's Shelter of Montréal et Clinique des Solutions Justes 
~ 
Grosse thanks to Andy Poblete (@anpob) for his evocation of the political situation in 'québec'.
~
Mastered by Cristobal Urbina
https://www.facebook.com/SeeYouMastering

Art by Nick Castonguay
https://www.nickcastonguay.com

Logo design by Kristian Spears
https://tephrael.tumblr.com/

Meemo Comma - Tanglewood

Planet Mu Records

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