http://planet.mu/releases/ill-tell-you-what/
https://planetmu.bleepstores.com/release/100854-rp-boo-ill-tell-you-what
https://rpboo.bandcamp.com/album/ill-tell-you-what

While notorious in the Chicago streets, RP Boo's music had been unfairly confined to a few white labels and self-released mixtapes until his two archival Planet Mu LPs Legacy and Fingers, Bank Pads & Shoe Prints introduced broader audiences to his sonic history, some of it fifteen years after it was first recorded. I’ll Tell You What! is the next step in his mission, and the first time he’s released an album of contemporary material. The title, a favorite maxim of his, welcomes listeners to sit down and let him narrate in the unforgettable abstract fashion he's known for. He explores familiar motifs such as the cosmos, movement, and opposition, using densely interwoven vocals, unpredictable percussion, and evil humming bass as his tools of choice.

RP Boo’s music doesn’t follow the traditional rules that most compositions do. Layering decades of samples from yesteryear to the present over his commanding vocal cut-ups, he transports the listener to their own realm of the space-time continuum. The main difference between this record and his prior work is now we hear Boo tell new stories about preaching his gospel outside of Chicago, from his experiences frantically touring the globe over the last five years. The words “things ain’t been the same / since I hopped the plane” are repeated on top of engine sounds and rumbling bass on Flight 1235, a glorious paean to his new jet-setting adventures.  

The spirit of competition runs through RP’s veins as much as blood does, something you can’t unlearn when you’ve been making music for Chicago’s footwork circuit as long as he has. The local culture has served as a shelter from the violence that has plagued the city, pitting kids against each other with their feet rather than weapons. On At War Boo reminds us “we are at war in the streets”, a double meaning to both the mayhem in this world and the sweetness of rivalry on the dance floor. Another battle-themed track Cloudy Back Yard, one of the spacier moments on this album, is an abstract on the state of footwork’s home. Chicago remains the backyard of this artform even though it’s left the porch and traveled to new neighborhoods worldwide. Back at home though, competition among the DJs and dancers continues, and as the man himself says, “with all this hate, there’s smoke, and it’s cloudy”. 

I’ll Tell You What! throws more than a few curveballs into the mix. Footwork has always borrowed from hip-hop, and many vocal tracks are almost condensed raps, dating back to the street chants pioneered on Dance Mania Records in the ghetto house days. On Bounty, Boo grabs the mic and brazenly lays down a full-on verse of terror over a thick atmosphere of his signature sweltering low-end and erratic Roland R-70 patterns. 

While he’s most famous for his confrontational battle anthems, his melancholy moments are just as powerful. You get the best of both of those worlds on U-Don’t No, with soulful samples finishing his own cocky sentences, one of the most elegant tracks RP has made to date. Deep Sole closes the record out, with the words “It’s always beautiful at the end” looping over waves of hypnotic synthesis, confidently looking death straight in the eyes.

RP Boo - Back From The Future (Edit)

No one has been unaffected by what's going on

♡MAHALO WUBZZZ♡
♡vegas♡
♡snapchat: biglaniii4k♡
♡ig : mslanitsunami♡

“I Care Because He Does.”









This is a page inspired by the artist Richard D. James, more specifically, his work on the Rephlex Records label, unreleased/rare releases, and the album he released under the alias “The Tuss”, called “Rushup Edge.” Leading up to this official release, there were multiple MySpace pages said to be accounts belonging to The Tuss. At this point in 2023, it is still unclear how much of these Tuss accounts Rich was involved in… the only confirmed RDJ Tuss material are the aforementioned “Rushup Edge”, and the ep the preceded it, called “Confederation Trough”.

This page also focuses heavily on the “SoundCloud Dump”, which was a series of releases uploaded to a number of anonymous accounts on SoundCloud that eventually became clear to the world to be Richard. It is an astonishing amount of material - spanning his entire artistic career. They eventually were taken down by his record label, but there are a number of folks that compiled each track in a zip archive and can be downloaded for free to this day on archive.org. 

Though this page is dedicated to and inspired by Aphex Twin - I came to a turning point with where to take this page. The main goal is to promote. In other words,  to provide a place online for fans of Aphex Tain to easily stream the best of their favorite artist, as well as showing younger fans of electronic music who I believe is the greatest electronic musician. 

I’ve also uploaded various tracks from a few other artists that are either collaborators, influencers or those influenced by Aphex Twin. You will find some original DJ mixes done by me and some straight up “mixtape” style hour long tracks arranged by and mastered by me. 

I do not profit in any way from this monetarily speaking, but I do get a lot out of seeing the comments and the joy that the songs uploaded bring about, and archives are important.

https://evel.bandcamp.com/album/adopt-me

https://aphextwin.bandcamp.com/album/blackbox-life-recorder-21f-in-a-room7-f760

https://squarepusher.bandcamp.com/album/dostrotime-1

https://mikeparadinas.bandcamp.com/album/grush



https://archive.org/details/aphex-twin-2023

Drum and Bass Selecta
@tripphousecollective

RP Boo - Back From The Future (Edit)

Planet Mu Records